Method Audio

02/26/2026

Very excited to have been a part of filming Nate Bargatze’s new game show on ABC/Hulu, The Greatest Average American. We’re incredibly grateful for the opportunity to work on a production of this caliber right here in our hometown of Nashville. Nate is big on giving back to the local community in so many ways, and providing work for our local TV community is something we definitely don’t take for granted.

This was a really fun show to be a part of, and being able to hand-select such a stellar audio crew was the icing on the cake.

In no particular order, our crew was:
a.n.i.x (Audio Supervisor)
(FOH Mixer and wrangler of a million speakers)
(Pro Tools Recordist / Playback)pulse (Pro Tools Recordist / Playback)
Robert Hill (A2)
(A2)
(A2)
Greg Mackey (Comms Lead and Audio Project Manager)
January Santana (Comms Assistant)
JP Howell (System Engineer)
(RF Coordinator)
(Audio EIC / Truck Comms)

02/16/2026

Had a great time mixing the 40th Midsouth Emmys in Nashville at the beautiful Fisher Center for the Performing Arts. More than a gig, this was a wonderful mentoring and training opportunity for a primarily student-led production.

Students from MTSU’s Video and Film Production, Recording Production, and Belmont’s Audio Production programs joined forces to put on a great show this year for our Midsouth Emmys chapter.

provided a solid crew of students and faculty, as well as some professional alumni, to produce and engineer this beautiful show. So very happy for the opportunity to be a part of this show as both an alum and a member of the MTSU VFP faculty.

02/03/2026

The West Texas Rehabilitation Telethon in Abilene is one of my favorite shows each year. From a technical standpoint, it’s quite challenging due to needing to keep the budget low to raise the maximum amount of money possible to benefit the charity, but the bands and artists that play this show make for a very fun evening.

Since there is no budget for an audio truck, we mix the music portions of the 5 hour broadcast in a storage space backstage on a small flypack. The biggest change and improvement this year for us is the addition of our .inc AT6 reference monitors. These speakers make this less-than-ideal mix space totally usable. We are able to mix at lower volumes to minimize reflections and other acoustic interference, but still maintain full range linearity in the mix with these boxes.

When guest engineers and producers come back stage to listen to mixes for approval, we have an easier time presenting an accurate mix with the Third Ear monitors than in years past. Eliminating the narrow sweet spot needed for most speakers is one of the many ways in which these AT6’s shine.

Thanks are in order for and for the hard work on a couple of long days of production. You guys rule!

Our LiveBox was clutch along with our EXBOX.MD for Dante to Madi conversion.hicb

01/27/2026

Very excited about this! We’ll be purchasing one to add to our EXBOX.MD to use its low latency I/O as an interface to host VSTs using SuperRack Performer.

01/23/2026

Having a great time listening to some rad stuff with some cool people out here at NAMM. .inc speaker demos are insane on the truck. Catching up with friends at and .official

01/12/2026

Finally able to post about a project we got to be a part of in October 2025 thanks to and We recorded, along with Paul and Fortress Studios, Chappell Roan’s Kansas City show. It’s always a good time when we get to work shows by artists we are fans of. Kayleigh and her band were phenomenal, and her fans were amazing. Hope you were able to catch Chappell’s performance on Dick Clark’s New Year’s Rockin’ Eve. Paul Hager did an incredible job mixing the show and the visuals look insanely good thanks to the team put together. So very grateful to have been a part of this amazing show.

For the technical bits, we captured audience mics and MADI split via our PRODIGY.MP into .protools Our Rednet TNX’s performed flawlessly and allowed for maximum flexibility at ultra-low latency.

01/04/2026

Grateful to be back for another year of NHL Winter Classic mixing the pregame broadcast for on TNT. A special thank to for sorting us out on the technical details and logistics. It’s always nice to be back for an annual show and to have things run so smoothly because of the professionalism and collaboration of each department.

We ended the year with a great crew in Nashville for NYE on CBS and started the year right in Miami with another great crew for Winter Classic. Our killer crew consisted of who is one of the smartest and best audio EIC’s in the country (IMO) and just an all around kind person, took care of Pro Tools and Truck A2 duties along with general moral support and comic relief, and coming in strong taking care of liaising with the artist camp and taking care of all the important bits on stage is - the legend.

This show was especially unique for us being the first broadcast we were able to use our very own, brand new .inc AT6 monitors. Gotta say, it really made all the difference in the world for us. This show in particular required speed since the artist (Role Model) had a very compressed schedule for camera blocking both outside at our show, and inside the stadium for a performance for the game. That said, we had 3 passes for a sound check/rehearsal for 1 song, and that was it. No real solid line check, no stopping down, so we had to be on it. With such honest speakers in the Third Ear AT6’s, we were able to confidently dial things in knowing our compression was accurate, our EQ choices were spot on and not too heavy handed or light, and our space within the 5.1 mix had proper placement. Being able to hear .5dB moves in gain with EQ, reduction in compression, and all of the other nuanced changes in the mix made such a massive impact on how we approached the mix for this show.

Thanks again to JJ and for providing their truck Vibration for this show and for helping us pull off a smooth broadcast.

Side note, our new favorite reverb is this .plugins Seventh Heaven - M7 on stun. Also, the immersive wrapper from on our LiveBox is 🤌

01/02/2026

Grateful to end the year with an incredible Nashville based crew doing a hometown show. New Year’s Eve Nashville Big Bash on CBS was the perfect way for us to end the year. Our crew, producers, and equipment providers made this a special finish to a year of hard work. Thanks to @𝕂𝕚𝕞 𝔹𝕚𝕣𝕜𝕪 for keeping track of the details in the truck, both technically and musically, Santele for the heavy lifting engineering a complicated show both in terms of transmission, intercom, and truck to truck needs, Scoop Blanden for a stellar production mix in the house and for keeping a handle on all of the cues and massive amounts of details, Hughesfor vendor support, moral support, and intercom, Pfeffer for programming all of the house and RF comm, and a special thank you to and Wright for being such badass A2’s making everything outside of the truck work perfectly!

Side note… Dwight Yoakam was insanely good. He came out to the truck to listen down for a couple of hours between rehearsal and his performance and it was amazing. Such great ears, musical vision and his generosity in sharing the stories of making these records in legendary studios was a special moment. I took a photo of 2 plug-ins that really made a difference for us on this show. Using our Waves Audioio LiveBox, we ran a few instances of CEDAR Audioio StageVox to clean up bleed into vocal mics. With its near zero latency efficiency and stellar audio quality, the reduction it provided in background noise was incredibly useful on a loud stage with wedges and ripping amps. Lastly, the Universal Audioio Capitol Chambers plugin ended by up being the perfect choice for Dwight’s vocal verb (as well as some instruments). Dwight cut a lot of his records at Capitol and knew exactly what chamber and mic combo used in the studio. We were able to give him the exact vibe from the records he cut there in the 80’s and 90’s and he was stoked as hell we had this option for him.

Happy New Year, everyone! Looking forward to a healthy and happy 2026.

12/27/2025

Couldn’t be more exited to join the ranks as the newest owner of a fresh pair of .inc AT6’s. Chris and team make a hell of a speaker! Having the ability to bring a solid set of monitors into spaces we may not always know or trust is going to be transformative. Accuracy and consistency is key in our world, so taking this step up to a higher-end monitoring solution is going to be huge for us. We opted for the custom Pelican Air they have on offer as well, so flying and freight will be a no-brainer. Can’t wait for you to come out to the truck or our fly-pack to give these a listen sometime!

12/15/2025

10/29/2024

Hi, everyone. The best place to follow our work is Instagram. Give us a look if you like here:

238 Followers, 264 Following, 75 Posts - See Instagram photos and videos from METHOD AUDIO ()

02/10/2024

Rainy Saturdays are perfect for post. Finally got around to updating the big mix template for 2024. Looking forward to new mixes for the new year.