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Paintings, Sculptures, Prints
Johannesburg Paintings, Sculptures, Prints by South African & International Artists

PAUL BOSMAN (SA 1929 - 2011)'CHEETAH'1997GRAPHITE ON PAPERSHEET SIZE : 21CM X 21,5CM FRAMED SIZE : 63CM X 69CMHAND SIGNE...
23/10/2026

PAUL BOSMAN (SA 1929 - 2011)
'CHEETAH'
1997
GRAPHITE ON PAPER
SHEET SIZE : 21CM X 21,5CM
FRAMED SIZE : 63CM X 69CM
HAND SIGNED & DATED IN PENCIL BY ARTIST
FRAMED
MINT CONDITION

"I see art and wildlife conservation as a symbiotic relationship. Because art keeps alive the memories of wildlife in a natural setting, it stimulates a longing in the public to know that such scenes will continue to exist in nature."

Wildlife artist Paul Bosman was born in South Africa on August 2, 1929 and spent his early years in the Great Karoo. His parents moved from the Karoo to Botswana and in this great wilderness he became familiar with the big game species. This was followed in 1969 by building, owning and operating a luxury photographic safari lodge in Zimbabwe where he began to paint the prolific bird and animal life. In 1982 he and his family emigrated to the United States and have become U.S. citizens.

ANNET ELLIS2022ACRYLIC INKS ON STRETCHED CANVAS PAINTING SIZE : 90CM X 120CM X 5,5CM(EDGE DEPTH)HAND SIGNED BY ARTIST B...
23/10/2026

ANNET ELLIS
2022
ACRYLIC INKS ON STRETCHED CANVAS
PAINTING SIZE : 90CM X 120CM X 5,5CM(EDGE DEPTH)
HAND SIGNED BY ARTIST
BLOCK STRETCHED CANVAS - HANG AS IS
MINT CONDITION

WILLIAM KENTRIDGE (SA, 1955-)DRAWINGS FOR THE HEAD AND LOAD'AFRIKA AFRICA L'AFRIQUE' 2022ROYAL ACADEMY OF ARTSPHOTOLITHO...
23/10/2026

WILLIAM KENTRIDGE (SA, 1955-)
DRAWINGS FOR THE HEAD AND LOAD
'AFRIKA AFRICA L'AFRIQUE'
2022
ROYAL ACADEMY OF ARTS
PHOTOLITHOGRAPH ON 148gsm MOHAWK SUPERFINE EGGSHELL PAPER
PLATE SIGNED
SHEET SIZE : 50CM X 40CM
UNFRAMED
MINT CONDITION
LIMITED PRINT EDITION SOLD OUT

William Kentridge's exhibition at the Royal Academy of Arts in London featured over 150 works from the past three decades, showcasing his unique approach to exploring themes of colonialism, apartheid, and the human condition through a blend of political satire, poetry, and personal history. The exhibition includes drawings, prints, sculptures, and video installations that highlight Kentridge's masterful use of charcoal, his signature medium, and his ability to transform it into powerful imagery that evokes a sense of movement, time, and memory.

William Kentridge's "The Head and the Load" drawings are a series of charcoal and ink works on paper that were created as part of his larger multi-disciplinary artwork exploring the role of African porters in World War I. The drawings depict fragmented and layered images of soldiers, animals, and machinery, evoking the chaos and brutality of war. Kentridge's signature use of smudges and erasures add to the sense of disorientation and uncertainty, highlighting the ways in which history is often distorted or forgotten. Overall, the drawings offer a powerful and haunting reflection on the human cost of war and the ongoing struggle to remember and reckon with its legacy.

William Kentridge is a South African artist known for his prints, drawings, and animated films. He was born in Johannesburg in 1955 and studied at the University of the Witwatersrand and the Johannesburg Art Foundation. Kentridge's work often explores the political and social issues of his native South Africa, as well as broader themes of time, memory, and history. He is considered one of the most important contemporary artists working today.

WE HAVE SEVERAL ARTWORKS BY WILLIAM KENTRIDGE

F SMITHOIL ON CANVAS BOARDPAINTING SIZE : 63CM X 93CMHAND SIGNED BY ARTIST UNFRAMED
19/10/2026

F SMITH
OIL ON CANVAS BOARD
PAINTING SIZE : 63CM X 93CM
HAND SIGNED BY ARTIST
UNFRAMED

S.FOX (USA)OIL ON CANVAS LAID ON BOARDPAINTING SIZE : 60CM X 50CMHAND SIGNED BY ARTIST UNFRAMED
19/10/2026

S.FOX (USA)
OIL ON CANVAS LAID ON BOARD
PAINTING SIZE : 60CM X 50CM
HAND SIGNED BY ARTIST
UNFRAMED

G.TAHAUMEDOIL ON CANVAS PAINTING SIZE : 60CM X 90CMHAND SIGNED BY ARTIST UNFRAMED
19/10/2026

G.TAHAUMED
OIL ON CANVAS
PAINTING SIZE : 60CM X 90CM
HAND SIGNED BY ARTIST
UNFRAMED

J DEVONOIL ON CANVASPAINTING SIZE : 92CM X 122CMHAND SIGNED BY ARTIST UNFRAMED
19/10/2026

J DEVON
OIL ON CANVAS
PAINTING SIZE : 92CM X 122CM
HAND SIGNED BY ARTIST
UNFRAMED

WILLIAM KENTRIDGE (SA, 1955 -)TAIPEI FINE ART MUSEUM EXHIBITION POSTER(IN ASSOCIATION WITH ROYAL ACADEMY OF ARTS, UK)202...
18/10/2026

WILLIAM KENTRIDGE (SA, 1955 -)
TAIPEI FINE ART MUSEUM EXHIBITION POSTER
(IN ASSOCIATION WITH ROYAL ACADEMY OF ARTS, UK)
2024
PHOTOLITHOGRAPH ON TYVEK
SHEET SIZE : 76CM X 52CM
UNFRAMED
CONDITION : MINT
LIMITED PRINT EDITION SOLD OUT

The image is taken from William Kentridge's artwork 'Enough Of This Scandal' 2020, India ink on found encyclopedia paper adhered to cotton cloth, 250cm x 201cm

William Kentridge describes his studio as a place where the outside world constantly flows inthrough books, films, conversations, memories, and fragments of images that gather on the wallsbecoming a living map of how thought and perception intersect. This environment of overlap and exchange provides the ground for his practice, allowing texts, visuals, and ideas to merge and reshape each other. Out of this process came Enough of This Scandal (2020), created during South Africas national lockdown, and continuing Kentridges much-recognized series of Indian ink flower drawings layered onto vintage encyclopedia pages. In this work, the interplay of image and text does not resolve into one definitive statement; instead, it generates an open field of meaning, inviting viewers to actively interpret the tension between word and image, and to reflect on how knowledge, memory, and imagination are continually recombined.

This exhibition marks the first-ever partnership between the Taipei Fine Arts Museum and the Royal Academy of Arts in the UK to present a comprehensive exploration of William Kentridge's artistic journey spanning over 40 years. This exhibition, the largest solo exhibition of the artist ever held in Taiwan, aims to provide a close encounter with Kentridge's rich artistic universe, offering them a deeper understanding of South Africa, the spiritual homeland that nourishes his creative roots, along with the history and land of that nation.

William Kentridge is a South African artist known for his prints, drawings, and animated films. He was born in Johannesburg in 1955 and studied at the University of the Witwatersrand and the Johannesburg Art Foundation. Kentridge's work often explores the political and social issues of his native South Africa, as well as broader themes of time, memory, and history. He is considered one of the most important contemporary artists working today.

WE HAVE SEVERAL MORE ARTWORKS BY THIS ARTIST

WILLIAM KENTRIDGE (SA, 1955-)DONAUESCHINGER MUSIKTAGE POSTER2023IMAGE : REBUS MEGAPHONE, DRAWINGS FOR SECOND-HAND READIN...
18/10/2026

WILLIAM KENTRIDGE (SA, 1955-)
DONAUESCHINGER MUSIKTAGE POSTER
2023
IMAGE : REBUS MEGAPHONE, DRAWINGS FOR SECOND-HAND READING, 2014
PHOTOLITHOGRAPH ON PAPER
SHEET SIZE : 84CM X 59,5CM
PLATE SIGNED
UNFRAMED
MINT CONDITION

Donaueschinger Musiktage commissioned William Kentridge to do the poster motif for 2023. It continues the series of artist posters for the Donaueschinger Musiktage that was established in the 1960s and which already included artists such as Joan Miró, Gerhard Richter, Anselm Kiefer, Georg Baselitz and Neo Rauch, and more recently Angela Bulloch, Shilpa Gupta, Jutta Koether and Martin Assig made contributions.

Lydia Rilling (Artistic Director of the Donaueschinger Musiktage): "Over 30 years, William Kentridge has created a unique oeuvre that fuses various arts. Music plays an important role in it, from his early films to his most recent musical theater works. Kentridge has been there has also frequently collaborated with contemporary composers. The megaphone first appears in his imagery in the 1990s. According to Kentridge, megaphones indicate what 'needs to be heard or said outside of oneself'. Over the years, the megaphone motif appears in "The megaphone has become an icon of William Kentridge's work."

William Kentridge, the South African artist known for his multi-disciplinary approach, has frequently employed the motif of the megaphone throughout his body of work. This recurring symbol often represents communication, authority, and the power dynamics present in society. In his "Second-hand Reading" series from 2014, Kentridge incorporated megaphones into his drawings, further emphasizing themes of voice, expression, and the dissemination of information. Through this motif, Kentridge engages with the complexities of language, politics, and history, inviting viewers to reflect on the role of communication in shaping our understanding of the world.

William Kentridge is a South African artist known for his prints, drawings, and animated films. He was born in Johannesburg in 1955 and studied at the University of the Witwatersrand and the Johannesburg Art Foundation. Kentridge's work often explores the political and social issues of his native South Africa, as well as broader themes of time, memory, and history. He is considered one of the most important contemporary artists working today.

WE HAVE SEVERAL ARTWORKS BY THIS ARTIST

WILLIAM KENTRIDGE (SA, 1955-)DRAWINGS FOR THE HEAD AND LOAD'KABOOM' TONDO2022ROYAL ACADEMY OF ARTSPHOTOLITHOGRAPH ON 148...
18/10/2026

WILLIAM KENTRIDGE (SA, 1955-)
DRAWINGS FOR THE HEAD AND LOAD
'KABOOM' TONDO
2022
ROYAL ACADEMY OF ARTS
PHOTOLITHOGRAPH ON 148gsm MOHAWK SUPERFINE EGGSHELL PAPER
SHEET SIZE : 50CM X 40CM
UNFRAMED
MINT CONDITION
LIMITED PRINT EDITION SOLD OUT

William Kentridge's exhibition at the Royal Academy of Arts in London featured over 150 works from the past three decades, showcasing his unique approach to exploring themes of colonialism, apartheid, and the human condition through a blend of political satire, poetry, and personal history. The exhibition includes drawings, prints, sculptures, and video installations that highlight Kentridge's masterful use of charcoal, his signature medium, and his ability to transform it into powerful imagery that evokes a sense of movement, time, and memory.

William Kentridge's "The Head and the Load" drawings are a series of charcoal and ink works on paper that were created as part of his larger multi-disciplinary artwork exploring the role of African porters in World War I. The drawings depict fragmented and layered images of soldiers, animals, and machinery, evoking the chaos and brutality of war. Kentridge's signature use of smudges and erasures add to the sense of disorientation and uncertainty, highlighting the ways in which history is often distorted or forgotten. Overall, the drawings offer a powerful and haunting reflection on the human cost of war and the ongoing struggle to remember and reckon with its legacy.

William Kentridge is a South African artist known for his prints, drawings, and animated films. He was born in Johannesburg in 1955 and studied at the University of the Witwatersrand and the Johannesburg Art Foundation. Kentridge's work often explores the political and social issues of his native South Africa, as well as broader themes of time, memory, and history. He is considered one of the most important contemporary artists working today.

WE HAVE SEVERAL WILLIAM KENTRIDGE ARTWORKS AVAILABLE

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