11/11/2025
๐๏ธ ๐๐๐๐๐ข๐๐จ๐ ๐๐ฉ๐๐ก๐ง | Join CKR Fellow, ๐ฆ๐ถ๐ต๐น๐ฒ ๐ ๐ผ๐๐๐ฎ ( ) in merging her creative and intellectual interests through a project titled ๐๐ด๐ช๐ฎ๐ฐ ๐๐ฆ๐ป๐ถ๐ญ๐ถ.
On ๐ง๐ต๐๐ฟ๐๐ฑ๐ฎ๐, ๐ญ๐ฏ ๐ก๐ผ๐๐ฒ๐บ๐ฏ๐ฒ๐ฟ from ๐ฎ-๐ฐ๐ฝ๐บ at the Durban University of Technology (), ๐ฆ๐ถ๐ต๐น๐ฒ ๐ ๐ผ๐๐๐ฎ and artists ๐ฃ๐๐น๐ฒ๐ป๐ด ๐ ๐ผ๐ป๐ด๐ฎ๐น๐ฒ ( ), ๐ฆ๐ฎ๐ป๐ฑ๐ถ๐น๐ฒ ๐ก๐ด๐ถ๐ฑ๐ถ () ss well as another CKR Fellow, ๐ฅ๐๐๐๐ฒ๐น ๐๐น๐ผ๐ป๐ด๐๐ฎ๐ป๐ฒ (.hlongwane) discuss ๐๐ด๐ช๐ฎ๐ฐ ๐๐ฆ๐ป๐ถ๐ญ๐ถ, working through epistemic and aesthetic modes to understand the social disharmony of KZN as a function of geological, industrial and ecological extraction.
๐๐ด๐ช๐ฎ๐ฐ ๐๐ฆ๐ป๐ถ๐ญ๐ถ translates to weather in isiZulu โ the most spoken language in South Africa. Weather, black critical studies scholar Christina Sharpe describes as that set of conditions under which black life is constructed and constrained. Violence has shaped the ontic contours of blackness and mapped out the possibilities for black life.
Black life is also indexed to a myriad of ecological and geological entanglements. Black life is made particularly vulnerable to climate change and ecological decline, indicating that the crisis of racial capital modernity has far reaching consequences.