Creative Knowledge Resources

Creative Knowledge Resources Contact information, map and directions, contact form, opening hours, services, ratings, photos, videos and announcements from Creative Knowledge Resources, Art, steve biko road, Durban.

An interdisciplinary project funded by the National Research Foundation & the University of Cape Town which seeks to document and study socially engaged art and art interventionism in Africa and its diaspora.

๐Ÿ—“๏ธ ๐——๐—œ๐—”๐—Ÿ๐—ข๐—š๐—จ๐—˜ ๐—˜๐—ฉ๐—˜๐—ก๐—ง | Join CKR Fellow, ๐—ฆ๐—ถ๐—ต๐—น๐—ฒ ๐— ๐—ผ๐˜๐˜€๐—ฎ ( ) in merging her creative and intellectual interests through a projec...
11/11/2025

๐Ÿ—“๏ธ ๐——๐—œ๐—”๐—Ÿ๐—ข๐—š๐—จ๐—˜ ๐—˜๐—ฉ๐—˜๐—ก๐—ง | Join CKR Fellow, ๐—ฆ๐—ถ๐—ต๐—น๐—ฒ ๐— ๐—ผ๐˜๐˜€๐—ฎ ( ) in merging her creative and intellectual interests through a project titled ๐˜๐˜ด๐˜ช๐˜ฎ๐˜ฐ ๐˜š๐˜ฆ๐˜ป๐˜ถ๐˜ญ๐˜ถ.

On ๐—ง๐—ต๐˜‚๐—ฟ๐˜€๐—ฑ๐—ฎ๐˜†, ๐Ÿญ๐Ÿฏ ๐—ก๐—ผ๐˜ƒ๐—ฒ๐—บ๐—ฏ๐—ฒ๐—ฟ from ๐Ÿฎ-๐Ÿฐ๐—ฝ๐—บ at the Durban University of Technology (), ๐—ฆ๐—ถ๐—ต๐—น๐—ฒ ๐— ๐—ผ๐˜๐˜€๐—ฎ and artists ๐—ฃ๐˜‚๐—น๐—ฒ๐—ป๐—ด ๐— ๐—ผ๐—ป๐—ด๐—ฎ๐—น๐—ฒ ( ), ๐—ฆ๐—ฎ๐—ป๐—ฑ๐—ถ๐—น๐—ฒ ๐—ก๐—ด๐—ถ๐—ฑ๐—ถ () ss well as another CKR Fellow, ๐—ฅ๐˜‚๐˜€๐˜€๐—ฒ๐—น ๐—›๐—น๐—ผ๐—ป๐—ด๐˜„๐—ฎ๐—ป๐—ฒ (.hlongwane) discuss ๐˜๐˜ด๐˜ช๐˜ฎ๐˜ฐ ๐˜š๐˜ฆ๐˜ป๐˜ถ๐˜ญ๐˜ถ, working through epistemic and aesthetic modes to understand the social disharmony of KZN as a function of geological, industrial and ecological extraction.

๐˜๐˜ด๐˜ช๐˜ฎ๐˜ฐ ๐˜š๐˜ฆ๐˜ป๐˜ถ๐˜ญ๐˜ถ translates to weather in isiZulu โ€” the most spoken language in South Africa. Weather, black critical studies scholar Christina Sharpe describes as that set of conditions under which black life is constructed and constrained. Violence has shaped the ontic contours of blackness and mapped out the possibilities for black life.

Black life is also indexed to a myriad of ecological and geological entanglements. Black life is made particularly vulnerable to climate change and ecological decline, indicating that the crisis of racial capital modernity has far reaching consequences.

๐Ÿ’Œ Youโ€™re invited to come feast ๐—ฃ๐—ฎ๐—น๐—ฒ๐˜€๐˜๐—ถ๐—ป๐—ถ๐—ฎ๐—ป ๐Ÿ‡ต๐Ÿ‡ธ ๐—ณ๐—ผ๐—ผ๐—ฑ prepared by Cape Falasten (). This is for the conclusion of the exhib...
28/10/2025

๐Ÿ’Œ Youโ€™re invited to come feast ๐—ฃ๐—ฎ๐—น๐—ฒ๐˜€๐˜๐—ถ๐—ป๐—ถ๐—ฎ๐—ป ๐Ÿ‡ต๐Ÿ‡ธ ๐—ณ๐—ผ๐—ผ๐—ฑ prepared by Cape Falasten (). This is for the conclusion of the exhibitions ๐™‘๐™ž๐™ค๐™ก๐™š๐™ฃ๐™ฉ ๐˜ฟ๐™ง๐™š๐™–๐™ข by Gazan artist, Mai Elshaer (); and ๐™„๐™ฃ ๐™จ๐™ž๐™ก๐™š๐™ฃ๐™˜๐™š ๐™ฌ๐™š ๐™›๐™š๐™š๐™ก featuring the South African Foundation for Islamic Art (). The closing feast is from ๐Ÿญ๐Ÿณ.๐Ÿฌ๐Ÿฌ on ๐—ง๐—ต๐˜‚๐—ฟ๐˜€๐—ฑ๐—ฎ๐˜†, ๐Ÿฏ๐Ÿฌ ๐—ข๐—ฐ๐˜๐—ผ๐—ฏ๐—ฒ๐—ฟ at the ๐—•๐—ถ๐—ป๐—ฑ๐—ฒ๐—ฟ๐˜† (๐—ฅ๐—ถ๐˜๐—ฐ๐—ต๐—ถ๐—ฒ ๐—ฆ๐˜๐˜‚๐—ฑ๐—ถ๐—ผ ๐—š๐—ฎ๐—น๐—น๐—ฒ๐—ฟ๐˜†) ๐—ผ๐—ป ๐—จ๐—–๐—งโ€™๐˜€ ๐—›๐—ถ๐—ฑ๐—ฑ๐—ถ๐—ป๐—ด๐—ต ๐—–๐—ฎ๐—บ๐—ฝ๐˜‚๐˜€.

Both exhibitions are still currently on at The Michaelis Galleries () until Thursday, 30 October 2025.

Come join us as we present two new exhibitions at Michaelis Galleries () on ๐—ช๐—ฒ๐—ฑ๐—ป๐—ฒ๐˜€๐—ฑ๐—ฎ๐˜†, ๐Ÿญ๐Ÿฑ ๐—ข๐—ฐ๐˜๐—ผ๐—ฏ๐—ฒ๐—ฟ ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฑ from ๐Ÿญ๐Ÿณ.๐Ÿฌ๐Ÿฌ ๐—ณ๐—ผ๐—ฟ ๐Ÿญ๐Ÿณ...
08/10/2025

Come join us as we present two new exhibitions at Michaelis Galleries () on ๐—ช๐—ฒ๐—ฑ๐—ป๐—ฒ๐˜€๐—ฑ๐—ฎ๐˜†, ๐Ÿญ๐Ÿฑ ๐—ข๐—ฐ๐˜๐—ผ๐—ฏ๐—ฒ๐—ฟ ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฑ from ๐Ÿญ๐Ÿณ.๐Ÿฌ๐Ÿฌ ๐—ณ๐—ผ๐—ฟ ๐Ÿญ๐Ÿณ.๐Ÿฌ๐Ÿฌ!

๐™„๐™ฃ ๐™จ๐™ž๐™ก๐™š๐™ฃ๐™˜๐™š ๐™ฌ๐™š ๐™›๐™š๐™š๐™ก is in collaboration with the South African Foundation of Islamic Art () and unifies multiple genealogies and heritage, some of which span more than 2000 years in Africa and the Middle East, while others, like Ndebele mural art, were developed in the 19th century.

Meanwhile, ๐™‘๐™ž๐™ค๐™ก๐™š๐™ฃ๐™ฉ ๐˜ฟ๐™ง๐™š๐™–๐™ข is a solo exhibition by CKR fellow and ๐—ฃ๐—ฎ๐—น๐—ฒ๐˜€๐˜๐—ถ๐—ป๐—ถ๐—ฎ๐—ป ๐—ฎ๐—ฟ๐˜๐—ถ๐˜€๐˜, ๐— ๐—ฎ๐—ถ ๐—˜๐—น๐˜€๐—ต๐—ฎ๐—ฒ๐—ฟ (). Her exhibition explores the experience of internal exile and psychological displacement within the context of Gazaโ€™s ongoing siege and humanitarian crisis. Through four large-scale oil portraits and installation, ๐™‘๐™ž๐™ค๐™ก๐™š๐™ฃ๐™ฉ ๐˜ฟ๐™ง๐™š๐™–๐™ข reflects on the personal and collective journey of survival under genocide, siege and trauma.

Professor in Art History and Visual Culture at the University of Cape Town, Nomusa Makhubu โ€“โ€“ alongside some SAFIA members and Elshaer โ€“โ€“ will give remarks to formally open both exhibitions as part of research initiative, CKR.

Light snacks and refreshments will be served.

๐—™๐—ฅ๐—˜๐—˜ ๐—ช๐—ข๐—ฅ๐—ž๐—ฆ๐—›๐—ข๐—ฃ๐—ฆ ๐Ÿ”” | As part of an Islamic Art exhibition programme coming up in October, we have teamed up with the South...
28/07/2025

๐—™๐—ฅ๐—˜๐—˜ ๐—ช๐—ข๐—ฅ๐—ž๐—ฆ๐—›๐—ข๐—ฃ๐—ฆ ๐Ÿ”” | As part of an Islamic Art exhibition programme coming up in October, we have teamed up with the South African Foundation of Islamic Art () to bring a series of workshops at Michaelis School of Fine Art - for free!

The first workshop is on ๐—ง๐—ต๐˜‚๐—ฟ๐˜€๐—ฑ๐—ฎ๐˜†, ๐Ÿญ๐Ÿฐ ๐—”๐˜‚๐—ด๐˜‚๐˜€๐˜ ๐—ณ๐—ฟ๐—ผ๐—บ ๐Ÿญ๐Ÿญ๐—ฎ๐—บ-๐Ÿญ๐—ฝ๐—บ and is on the unique fusion of ๐—”๐—ฟ๐—ฎ๐—ฏ๐—ถ๐—ฐ ๐—ฎ๐—ป๐—ฑ ๐—–๐—ต๐—ถ๐—ป๐—ฒ๐˜€๐—ฒ ๐—ฐ๐—ฎ๐—น๐—น๐—ถ๐—ด๐—ฟ๐—ฎ๐—ฝ๐—ต๐˜†, hosted by ๐—ฆ๐—ฎ๐—ฏ๐—ถ๐—ต๐—ฎ ๐—๐—ต๐—ฒ๐˜๐—ฎ๐—บ-๐—Ÿ๐—ผ๐—ผ๐—ป๐—ฎ๐˜ (). Space is limited to 12 participants and advanced bookings are neccesary!

Meanwhile, on ๐—ง๐—ต๐˜‚๐—ฟ๐˜€๐—ฑ๐—ฎ๐˜†, ๐Ÿฎ๐Ÿญ ๐—”๐˜‚๐—ด๐˜‚๐˜€๐˜ weโ€™re hosting a ๐Ÿฎ-๐—ถ๐—ป-๐Ÿญ ๐˜„๐—ผ๐—ฟ๐—ธ๐˜€๐—ต๐—ผ๐—ฝ with back-to-back sessions on drawing ๐—œ๐˜€๐—น๐—ฎ๐—บ๐—ถ๐—ฐ ๐—š๐—ฒ๐—ผ๐—บ๐—ฒ๐˜๐—ฟ๐˜† as well as ๐—ข๐—ฟ๐—ถ๐—ด๐—ฎ๐—บ๐—ถ & ๐—œ๐˜€๐—น๐—ฎ๐—บ๐—ถ๐—ฐ ๐—ฃ๐—ฎ๐˜๐˜๐—ฒ๐—ฟ๐—ป๐˜€ facilitated by ๐—œ๐—ด๐˜€๐—ต๐—ฎ๐—ฎ๐—ป ๐—ข๐—บ๐—ฎ๐—ฟ ( ) and ๐—ญ๐—ฎ๐—ถ๐˜๐—ผ๐—ผ๐—ป ๐—˜๐—ฏ๐—ฟ๐—ฎ๐—ต๐—ถ๐—บ () respectively.

โ€ผ๏ธ ๐—”๐—น๐—น ๐˜๐—ต๐—ฟ๐—ฒ๐—ฒ ๐˜„๐—ผ๐—ฟ๐—ธ๐˜€๐—ต๐—ผ๐—ฝ๐˜€ ๐—ต๐—ฎ๐˜ƒ๐—ฒ ๐—น๐—ถ๐—บ๐—ถ๐˜๐—ฒ๐—ฑ ๐˜€๐—ฝ๐—ฎ๐—ฐ๐—ฒ ๐—ฎ๐—ป๐—ฑ ๐˜๐—ต๐—ฒ๐—ฟ๐—ฒ๐—ณ๐—ผ๐—ฟ๐—ฒ ๐—ฅ๐—ฆ๐—ฉ๐—ฃ๐˜€ ๐—ฎ๐—ฟ๐—ฒ ๐—ป๐—ฒ๐—ฐ๐—ฒ๐˜€๐˜€๐—ฎ๐—ฟ๐˜†.

๐—ง๐—ผ ๐—ฏ๐—ผ๐—ผ๐—ธ, ๐—ฒ๐—บ๐—ฎ๐—ถ๐—น ๐Ÿ“ง: [email protected]

๐—™๐—ฅ๐—˜๐—˜ ๐—ช๐—ข๐—ฅ๐—ž๐—ฆ๐—›๐—ข๐—ฃ๐—ฆ ๐Ÿ”” | As part of an Islamic Art exhibition programme coming up in October, we have teamed up with the South...
04/07/2025

๐—™๐—ฅ๐—˜๐—˜ ๐—ช๐—ข๐—ฅ๐—ž๐—ฆ๐—›๐—ข๐—ฃ๐—ฆ ๐Ÿ”” | As part of an Islamic Art exhibition programme coming up in October, we have teamed up with the South African Foundation of Islamic Art () to bring a series of workshops at Michaelis School of Fine Art - for free!

The first workshop is on ๐—ช๐—ฒ๐—ฑ๐—ป๐—ฒ๐˜€๐—ฑ๐—ฎ๐˜†, ๐Ÿญ๐Ÿฐ ๐—”๐˜‚๐—ด๐˜‚๐˜€๐˜ ๐—ณ๐—ฟ๐—ผ๐—บ ๐Ÿญ๐Ÿญ๐—ฎ๐—บ-๐Ÿญ๐—ฝ๐—บ and is on the unique fusion of ๐—”๐—ฟ๐—ฎ๐—ฏ๐—ถ๐—ฐ ๐—ฎ๐—ป๐—ฑ ๐—–๐—ต๐—ถ๐—ป๐—ฒ๐˜€๐—ฒ ๐—ฐ๐—ฎ๐—น๐—น๐—ถ๐—ด๐—ฟ๐—ฎ๐—ฝ๐—ต๐˜†, hosted by ๐—ฆ๐—ฎ๐—ฏ๐—ถ๐—ต๐—ฎ ๐—๐—ต๐—ฒ๐˜๐—ฎ๐—บ-๐—Ÿ๐—ผ๐—ผ๐—ป๐—ฎ๐˜ (). Space is limited to 12 participants and advanced bookings are neccesary!

Meanwhile, on ๐—ช๐—ฒ๐—ฑ๐—ป๐—ฒ๐˜€๐—ฑ๐—ฎ๐˜†, ๐Ÿฎ๐Ÿญ ๐—”๐˜‚๐—ด๐˜‚๐˜€๐˜ weโ€™re hosting a ๐Ÿฎ-๐—ถ๐—ป-๐Ÿญ ๐˜„๐—ผ๐—ฟ๐—ธ๐˜€๐—ต๐—ผ๐—ฝ with back-to-back sessions on drawing ๐—œ๐˜€๐—น๐—ฎ๐—บ๐—ถ๐—ฐ ๐—š๐—ฒ๐—ผ๐—บ๐—ฒ๐˜๐—ฟ๐˜† as well as ๐—ข๐—ฟ๐—ถ๐—ด๐—ฎ๐—บ๐—ถ & ๐—œ๐˜€๐—น๐—ฎ๐—บ๐—ถ๐—ฐ ๐—ฃ๐—ฎ๐˜๐˜๐—ฒ๐—ฟ๐—ป๐˜€ facilitated by ๐—œ๐—ด๐˜€๐—ต๐—ฎ๐—ฎ๐—ป ๐—ข๐—บ๐—ฎ๐—ฟ ( ) and ๐—ญ๐—ฎ๐—ถ๐˜๐—ผ๐—ผ๐—ป ๐—˜๐—ฏ๐—ฟ๐—ฎ๐—ต๐—ถ๐—บ () respectively.

โ€ผ๏ธ ๐—”๐—น๐—น ๐˜๐—ต๐—ฟ๐—ฒ๐—ฒ ๐˜„๐—ผ๐—ฟ๐—ธ๐˜€๐—ต๐—ผ๐—ฝ๐˜€ ๐—ต๐—ฎ๐˜ƒ๐—ฒ ๐—น๐—ถ๐—บ๐—ถ๐˜๐—ฒ๐—ฑ ๐˜€๐—ฝ๐—ฎ๐—ฐ๐—ฒ ๐—ฎ๐—ป๐—ฑ ๐˜๐—ต๐—ฒ๐—ฟ๐—ฒ๐—ณ๐—ผ๐—ฟ๐—ฒ ๐—ฅ๐—ฆ๐—ฉ๐—ฃ๐˜€ ๐—ฎ๐—ฟ๐—ฒ ๐—ป๐—ฒ๐—ฐ๐—ฒ๐˜€๐˜€๐—ฎ๐—ฟ๐˜†.

๐—ง๐—ผ ๐—ฏ๐—ผ๐—ผ๐—ธ, ๐—ฒ๐—บ๐—ฎ๐—ถ๐—น ๐Ÿ“ง: [email protected]

๐—–๐—ข๐— ๐— ๐—œ๐—ฆ๐—ฆ๐—œ๐—ข๐—ก๐—˜๐—— ๐—ช๐—ฅ๐—œ๐—ง๐—˜๐—ฅ โœ๐Ÿพ | In this poetic mixed-medium poetic interview, valiant / waiyaki / wamuoyo () interviews three o...
18/06/2025

๐—–๐—ข๐— ๐— ๐—œ๐—ฆ๐—ฆ๐—œ๐—ข๐—ก๐—˜๐—— ๐—ช๐—ฅ๐—œ๐—ง๐—˜๐—ฅ โœ๐Ÿพ | In this poetic mixed-medium poetic interview, valiant / waiyaki / wamuoyo () interviews three of the women they consider their โ€œart-mothersโ€, veteran vessels of art in East Africa: Chelenge van Rampelberg, Theresa Musoke, and Tabitha wa Thuku.

In the activity and the publication of the interviews, they include readings of the ekphrastic poetry that they have written about these mothersโ€™ work, and the work that was also present in the recent Nairobi exhibitions that featured them.

valiant / waiyaki / wamuoyo explores โ€“ through poetry and conversation โ€“ the possibilities of firmly establishing clear and true and intimate knowledge of artistic lineages in East Africa, knowledges that will not be washed away, neither by forgettings nor by masculinisations of history.
๐—ฅ๐—ฎโ€™๐—ถ๐˜, who also presents their creations as ๐˜ƒ๐—ฎ๐—น๐—ถ๐—ฎ๐—ป๐˜ / ๐˜„๐—ฎ๐—ถ๐˜†๐—ฎ๐—ธ๐—ถ / ๐˜„๐—ฎ๐—บ๐˜‚๐—ผ๐˜†๐—ผ, is a portal by nature, and a betterer by choice. They practice as a spirit artist โ€“ a knowing bridge between the realms โ€“ through their work in writing & performing poetry; in holding conversation/space; and, in inducing words & feelings to dance, to flow, and to free. They share their time as a diviner, a channel, and an activator as Mganga Msupuu, travelling the African continent and seeking to support all who receive into deeper connection with themselves, their Sovereignty, and the Benevolences that surround them. Raโ€™it & their work have the effect of calming, of soothing-saying, of encoding & activating: of helping us set ourselves, and keep ourselves, freer & freer.

๐—›๐—”๐—ฃ๐—ฃ๐—˜๐—ก๐—œ๐—ก๐—š ๐—ฆ๐—ข๐—ข๐—ก ๐Ÿ”” | This Thursday, 19 June 2025 from 17h00, the musician, performer, inventor and community builder Dr Th...
17/06/2025

๐—›๐—”๐—ฃ๐—ฃ๐—˜๐—ก๐—œ๐—ก๐—š ๐—ฆ๐—ข๐—ข๐—ก ๐Ÿ”” | This Thursday, 19 June 2025 from 17h00, the musician, performer, inventor and community builder Dr Thokozani Mhlambi () presents ๐™‹๐™ก๐™–๐™ฎ๐™ž๐™ฃ๐™œ ๐™…๐™ค๐™๐™ฃ ๐™†๐™ฃ๐™ค๐™ญ ๐˜ฝ๐™ค๐™ ๐™ฌ๐™š ๐™๐™ค๐™™๐™–๐™ฎ: ๐™‡๐™–๐™ช๐™ฃ๐™˜๐™ ๐™ค๐™› ๐™‹๐™ก๐™š๐™– ๐™›๐™ค๐™ง ๐˜ผ๐™›๐™ง๐™ž๐™˜๐™– at the University of Cape Townโ€™s Bindery Theatre Lab on the Hiddingh Campus.

Dr Mhlambiโ€™s presentation begins with an intellectual sketch of Bokwe, which follows the approach of Ntongela Masilela in his New African Movement website. After the sketch, musical rendition will be performed by Mhlambi and contemporary dancer, Kholisile Theo Ndindwa as well as the launch of the music video: Plea for Africa composed by John Knox Bokwe and recorded by Dr Mhlambi (feat. Lonwabo Mafani).

This event is free of charge but RSVP is required via [email protected].

Refreshments and light snacks will be served.

๐—œ๐—ก๐—ฉ๐—œ๐—ง๐—”๐—ง๐—œ๐—ข๐—ก๐—ฆ ๐Ÿ“ฌ | Between this week and the next, Creative Knowledge Resources (CKR) will be hosting two exciting events f...
09/06/2025

๐—œ๐—ก๐—ฉ๐—œ๐—ง๐—”๐—ง๐—œ๐—ข๐—ก๐—ฆ ๐Ÿ“ฌ | Between this week and the next, Creative Knowledge Resources (CKR) will be hosting two exciting events from our current fellow ๐—ฉ๐—ผ๐—ป๐—ถ ๐—•๐—ฎ๐—น๐—ผ๐˜†๐—ถ (.baloyi) and CKR PostDoc alumni, ๐——๐—ฟ ๐—ง๐—ต๐—ผ๐—ธ๐—ผ๐˜‡๐—ฎ๐—ป๐—ถ ๐— ๐—ต๐—น๐—ฎ๐—บ๐—ฏ๐—ถ () !

This ๐—™๐—ฟ๐—ถ๐—ฑ๐—ฎ๐˜†, ๐Ÿญ๐Ÿฏ ๐—๐˜‚๐—ป๐—ฒ ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฑ from ๐Ÿญ๐Ÿด๐—ต๐Ÿฌ๐Ÿฌ, Baloyi launches an exhibition she has curated โ€” inspired by the title of Nadia Davidsโ€™ seminal play (2006), โ€œAt their Feetโ€ โ€” that breaks down the silos of artistic production by pairing artists and asking them to instill practices of care by being in service to their fellow colleague. The exhibition will be held at ๐—Ÿ๐—ฒ๐—บ๐—ธ๐˜‚๐˜€ ๐—š๐—ฎ๐—น๐—น๐—ฒ๐—ฟ๐˜† () in Cape Town.

Meanwhile, next week ๐—ง๐—ต๐˜‚๐—ฟ๐˜€๐—ฑ๐—ฎ๐˜†, ๐Ÿญ๐Ÿต ๐—๐˜‚๐—ป๐—ฒ ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฑ from ๐Ÿญ๐Ÿณ๐—ต๐Ÿฌ๐Ÿฌ, the musician, performer, inventor and community builder ๐——๐—ฟ ๐—ง๐—ต๐—ผ๐—ธ๐—ผ๐˜‡๐—ฎ๐—ป๐—ถ ๐— ๐—ต๐—น๐—ฎ๐—บ๐—ฏ๐—ถ will be presenting โ€œPlaying John Knox Bokwe Today: Launch of Plea for Africaโ€ at the ๐—จ๐—ป๐—ถ๐˜ƒ๐—ฒ๐—ฟ๐˜€๐—ถ๐˜๐˜† ๐—ผ๐—ณ ๐—–๐—ฎ๐—ฝ๐—ฒ ๐—ง๐—ผ๐˜„๐—ปโ€™๐˜€ ๐—•๐—ถ๐—ป๐—ฑ๐—ฒ๐—ฟ๐˜† ๐—ง๐—ต๐—ฒ๐—ฎ๐˜๐—ฟ๐—ฒ ๐—Ÿ๐—ฎ๐—ฏ on the ๐—›๐—ถ๐—ฑ๐—ฑ๐—ถ๐—ป๐—ด๐—ต ๐—–๐—ฎ๐—บ๐—ฝ๐˜‚๐˜€.

For Playing John Knox Bokwe Today: Launch of Plea for Africa Dr Mhlambiโ€™s presentation begins with an intellectual sketch of Bokwe, which follows the approach of Ntongela Masilela in his New African Movement website. After the talk, musical rendition will be performed by Mhlambi and contemporary dancer, Kholisile Theo Ndindwa as well as the launch of the music video: Plea for Africa composed by John Knox Bokwe and recorded by Dr Mhlambi (feat. Lonwabo Mafani).

All events are ๐—™๐—ฅ๐—˜๐—˜ of charge!

โœ๐Ÿฝ COMMISSIONED WRITER | Kim M Reynolds () reflects on questions of diasporic returns to the continent of Africa, lookin...
14/05/2025

โœ๐Ÿฝ COMMISSIONED WRITER | Kim M Reynolds () reflects on questions of diasporic returns to the continent of Africa, looking at how this practice is easily ruptured, even as the contemporary logistics of โ€œreturnโ€ are straightforward, and increasingly advertised in countries like Ghana, Kenya, and South Africa. She suggests that return cannot be motivated only by a desire of individual standing or collectively romanticised โ€” that perhaps, it shouldnโ€™t be considered so literally, or at all.

๐Ÿ” Click on our website and go to the ๐˜ฃ๐˜ฐ๐˜ฑ๐˜ข tab ๐ŸŒ

๐—ž๐—ถ๐—บ ๐—  ๐—ฅ๐—ฒ๐˜†๐—ป๐—ผ๐—น๐—ฑ๐˜€ is a critical media scholar, writer, poet, and cultural worker from Ohio in the US, based in Cape Town, South Africa whose work focuses on the narrative and critique of Black arts and politics. Kim holds two masterโ€™s degrees in critical media and Black film from the London School of Economics and Political Science (LSE) and University of Cape Town (UCT), with distinction. Kim is currently a freelance writer and co-convening lecturer at UCT on racialised trauma and Black q***r feminist media analysis. She is also currently an artist fellow with the Octopus Programme and the Centre For The Less Good Idea. Lastly, Kim is a co-leader of the research and organizing collective Our Data Bodies, which examines how technology and big data reproduce white supremacy. Her written work has appeared in New Frame, VICE, Mail & Guardian, Black Youth Project, GroundUp News, Teen Vogue and her poetry is a part of the 2021 anthology Woven With Brown Thread.

โœ๐Ÿพ COMMISSIONED WRITER | Artist Adjo Kisser ( ) speaks to CKR Researcher, Amogelang Maledu () about collective art pract...
17/03/2025

โœ๐Ÿพ COMMISSIONED WRITER | Artist Adjo Kisser ( ) speaks to CKR Researcher, Amogelang Maledu () about collective art practices and the role of eavesdropping in her art making.

๐Ÿ” Click on our website and go to the ๐˜ฃ๐˜ฐ๐˜ฑ๐˜ข tab ๐ŸŒ

Adjo Kisser (b. 1992) is an artist whose interest in narratives, and the archival form has resulted in recent investigations into sound, collectivity and the cultural initiatives of liberation movements across the continent of Africa. However, Accra, as one of the city-studios where national infrastructure was used in the broadcasting of anti-colonial sentiments and ideas, becomes an important springboard in her research.

Kisser is currently pursuing a PhD in Painting and Sculpture at Kwame Nkrumah University of Science and Technology, where she lectures and remains an active member of blaxTARLINES KUMASI () โ€“ an experimental incubator for contemporary art. She has exhibited in Ghana and Germany, the most recent being UmStand der Dinge: A State of Affairs in HFBK, Hamburg. She currently lives and works in Kumasi and Accra, Ghana.

On ๐Ÿฎ๐Ÿฌ ๐— ๐—ฎ๐—ฟ๐—ฐ๐—ต ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฑ, ๐Ÿญ๐Ÿฎ๐—ต๐Ÿฌ๐Ÿฌ at the ๐—จ๐—ป๐—ถ๐˜ƒ๐—ฒ๐—ฟ๐˜€๐—ถ๐˜๐˜† ๐—ผ๐—ณ ๐—–๐—ฎ๐—ฝ๐—ฒ ๐—ง๐—ผ๐˜„๐—ปโ€™๐˜€ ๐—•๐—ฒ๐—ฎ๐˜๐˜๐—ถ๐—ฒ ๐—ฅ๐—ผ๐—ผ๐—บ, self-taught Islamic artist, Achmat Soni () will b...
13/03/2025

On ๐Ÿฎ๐Ÿฌ ๐— ๐—ฎ๐—ฟ๐—ฐ๐—ต ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฑ, ๐Ÿญ๐Ÿฎ๐—ต๐Ÿฌ๐Ÿฌ at the ๐—จ๐—ป๐—ถ๐˜ƒ๐—ฒ๐—ฟ๐˜€๐—ถ๐˜๐˜† ๐—ผ๐—ณ ๐—–๐—ฎ๐—ฝ๐—ฒ ๐—ง๐—ผ๐˜„๐—ปโ€™๐˜€ ๐—•๐—ฒ๐—ฎ๐˜๐˜๐—ถ๐—ฒ ๐—ฅ๐—ผ๐—ผ๐—บ, self-taught Islamic artist, Achmat Soni () will be presenting a guest lecture on ๐™๐™๐™š ๐˜ผ๐™ง๐™ฉ ๐™ค๐™› ๐˜ฟ๐™š๐™ซ๐™ค๐™ฉ๐™ž๐™ค๐™ฃ: ๐™€๐™ข๐™—๐™ง๐™–๐™˜๐™ž๐™ฃ๐™œ ๐™ฉ๐™๐™š ๐™Ž๐™ฅ๐™ž๐™ง๐™ž๐™ฉ ๐™ค๐™› ๐™„๐™จ๐™ก๐™–๐™ข๐™ž๐™˜ ๐˜ผ๐™ง๐™ฉ ๐™ž๐™ฃ ๐˜ผ๐™›๐™ง๐™ž๐™˜๐™–.

Soni has successfully achieved commissions to decorate the domes, panels and mihgrabs of 76 mosques throughout South Africa. He has painted well over 2000 Islamic artworks to date, of which no two are alike; and taught Islamic art to many students over the years. His recent works include indigenous African art, in his endeavour to encapsulate the art form of Africa.

In his lecture, Soni explores the global tapestry of Islamic Art across the world and in particular Islamic Art in the African context.

This lecture is free of charge and no RSVPs required.

FELLOW | ๐Œ๐š๐ข ๐„๐ฅ-๐’๐ก๐š๐ž๐ซ is a visual artist working in painting that describes her and creates a deep dialogue between the ...
04/02/2025

FELLOW | ๐Œ๐š๐ข ๐„๐ฅ-๐’๐ก๐š๐ž๐ซ is a visual artist working in painting that describes her and creates a deep dialogue between the medium and the audience about beauty and its relationship with reality. She doesnโ€™t only try to paint a picture with my brushes, but with light strokes, she tries to recolor this reality, because everything around us has many gifts that leave different impressions that bring out creativity from within nature. Her artistic style focuses on bringing together the basic issues and confrontations that people see snd face in their daily lives. She combines these with the beauty hidden in this life.

She is currently working on visual and intellectual nourishment, and getting to know the direction that modern art takes to try and figure out her own artistic practice.

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