MMFX

MMFX Monster Mode FX tiên phong đào tạo chuẩn quốc tế các khoá học vào mỗi tháng.

Grrrr... ***it
22/01/2025

Grrrr... ***it

Another critter.
26/04/2024

Another critter.

Something I started for one of my classes but didn't finish off. 👽
27/03/2024

Something I started for one of my classes but didn't finish off. 👽

Time to call this done and move on, fun little side project...
19/03/2024

Time to call this done and move on, fun little side project...

The older I get, the more there is to learn! But I like learning... Practice.
02/03/2024

The older I get, the more there is to learn! But I like learning... Practice.

Big thanks to for having me on board this one, so much work from last year I haven't been able to post yet, but nice to...
29/02/2024

Big thanks to for having me on board this one, so much work from last year I haven't been able to post yet, but nice to see a few things getting released

Great chat with a while back. Thank you so much for coming a long way to visit us!! You guys are awesome ...
14/02/2024

Great chat with a while back. Thank you so much for coming a long way to visit us!! You guys are awesome

31/03/2023

Fun getting back into good ol foam latex!

with .repost・・・This is the “FISHERMAN KING” prosthetic makeup and body suit I sculpted on for . This was for James Wa...
01/02/2023

with .repost
・・・
This is the “FISHERMAN KING” prosthetic makeup and body suit I sculpted on for . This was for James Wan’s creepypuppet blockbuster film, “AQUAMAN” (2018). Their was beautiful concept art to start with created by the uber-talented Howard Swindell .swindell , which this character is based on. I added a few design elements of my own along the way. I truly loved the feel of this characters entire design, and it was a real pleasure working on it! *(See previous post).
I sculpted the entire facial prosthetic makeup. The body suit was done by myself and the talented Todd Rex.
The first image is the on-set makeup with the actual practical gills composited in just to see them on him. During production shooting, the gills were not added to the Fisherman King, his Queen, or the Princess and were added in post production with CG, as were their fish-like tails.The On-Set application was done by the extremely talented team of Kelly Golden and Bradley Greenwood . This, as well as a multitude of characters, creatures, and specialty costumes, were created at FRACTURED FX INC, under the amazing direction and creative supervision of it’s founder, JUSTIN RALEIGH . This was an amazing team effort, encompassing the efforts of a multitude of fellow craftsmen and artisans. My congratulations to the entire team, Mold Shop, Casting Department, Paint Department, Seaming Department, Specialty Costumes, Photography Department, an army of Support Artists, Craftspersons, and of course Coordinators. Highlighting the best of the best, Mike Ezell, for all of their amazing work bringing many other characters to life on this project!
Special thanks to .raleigh for bringing me aboard, as this was my very first time working for him, and he is an amazing boss and friend.
(Pardon all the photos, but I realised I haven't really shared much on this character since the films release.)
spfxmakeup #

11/01/2023

Something fun I started as a demo in class… hopefully finish him up soon

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