04/05/2026
JOIN US FOR THE OPENING | MAY 15TH (5PM-12AM)
81C ST THOMAS
SHOW DESCRIPTION
Krankie II: Middle of the Food Chain by Emily Braswell (Strawberriemilk) and Jenna Rees (Warmmilkwithsugar) unfolds as a warped cinematic universe where painting, video, and sculpture collapse into a single, unstable narrative field. Centered around a fictional 1980s movie star in a meta-perspective of invented lore from parallel storylines, the work drifts between past and present, constructing a world where time folds in on itself and meaning emerges through fragments rather than sequence.
Hybrid airbrush and traditional paintings operate as imagined film artifacts: posters, stills, and visual residues from fictitious movies that are rendered with a hyper-saturated, almost synthetic clarity. Their surfaces oscillate between softness and precision, evoking the tactile nostalgia of analog media while simultaneously referencing the flattened glow of digital imagery. Sculptural interventions punctuate the space with quiet absurdity, grounding the work in physical form while amplifying its psychological tension.
The accompanying video component extends this atmosphere into motion, offering a disjointed, voyeuristic glimpse into the interior lives orbiting this fictional figure. Rather than resolving into narrative, the work lingers in mood—an uneasy balance of humor, longing, and quiet unpredictability.
Drawing from the American south small-town culture and nostalgia for the sensationalized monolithic star style fame of pre-internet times, Krankie II: Middle of the Food Chain constructs a world that feels both intimately familiar and fundamentally distorted. It is less a story than a condition—one where fantasy and perception continuously rewrite one another.
— The Curators, 81C, Charlotte Amalie, 2026
ABOUT THE SHOW
Krankie II: Middle of the Food Chain expands the evolving Krankie universe into a dual-location experience spanning 81C in historic Charlotte Amalie and to the XIIID Research and Strategy Innovation Center at the University of the Virgin Islands, St. Thomas campus.
This two-part presentation deepens the narrative and physical experience of the work—bridging gallery and academic environments to create a layered, immersive encounter with contemporary art in the Virgin Islands.
At 81C, the exhibition unfolds as a fully realized environment, where painting, sculpture, and video merge into a cohesive sensory installation. Visitors enter a world shaped by reimagined retro visuals, nonlinear storytelling, and abstraction executed with realistic precision—an uncanny space where narrative operates more as atmosphere than linear story.
At the UVI Innovation Center, Krankie II activates XIIID’s Zen Room as a dedicated cinematic environment, highlighting the exhibition’s cinema components and offering viewers engagement with multi-screen moving-image. Accompanied by a selected sculptural element positioned within this academic and research-driven setting, the activation invites students and the public to encounter the work through curiosity, reflection, and shared viewing, ultimately driving visitation to the full scale show at 81C in Charlotte Amalie.
Together, this dual-location experience reflects a shared commitment between 81C, XIIID, and UVI to advance student engagement through arts production in the VI. The show highlights the role of creative immersive experiences as an incubator for intellectual infrastructure—capable of constructively shaping how we observe, engage, and relate to fine arts.