Intergenerational LGBT Artist Residency

Intergenerational LGBT Artist Residency The INTERGENERATIONAL LGBT ARTIST RESIDENCY page promotes alumnx work & shares info re art+politics This territory is also covered by the Upper Canada Treaties.

The INTERGENERATIONAL LGBT ARTIST RESIDENCY is the first intergenerational artist-in-residency program for 2SLGBTQ+ visual artists in Canada. The INTERGENERATIONAL LGBT ARTIST RESIDENCY offers studio space and free room and board to juried applicants for the duration of the residency. Residents also receive mentoring and studio visits from critically acclaimed artists and curators. Your donations are dearly appreciated and can be made via Paypal, on our website at https://queerartistresidency.ca/support

The land on which the INTERGENERATIONAL LGBT ARTIST RESIDENCY is held is the traditional territory of the Haudenosaunee, and most recently, the territory of the Mississaugas of the New Credit First Nation. The territory was the subject of the Dish With One Spoon Wampum Belt Covenant, an agreement between the Iroquois Confederacy and the Ojibwe and allied nations to peaceably share and care for the resources around the Great Lakes. Today, the meeting place of Toronto (from the Haudenosaunee word Tkaronto) is still the home to many Indigenous people from across Turtle Island and we are grateful to have the opportunity to work in the community, on this territory. The inaugural Intergenerational LGBT Artist Residency took place with the support of the Ontario Arts Council and private donors, and the collaboration of then staff of Artscape Gibraltar Point, on the Toronto Island August 12 to 26, 2013. The 2014 Residency was July 1 - 15, with the generous support of private donors and the Ontario Arts Council. In 2015, the residency was again made possible by the Ontario Arts Council, and took place July 24 to August 7. In 2017, thanks to the Ontario Arts Council, the residency was to take place July 31 to August 16, but was postponed due to floods. So in 2018, two juried cohorts took place one after the other, and it was fantastic. In 2019 the residency took place again as in previous summers, however in 2020 the residency took place online due to COVID. Online the residency was tremendously successful, and the funding usually used for transportation and to rent the Gibraltar Point facility was redirected to the participants, jurors and cohort -- we were able to include an additional person and extend the residency length. In 2023 ILGBTAR has taken other shapes, in order to direct more funding to the artists and their projects, rather than on renting space. Please pass along this information to 2SLGBTQ+ artists in Canada, of any age, whether established or emerging, whom you think might be exceptional candidates and who would benefit greatly from this programme. By exploring Canadian LGBT art history and artistic practice, while supporting artists and art production, we could foster communication across generational lines. With this community building initiative, artists highlight the trajectory and longevity of 2SLGBTQ+, both historically and reaching into the future.

10/03/2026
10/03/2026
10/03/2026

🇺🇸 My great-grandmother, Myrtle Allie Eaton Mills, was a kick in the pants, as they say ... a real San Francisco character. Born in 1893 in Nicaiso Township in Marin County, she lived in a few different places as an adult, then finally settled in San Francisco, in the Mission district, in 1935.

Whenever I would see her she would always talk about "the boys" and how they were going to help her do one thing or another, or how "the boys" were taking her on an adventure, or "the boys" were coming over for a party.

I was a young teenager before I finally met some of “the boys.” To my surprise, they were all gay men in their 40s 50s and 60s! She was in her 80s, so I wondered if she called them boys because she was so much older than them but I suspect it was her way of saying they were gay, without saying it.

She was a single mom when it wasn't very common at all and she worked as a dressmaker to try to make ends meet. All the clothes she's wearing in this picture, she made herself. She smoked like a chimney, swore like a sailor, partied like a rockstar and had a raunchy sense of humor.

When she was in her 70s, she decided that Myrtle was an "old fart" name, and so she changed it. We had to get used to calling her great grandma Penny after that. But we mostly took it in stride, considering how wonderfully eccentric she was.

When the Bay Area Rapid Transit (BART) was brand new, she was going to get a senior citizens pass and my grandfather (her son) asked her to get him one too. She said, "OK, but I'm going to lie and tell them you're my brother. I don't want them to know I'm old enough to have a senior citizen for a son!"

She died in December, 1981, and I often think how it may be a blessing that she died at the very beginning of the AIDS epidemic in San Francisco, so that she didn't have to watch any of her boys suffer. đź“– by Carla Lazzarini

10/03/2026
10/03/2026

Submissions Now Open for our AEP’s 2027 Non-Verbal Co-Learning Engagement.
Deadline: Friday, January 8 (end of day), 2027.
Compensation: $2,000

The Non-Verbal Co-Learning Engagement is a 6-week program designed to explore non-verbal (not spoken) communication approaches in contemporary art spaces. This program supports artists whose practices prioritize gesture, text, sign language, or silence as creative tools. Participants work collaboratively with grunt gallery staff to identify access barriers and imagine more inclusive ways of working within contemporary art. 2 non-verbal artists will be selected to participate in the program that runs from February to mid-March 2027.

This program is limited to artists residing in the Greater Vancouver Regional District or Metro Vancouver. Priority is given to artists who self-identify as Deaf, deaf, Hard of Hearing, Non-Verbal, Neurodiverse, or as practitioners of non-verbal communication in their work. The program also supports Trans and Q***r artists who are exploring silence and adapting to a silent or non-verbal practice as they undergo voice changing transitions. Applications from Indigenous artists from Host Nations (Musqueam, Squamish, and Tsleil-Waututh) will be prioritized.

Join us for an Information Session (online on Zoom): Wednesday, January 6 at 6pm.

Learn more or register for the information session through the links located in our bio!

10/03/2026
10/03/2026

Directed by Jane Schoenbrun. After years of slapdash sequels, the Camp Miasma franchise is handed over to an enthusiastic young director for resurrection. But when she visits the original’s star, a now-reclusive actress shrouded in mystery, the two women fall into a blood-soaked world of desire, f...

10/03/2026

Call for Artists: Creators’ Favourite S***s, a Two-Spirit/Indigiqueer Art Market.
Saturday, December 12, 2026 from 1pm to 7pm.
Apply by October 31! No fee to apply or table, artists keep 100% of proceeds.

“Creators’ Favourite S***s” Two-Spirit/Indigiqueer Art Market is back! This popular market had its first run back in February in celebration of Valentine’s Day, and is returning to grunt gallery on Saturday, December 12th, 2026! grunt is seeking 2S and/or Q***r Indigenous artists from Turtle Island and Palestine to join our roster of tabling artists.

Taking over two rooms of the gallery, we will have space for 13-15 artists. Please consider how much table space you will realistically need, as most artists will be two to one table. If you need more space, please note it in your application, but the more people are okay with sharing space, the more artists we can include! Artists will be responsible for handling their own transactions; chairs and tables will be provided by grunt.

The market will run from 1pm to 7pm, with load-in starting at 12:30pm —if these times don’t work for you, please reach out to [email protected]. For information on accessing grunt’s space, please scroll to the bottom of our website at grunt.ca . Please email [email protected] with any specific concerns.

Apply through the Google form linked in our bio!

Image courtesy of Jacqueline Morrisseau.

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