06/09/2026
๐จ๐ฝ๐ฐ๐ผ๐บ๐ถ๐ป๐ด! Curated by ๐๐ฑ๐ฟ๐ถ๐ฒ๐ป ๐ฆ๐๐ป ๐๐ฎ๐น๐น, ๐๐ถ๐ฆ๐ฆ๐ณ ๐๐ด๐บ๐ฏ๐ค๐ฉ๐ณ๐ฐ๐ฏ๐ช๐ฆ๐ด explores the alternate temporalities of q***r and trans experience โ ways of inhabiting time that unfold alongside, against, or beyond dominant narratives of development, productivity, or progress.
Through sculpture, video, photography, and painting, artists ๐ฆ๐๐ฒ๐๐ฒ๐ป ๐๐ฒ๐ฐ๐ธ๐น๐, ๐๐ฎ๐บ๐ถ๐น๐น๐ฒ ๐๐ต๐ฎ๐ฟ๐ฏ๐ผ๐ป๐ป๐ฒ๐ฎ๐, ๐ฅ๐ฎ๐บ๐ถ ๐๐ฒ๐ผ๐ฟ๐ด๐ฒ, ๐๐๐น๐ฎ๐ป ๐๐น๐๐ป๐ป, ๐๐ผ๐ฟ๐ฑ๐ฎ๐ป ๐๐ถ๐ป๐ด, ๐ก๐ฎ๐๐ถ๐ฎ ๐๐ฒ๐บ๐ฎ๐, ๐ข๐น๐๐๐ฒ๐๐ฒ & ๐ฅ๐ ๐ฉ๐ฎ๐ป ๐๐ฒ๐ฟ ๐๐ผ๐๐ engage asynchrony as both a lived condition and critical framework.
๐๏ธ Opening Reception: Saturday, June 20, 2โ5 pm
Dylan Glynn, Twigs, 2024
Watercolour on cotton rag paper
10 x 8 in.
Camille Charbonneau, The House Is a Large Cradle (Sisters 13), 2023-2026, polyester, cotton, leather, faux-leather, steel, brass, polymer clay, and paper, 14 x 9 x 2 in.
Camille Charbonneau, The House Is a Large Cradle series, 2023-2026
polyester, cotton, leather, faux-leather, steel, brass, polymer clay, and paper
14 x 9 x 2 in.
Steven Beckly, Disarming a Myth, 2025
Archival pigment print
50 x 40 in.
Edition of 2 + 1 AP
With thanks to