Matti Baine's Art

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Matti Baine's Art Artist and designer. Fine art available and commissions welcome... custom pieces including sculpture, signage, refurbished antiques & furniture.

Lighting & creations from small to large scale. I built an entire Escape Game spanning 3 rooms.

Happy New Year! Year of the Fire Horse 🔥    ’sArt 
18/02/2026

Happy New Year! Year of the Fire Horse 🔥
’sArt 

29/01/2026

Animal shaped downspouts.

26/01/2026

Alice Roosevelt Longworth didn’t simply enter history—she exploded onto the scene, laughing, smoking, and defying every rule Washington thought it had. As the daughter of Theodore Roosevelt, she became one of the most famous young women in America when her father became president in 1901. At just 17, Alice was thrust into the public spotlight, and the press quickly dubbed her “Princess Alice.” Newspapers chronicled every detail of her life—her outfits, her jokes, her every scandal.

But Alice wasn’t interested in being a demure, quiet First Daughter. Instead, she shattered the expectations of what was proper for a young woman in public life. She smoked ci******es in public—a shocking act at the time—and when her father forbade her from smoking inside the White House, she simply climbed up to the roof to light up, saying, "If he said I couldn't smoke under his roof, I decided to smoke above it."

Alice didn’t stop there. She raced cars through the streets of Washington, stayed out until dawn, gambled, and even carried a pet snake, named Emily Spinach, in her purse. She would let the snake out at dinner parties to liven things up, delighting guests and upsetting the stuffier elements of society. The French press kept track of her social engagements as though it were a sport, with Alice attending 407 dinners, 350 balls, and 300 parties in just 15 months.

Her father, exasperated by his daughter's refusal to conform, once confessed to a friend: “I can either run the country or attend to Alice, but I cannot possibly do both.”

But the real magic of Alice was her unrelenting independence. She never asked for permission—she simply lived, unscripted, vivid, and unstoppable. Even when the Roosevelts left the White House in 1909, Alice's unconventional antics didn't stop. She buried a voodoo doll of the incoming First Lady, Nellie Taft, in the front yard—a prank that led to her being banned from the White House by the Taft administration.

Not one to back down, Alice continued to defy social norms for the rest of her life. Her drawing room in Washington, D.C., became a hub for the nation's most important political figures. Everyone from politicians to diplomats to journalists came to seek her opinions and share gossip. Alice had an undeniable presence in Washington, and her sharp wit and outspokenness made her an unforgettable figure.

She famously displayed a pillow in her home with the words: "If you haven't got anything good to say about anybody, come sit next to me." Alice was known for her ability to puncture egos with biting remarks. When Senator Joseph McCarthy tried to get familiar with her by saying, “I’m going to call you Alice,” she immediately cut him down: “My gardener may call me Alice. The trashman on my block may call me Alice. But you, Senator McCarthy, may call me Mrs. Longworth.”

Her interactions with President Lyndon B. Johnson were equally memorable. When Johnson leaned in to kiss her cheek, Alice tipped the brim of her enormous hat and said, "That is exactly why I wear these—to keep you at a distance."

Richard Nixon, who had a deep admiration for her, called Alice “the most interesting conversationalist of the age.” He said that no one, no matter how famous, could ever outshine her. And it was true—Alice was a force to be reckoned with.

Alice Roosevelt Longworth met nearly every president from Benjamin Harrison to Gerald Ford, surviving wars, changing fashions, and political scandals. She remained the same sharp-tongued, independent woman through every decade of her life. Through it all, Alice remained "unbroken, unbossed, and magnificently herself."

When she passed away in 1980 at the age of 96, President Jimmy Carter, who had declined to meet her, paid tribute to her: “She had style, she had grace, and she had a sense of humor that kept generations of political newcomers to Washington wondering which was worse—to be skewered by her wit or to be ignored by her.”

Alice Roosevelt Longworth proved that some people, when given the spotlight, don’t just stand in it—they own it. And for nearly a century, she dazzled the nation with her defiance, wit, and unyielding authenticity. Alice’s legacy is one of fearless individuality—a woman who refused to live by the rules set for her, and who, instead, made her own.

Brilliant!!! We could use something like this back in the white house… 🙏
21/12/2025

Brilliant!!! We could use something like this back in the white house… 🙏

"On May 11, 1962, Jacqueline Kennedy did something no First Lady had ever dared—she invited 49 Nobel Prize laureates to a White House dinner honoring intellectual excellence, and during her toast, she uttered words that still give chills: 'I think this is the most extraordinary collection of talent, of human knowledge, that has ever been gathered together at the White House, with the possible exception of when Thomas Jefferson dined alone.' Here's the stunning truth most history books skip: Jackie personally handwrote many of the invitations herself, studied each laureate's work for weeks, and arranged the seating with such precision that conversations sparked collaborations that would later advance science and literature for decades to come. What makes this moment absolutely revolutionary is that in 1962, when women were still expected to focus solely on decorating and hosting, Jackie was quietly orchestrating America's cultural Renaissance, transforming the White House from a political headquarters into what she called 'a showcase of American genius' where artists, writers, scientists, and musicians could inspire a nation to value brains over bullets. Her vision was deeply personal—she once confided to her secretary that she wanted Caroline and John to grow up in a house where 'music and poetry and art' mattered as much as policy, and she made it happen by bringing Pablo Casals, Igor Stravinsky, and Leonard Bernstein through those historic doors. Jackie understood something profound that still resonates today: a nation's true power isn't measured only in military might or economic wealth, but in its commitment to honoring the dreamers, thinkers, and creators who push humanity forward, and that one dinner proved to the world that America valued brilliant minds as its greatest treasure, setting a standard of intellectual elegance that no administration has matched since. "

Sunset oyster treat in San Diego and I found a pearl! 🦪 🤩
01/12/2025

Sunset oyster treat in San Diego and I found a pearl! 🦪 🤩

Work in Progress taking shape… Sculpting a Life Size Human form inspired by Old World Sailing  Vessels. A Figure Head wo...
30/11/2025

Work in Progress taking shape… Sculpting a Life Size Human form inspired by Old World Sailing Vessels. A Figure Head would adorn the front of a ship… like the tiny model I placed in her heart.
🌊🩵💨⛵️

🌟!!SOLD!!🌟Grateful for the opportunity to sell my Art… Feeling inspired!
24/11/2025

🌟!!SOLD!!🌟Grateful for the opportunity to sell my Art… Feeling inspired!

Repost- in case you were out and about for third Friday art walk in downtown Phoenix:Open Studio & Art Gallery - Third F...
21/11/2025

Repost- in case you were out and about for third Friday art walk in downtown Phoenix:

Open Studio & Art Gallery - Third Friday Art Walk, Nov. 21 - 4pm to 9pm 🌤️ located in Artisan Village - Entrance is on 5th Street… look for the sign in front of the the Bougainvillea arch, #109

Step into the Studio of Matti Baine to see Works in Progress, (a sculpted, life size bust of a ships maiden.) As well as a body of framed Paintings, Intaglio Etchings and Prints on display.

Open Studio & Art Gallery - Third Friday Art Walk, Nov. 21 - 4pm to 9pm 🌤️ located in Artisan Village - Entrance is on 5...
18/11/2025

Open Studio & Art Gallery - Third Friday Art Walk, Nov. 21 - 4pm to 9pm 🌤️ located in Artisan Village - Entrance is on 5th Street… look for the sign in front of the the Bougainvillea arch, #109

Step into the Studio of Matti Baine to see Works in Progress, (a sculpted, life size bust of a ships maiden.) As well as a body of framed Paintings, Intaglio Etchings and Prints on display.

First Friday Artwalk ⚡️ This Friday Nov. 7th, 5-10pm 💫 Come by and say Hi! 🤩
03/11/2025

First Friday Artwalk ⚡️ This Friday Nov. 7th, 5-10pm 💫 Come by and say Hi! 🤩

See original framed paintings and prints in the Art Gallery and Works in progress, paintings and sculpture, in Matti’s Studio.

Gorgeous! A trip to Greece to view this is in order! 🤩💖💫
03/10/2025

Gorgeous! A trip to Greece to view this is in order! 🤩💖💫

In Greece, sustainability is meeting serenity through the installation of wind harps—elegant structures that turn coastal and hillside breezes into both music and power. These tall, sculptural harps are designed with tensioned strings or metal reeds that vibrate when struck by the wind, creating soft, ethereal melodies that change with wind speed and direction. The result is a natural symphony that adds atmosphere to parks, walkways, and hilltop plazas.

But the beauty goes beyond sound. Each wind harp is embedded with compact vertical-axis wind turbines that convert airflow into electricity. This clean energy is used to power nearby streetlights, pathway LEDs, or even public charging ports. The design is silent in terms of mechanical operation, with the only sound being the music of the wind itself—making it ideal for residential or historical areas where noise pollution is a concern.

Constructed with corrosion-resistant materials and minimal moving parts, these harps require little maintenance and can operate year-round. In the evenings, many are illuminated by the very power they produce, creating glowing sculptures that sing with the wind while lighting the streets below.

The wind harps are part of Greece’s broader efforts to blend renewable energy with public art. They symbolize harmony between nature, culture, and innovation—inviting people not only to hear the wind, but to see how it can brighten the night.

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