Art Directors Guild - Local 800

Art Directors Guild - Local 800 Production Designers, Art Directors, Assistant Art Directors; Scenic, Title & Graphic Artists; Illus I. Menzies (the dean of U.S. II. III.

Local 800 is a local union of the International Alliance of Theatrical and Stage Employees (IATSE). The "IA", as it is commonly known, is an international union, which exclusively represents employees in the entertainment industry, spanning the United States and Canada with more than 104,000 members. Local 800 is comprised of Art Directors, Graphic Artists, Illustrators, Matte Artists, Model Maker

s, Scenic Artists, Set Designers and Title Artists. Art Directors
While the craft of production design and art direction dates back 100 years to the very beginning of filmmaking, it wasn't until 1924 that 63 of the top men and women pursuing that craft formed the Cinemagundi Club (named after New York's club for artists, the Salmagundi Club), a casual organization that met mainly for socializing at a Hollywood restaurant. Through the years the Cinemagundi Club developed into a forum for Production Designers and Art Directors to exchange views and to discuss problems. In 1937, the Club transformed itself into the Society of Motion Picture Art Directors. Television was added to its name 30 years later and in January of 2000, it became the Art Directors Guild. The 1930s were bleak times, however, for Art Directors and other industry craft artists who were not being given proper credit for the important creative contributions they made to the art of filmmaking. That attitude dramatically changed in 1939 with Gone With the Wind, when producer David O. Selznick agreed to give the new credit of Production Designer to William Cameron Menzies for his brilliant work on the classic film. film art direction at the time) produced scene-by-scene storyboards and illustrations for GWTW that revolutionized the film industry. They demonstrated the vital role that production design plays in the overall look of a theatrical motion picture, establishing practices still in use today. After the Second World War, many below the line industry labor organizations, including the Art Directors Guild, signed on with the powerful International Alliance of Theatrical and Stage Employees (IATSE) for overall union representation. The Guild became more active, grew in membership, and expanded opportunities as television developed. In January 2003, the 900 members of ADG merged with the 700-member Scenic, Title and Graphic Artists to form Art Directors Guild & Scenic, Title and Graphic Artists, IATSE Local 800. In 2008, IATSE Locals 790 and 847, representing Set Designers, Model Makers, Illustrators and Matte Artists, merged into the Guild. The total ADG membership now numbers 2,000. Its ongoing activities include a Film Society, an Annual Awards banquet, technology conference (5D: The Immersive Design conference), an annual art show (Art Unites, an exhibition of members’ personal artwork), the publication of an annual Membership Directory, a bi-monthly craft magazine (Perspective), an extensive technology-training program, creative workshops and craft exhibitions. Scenic, Title and Graphic Artists
The creation of its own local (formerly known as Local 816) in March of 1949 marked the first time the Hollywood Scenic Artists and Title Artists had its own local representing its unique needs. Previously, the members were part of Local 644 of the Conference of Studio Unions (CSU) working in film and theater. The overwhelming majority of Local 644's membership, however, had been made up of set painters and paperhangers and included set designers as well. It was not until the dissolution of the CSU after a long series of bitterly contested strikes that the scenic artists were able to organize exclusively. Those artists had been pioneers in their field, responsible for devising and developing the methods used to create representational scenery unsurpassed anywhere in the world. The size and strength of the local grew with the inclusion of television contracts in the early 1950s. Television, at that time, was in effect an extension of live theater and required a lot of painted two-dimensional scenery instead of the three-dimensional sets used in film. As the nature of television scenery changed, the responsibilities of the television scenic artist broadened to include those of the set painter. Local 816 was the only local in the entertainment industry that worked in all three major areas of the business: film, television and theater. As noted above, in January, 2003, the 850 members of ADG merged with the 650 member Scenic, Title and Graphic Artists to form the Art Directors Guild & Scenic, Title and Graphic Artists. Illustrators and Matte Artists
Formerly known as Local 790

IV. Set Designers and Model Makers
Formerly known as Local 847

This Memorial Day we hope our   members, family and friends have time to rest and reflect on our union values of unity, ...
05/25/2026

This Memorial Day we hope our members, family and friends have time to rest and reflect on our union values of unity, sacrifice, and solidarity, as we honor and remember those who gave their lives in service to our country and our freedoms.

Lets all continue together with the fight for fairness, dignity, and a stronger future for all workers.

The Television Academy recently announced membership changes to its Art Directors/Set Decorators peer group, adding Set ...
05/22/2026

The Television Academy recently announced membership changes to its Art Directors/Set Decorators peer group, adding Set Designer, Graphic Designer, Assistant Art Director, Assistant Set Decorator and Set Decorator Buyer to the list of eligible professional titles.

Interested and IATSE members can go to the Peer Group section of the Television Academy website to see membership requirements and get an application to join the Art Directors/Set Decorators peer group:

https://www.televisionacademy.com/academy/organization/peer-groups/art-directors-set-decorators

This sleek set still depicts the entrance to the Paradise Dance Pavilion, designed for the 1939 Paramount romantic comed...
05/21/2026

This sleek set still depicts the entrance to the Paradise Dance Pavilion, designed for the 1939 Paramount romantic comedy Some Like It Hot. The film starred Bob Hope as a brash Atlantic City promoter who convinces a dance hall owner to liven up his club by bringing in drummer Gene Krupa and his band. The set is a great example of Paramount’s high style combined with studio economy, with just enough of the set built on stage to create the illusion of a large venue. The designers on the film were Hans Dreier and Earl Hedrick.

Note to all: Barbara Hall, our Archivist, passed away during 2025. Barbara's warmth, dedication, and spirit left a lasting impact on everyone who had the privilege to know her. She is deeply missed, and in her honor we are reposting some of her "Archive Item of the Week" selections from our weekly member newsletters.

The California Locals of the IATSE have officially endorsed Tom Steyer for governor! Steyer has the strongest stances of...
05/19/2026

The California Locals of the IATSE have officially endorsed Tom Steyer for governor! Steyer has the strongest stances of all the candidates on many of issues that matter most to IATSE members.

Steyer:
1) has the furthest reaching proposals for future film and television tax credit policy, both state and federal.
2) has the strongest position on setting guardrails for the use of Artificial Intelligence in the workplace.
3) is the most vocal candidate clearly in favor of a single-payer healthcare system.
4) has the strongest stance on blocking corporate mergers in entertainment.

members received an RSVP yesterday via email to come to a union TownHall tonight (Tuesday!) to hear directly from Steyer about his vision for California, speaking on a panel with journalists John Russell and Elise Joshi.

This stylized painting of a Hollywood Hills house with a view of L.A. manages to capture the setting with just the right...
05/13/2026

This stylized painting of a Hollywood Hills house with a view of L.A. manages to capture the setting with just the right amount of detail. Though the Modernist design suggests this might be a concept for a femme fatale's hideout or a villain's lair, I have not yet been able to identify either the film or the artist. The fact that this vista would be created by combining stage work and location shooting makes it especially intriguing.

Note to all: Barbara Hall, our Archivist, passed away during 2025. Barbara's warmth, dedication, and spirit left a lasting impact on everyone who had the privilege to know her. She is deeply missed, and in her honor we are reposting some of her "Archive Item of the Week" selections from our weekly member newsletters.

As mail voting begins for the June primary election in California, members, friends and allies of   should know that the...
05/09/2026

As mail voting begins for the June primary election in California, members, friends and allies of should know that the IATSE has endorsed Tom Steyer for Governor.

Here's why: of all the candidates for governor, Steyer:

1) Has the strongest position on future film and television tax credit policies, both on the state and federal level.
2) Has the strongest position on setting guardrails for the use of Artificial Intelligence in the workplace.
3) Is the most vocal candidate clearly in favor of a single-payer healthcare system.

"As Governor, I will support policies that not only protect jobs, but also ensure that Hollywood remains a place where independent media and creators are nurtured, celebrated, and rewarded.” - Tom Steyer

https://deadline.com/2026/04/tom-steyer-interview-1236870190/

This beautiful color print is from “The Jewel City in Natural Colours,” an official publication of the Panama-Pacific In...
05/05/2026

This beautiful color print is from “The Jewel City in Natural Colours,” an official publication of the Panama-Pacific International Exposition, which was held in San Francisco in 1915 to celebrate the opening of the Panama Canal. Extending from Fort Mason well into the Presidio, the exposition featured dozens of elaborate, specially-built pavilions and other buildings, almost all of which were demolished when it was over. This image shows the Tower of Jewels and the Italian Towers, which were illuminated at night “by an entirely new system called flood lights.”

Note to all: Barbara Hall, our Archivist, passed away during 2025. Barbara's warmth, dedication, and spirit left a lasting impact on everyone who had the privilege to know her. She is deeply missed, and in her honor we are reposting some of her "Archive Item of the Week" selections from our weekly member newsletters.

More images from the May Day march and rally on Friday! This was the biggest turnout for May Day in years as thousands o...
05/03/2026

More images from the May Day march and rally on Friday! This was the biggest turnout for May Day in years as thousands of union members and allies took to the streets of Los Angeles in an impressive show of unity.

Many thanks to all the IATSE and members who came out to join Los Angeles County Federation of Labor, AFL-CIO
and the dozens of AFL-CIO unions representing over 800,000 members in California.

Hope everyone is having a great May Day weekend!

05/02/2026

What an amazing May Day march and rally as thousands of union members and allies took to the streets of Los Angeles today in the strongest show of unity in many years.

The IATSE was out in force, joining Los Angeles County Federation of Labor, AFL-CIO and dozens of unions representing over 800,000 members in California. was a big part of the effort!

Thanks to everyone who came out and made this day so inspirational. Happy May Day everyone!!

ICG: International Cinematographers Guild (IATSE Local 600)
Motion Picture Editors Guild, I.A.T.S.E. Local 700

Address

11969 Ventura Boulevard
Studio City, CA
91604

Opening Hours

Monday 9am - 6pm
Tuesday 9am - 6pm
Wednesday 9am - 6pm
Thursday 9am - 6pm
Friday 9am - 6pm

Telephone

+18187629995

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