Art Directors Guild - Local 800

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Art Directors Guild - Local 800 Production Designers, Art Directors, Assistant Art Directors; Scenic, Title & Graphic Artists; Illus I. Menzies (the dean of U.S. II. III.

Local 800 is a local union of the International Alliance of Theatrical and Stage Employees (IATSE). The "IA", as it is commonly known, is an international union, which exclusively represents employees in the entertainment industry, spanning the United States and Canada with more than 104,000 members. Local 800 is comprised of Art Directors, Graphic Artists, Illustrators, Matte Artists, Model Makers, Scenic Artists, Set Designers and Title Artists. Art Directors
While the craft of production design and art direction dates back 100 years to the very beginning of filmmaking, it wasn't until 1924 that 63 of the top men and women pursuing that craft formed the Cinemagundi Club (named after New York's club for artists, the Salmagundi Club), a casual organization that met mainly for socializing at a Hollywood restaurant. Through the years the Cinemagundi Club developed into a forum for Production Designers and Art Directors to exchange views and to discuss problems. In 1937, the Club transformed itself into the Society of Motion Picture Art Directors. Television was added to its name 30 years later and in January of 2000, it became the Art Directors Guild. The 1930s were bleak times, however, for Art Directors and other industry craft artists who were not being given proper credit for the important creative contributions they made to the art of filmmaking. That attitude dramatically changed in 1939 with Gone With the Wind, when producer David O. Selznick agreed to give the new credit of Production Designer to William Cameron Menzies for his brilliant work on the classic film. film art direction at the time) produced scene-by-scene storyboards and illustrations for GWTW that revolutionized the film industry. They demonstrated the vital role that production design plays in the overall look of a theatrical motion picture, establishing practices still in use today. After the Second World War, many below the line industry labor organizations, including the Art Directors Guild, signed on with the powerful International Alliance of Theatrical and Stage Employees (IATSE) for overall union representation. The Guild became more active, grew in membership, and expanded opportunities as television developed. In January 2003, the 900 members of ADG merged with the 700-member Scenic, Title and Graphic Artists to form Art Directors Guild & Scenic, Title and Graphic Artists, IATSE Local 800. In 2008, IATSE Locals 790 and 847, representing Set Designers, Model Makers, Illustrators and Matte Artists, merged into the Guild. The total ADG membership now numbers 2,000. Its ongoing activities include a Film Society, an Annual Awards banquet, technology conference (5D: The Immersive Design conference), an annual art show (Art Unites, an exhibition of members’ personal artwork), the publication of an annual Membership Directory, a bi-monthly craft magazine (Perspective), an extensive technology-training program, creative workshops and craft exhibitions. Scenic, Title and Graphic Artists
The creation of its own local (formerly known as Local 816) in March of 1949 marked the first time the Hollywood Scenic Artists and Title Artists had its own local representing its unique needs. Previously, the members were part of Local 644 of the Conference of Studio Unions (CSU) working in film and theater. The overwhelming majority of Local 644's membership, however, had been made up of set painters and paperhangers and included set designers as well. It was not until the dissolution of the CSU after a long series of bitterly contested strikes that the scenic artists were able to organize exclusively. Those artists had been pioneers in their field, responsible for devising and developing the methods used to create representational scenery unsurpassed anywhere in the world. The size and strength of the local grew with the inclusion of television contracts in the early 1950s. Television, at that time, was in effect an extension of live theater and required a lot of painted two-dimensional scenery instead of the three-dimensional sets used in film. As the nature of television scenery changed, the responsibilities of the television scenic artist broadened to include those of the set painter. Local 816 was the only local in the entertainment industry that worked in all three major areas of the business: film, television and theater. As noted above, in January, 2003, the 850 members of ADG merged with the 650 member Scenic, Title and Graphic Artists to form the Art Directors Guild & Scenic, Title and Graphic Artists. Illustrators and Matte Artists
Formerly known as Local 790

IV. Set Designers and Model Makers
Formerly known as Local 847

Statement from the IATSE DEI Committee:The IATSE DEI Committee recognizes Indigenous People’s Day as an opportunity to h...
10/13/2026

Statement from the IATSE DEI Committee:

The IATSE DEI Committee recognizes Indigenous People’s Day as an opportunity to honor the histories, culture, resilience, and contributions of Native American and Indigenous Peoples throughout the Americas. We acknowledge the ways that Indigenous Peoples continue to shape our workplaces, industries, artistic traditions, and movements for justice in meaningful and long-lasting ways.

Today we take time to reflect on stories that have often been overlooked, remembering how our past contains both good and bad, and how we can continue to affirm a culture that promotes inclusion and respect. We honor the generations of Indigenous Peoples who continue to sustain their cultures, traditions and stewardship of the lands we inhabit and work on. We encourage connection and engagement with our Indigenous kin and continued solidarity amongst all workers from different backgrounds.

Tell Congress: pass the bipartisan Motion Picture, Television, and Entertainment Revitalization Act (MPTERA)! Link to on...
10/03/2026

Tell Congress: pass the bipartisan Motion Picture, Television, and Entertainment Revitalization Act (MPTERA)!
Link to online letter: https://actionnetwork.org/letters/tell-congress-pass-the-bipartisan-motion-picture-television-and-entertainment-revitalization-act-mptera/

MPTERA is a federal entertainment industry incentive that, if passed, will help level the playing field, bring film and television jobs back to the United States, and strengthen opportunities for entertainment workers.

For more than a year this legislation has been the top priority for the IATSE federal agenda. Already members, allies, and partner organizations have sent over 20,000 letters to Congress urging passage before the end of 2026. But we need more. Follow the link and join the effort!

Though he was primarily known for his transformative work as a scenic designer for the theater, the late John Iacovelli ...
09/29/2026

Though he was primarily known for his transformative work as a scenic designer for the theater, the late John Iacovelli also worked on numerous film and TV series during his more than forty-year career. One of his first movies was Honey, I Shrunk The Kids (1989), the wildly imaginative story of a scientist who accidentally miniaturizes his kids and then has to figure out how to bring them back to normal size. With Dorree Cooper, Iacovelli was one of two Art Directors on the film, working alongside Production Designer Gregg Fonseca. We recently had the opportunity to add many examples of Iacovelli’s movie and TV work to our collection, including more than 200 working drawings created for the film, which during production was known as The Teeny-Weenies.

Note to all: Barbara Hall, our Archivist, passed away during 2025. Barbara’s warmth, dedication, and spirit left a lasting impact on everyone who had the privilege to know her. She is deeply missedb, and in her honor we are reposting some of her “Archive Item of the Week” selections from our weekly member newsletters.

Send a letter to Congress to push for a federal film and television incentive: https://iatse.net/political-legislative/f...
09/25/2026

Send a letter to Congress to push for a federal film and television incentive:
https://iatse.net/political-legislative/fighting-for-u-s-film-tv-jobs/

Yesterday Congress introduced the bipartisan Motion Picture, Television, and Entertainment Revitalization Act, that, if passed, will help level the playing field, bring film and television jobs back to the United States, and strengthen opportunities for entertainment workers.

This legislation has been the top priority for the IATSE federal agenda, so we are now engaging members, allies, and partner organizations in a nationwide advocacy campaign to get it passed by the end of this year. Learn more about the bill:
https://iatse.net/iatse-lauds-introduction-of-motion-picture-television-and-entertainment-revitalization-act-urges-swift-passage/

WASHINGTON, D.C. — The International Alliance of Theatrical Stage Employees (IATSE) today applauded the introduction of the bipartisan Motion Picture, Television, and Entertainment Revitalization Act (MPTERA), which would create a […]

Our ADG Young Artists Committee invites All Local 800 members to join TOMORROW, Saturday, September 19th at 10AM PT for ...
09/18/2026

Our ADG Young Artists Committee invites All Local 800 members to join TOMORROW, Saturday, September 19th at 10AM PT for our Member Orientation!

This event will be IN PERSON at the ADG office with an option to join by Zoom. ADG members look for your email with the link to RSVP!

This event is a great opportunity to meet fellow members and learn about our organizational history, benefits, and resources. It’s intended to be useful for all members- those who have joined in recent years, and also those who want to brush up on certain aspects of being a union member.

There will be craft specific breakouts to help members better connect, and a mixer afterwards for members who attend in person.

The IATSE joined a press conference yesterday hosted by the newly formalized U.S. Film & TV Production Coalition, as par...
09/17/2026

The IATSE joined a press conference yesterday hosted by the newly formalized U.S. Film & TV Production Coalition, as part of a broad alliance of labor organizations, studios, guilds, industry advocates, and bipartisan members of Congress to unveil a new study on the economic benefits of a federal film and television production incentive. Read more: https://iatse.net/iatse-joins-special-ambassador-lawmakers-and-coalition-for-press-conference-unveiling-film-tv-incentive-study/

Matthew D. Loeb, International President of IATSE, participated alongside MPA Chairman and CEO Charles Rivkin, Representatives Brian Jack and Laura Friedman, Teamsters General President Sean M. O’Brien, former DGA leader Thomas Schlamme, SAG-AFTRA President Sean Astin, and Special Ambassador to Hollywood Jon Voight in calling for federal action to strengthen domestic film and television production.

The study found that a federal incentive operating alongside existing state programs could generate approximately $125 billion in additional U.S. production spending between 2027 and 2035, contribute nearly $250 billion in economic activity, and support roughly 143,500 additional full-time equivalent jobs annually.

Participation in the event underscored the IATSE’s ongoing advocacy for policies that keep production work in the United States, protect middle-class entertainment industry jobs, and help American workers compete against increasingly aggressive international production incentive programs.

09/12/2026

On September 1, International Special Representative Dan Mahoney joined Mayor Mamdani and Deputy Mayor Julie Su at New York City Hall for a roundtable discussion focused on the workers impacted by the September 11, 2001, attacks.  […]

All IATSE members are invited to join for an evening of fun and excitement at the biggest Political Action Committee (PA...
09/12/2026

All IATSE members are invited to join for an evening of fun and excitement at the biggest Political Action Committee (PAC) fundraising event of the year!

Support our efforts to win a Federal Film and Television Jobs Program in Washington, all while participating in Drag Queen Bingo, Axe Throwing, Plinko, Live Sketches, Firepit & S’mores, Dancing & a $1500 members-only door prize!

All the excitement, mystery and magic happens in Burbank at the IATSE Local 80 offices.

members look for your email about the event which contains the link to RSVP, donate to the raffle, or sign up to volunteer.

Congratulations to all the Emmy winners from the Art Directors Guild, IATSE Local 800 at the 78th Primetime Creative Art...
09/09/2026

Congratulations to all the Emmy winners from the Art Directors Guild, IATSE Local 800 at the 78th Primetime Creative Arts Emmy Awards:

Outstanding Production Design for a Narrative Contemporary Program (One Hour Or More):

Pluribus:
Denise Pizzini, Production Designer
Dins Danielsen, Supervising Art Director

Outstanding Production Design For A Narrative Period Or Fantasy Program (One Hour Or More):

Fallout:
Howard Cummings, Production Designer
David Lazan, Supervising Art Director

Outstanding Production Design For A Narrative Program (Half-Hour):

Widow’s Bay:
Steve Arnold, Production Designer
Peter Borck, Supervising Art Director

Outstanding Production Design For A Variety Or Reality Series:

The Traitors:
Stuart Frossell, Production Designer

Outstanding Production Design For A Variety Special:

The Muppet Show:
Denise Pizzini, Production Designer
Chet Maxwell, Art Director
Robert Aguirre, Art Director

In total, an amazing 41 members were nominated for their work on 19 separate productions across 6 categories! Congrats again to all of this year’s winners and nominees.

Congratulations again to the Art Directors Guild, IATSE Local 800 members who were  nominated for the 2026 Emmy Awards!I...
09/04/2026

Congratulations again to the Art Directors Guild, IATSE Local 800 members who were nominated for the 2026 Emmy Awards!

In total, an amazing 41 members were nominated for their work on 19 separate productions across 6 categories.

We wish you all the best of luck this weekend at the ceremonies for the 78th Primetime Creative Arts Emmy Awards.

Our nominated members:

Euphoria:
Francois Audouy, Production Designer
A. Todd Holland, Supervising Art Director

The Pitt:
Nina Ruscio, Production Designer
Josh Lusby, Art Director

Pluribus:
Denise Pizzini, Production Designer
Dins Danielsen, Supervising Art Director

Fallout:
Howard Cummings, Production Designer
David Lazan, Supervising Art Director

Palm Royale:
Jon Carlos, Production Designer
Rachel Aguirre, Art Director
Amelia Brooke, Art Director
Mark Robert Taylor, Art Director

Spider-Noir:
Warren Alan Young, Production Designer
Mark Larkin, Supervising Art Director

Stranger Things:
Sean Brennan, Supervising Art Director

Hacks:
Rob Tokarz, Production Designer
Jeanine Ringer, Art Director

Leanne:
Francoise Cherry-Cohen, Production Designer
Gail Russell, Assistant Art Director

Widow’s Bay:
Steve Arnold, Production Designer
Peter Borck, Supervising Art Director

Jimmy Kimmel Live!:
David Ellis, Production Designer
Hillarie Brigode, Art Director

RuPaul’s Drag Race:
Jen Chu, Production Designer
Tyler Stone, Art Director

The Traitors:
Stuart Frossell, Production Designer

The Apple Music Super Bowl LX Halftime Show Starring Bad Bunny:
Bruce Rodgers, Production Designer
Shelley Rodgers, Supervising Art Director
Leticia Leon, Art Director

68th Annual Grammy Awards:
Kristen Merlino, Art Director
Gloria Lamb, Art Director
Ellen Jaworski, Art Director
Scott Welborn, Art Director
Kaydee Lavorin, Set Decorator

The Muppet Show:
Denise Pizzini, Production Designer
Chet Maxwell, Art Director
Robert Aguirre, Art Director

The Oscars:
Alana Billingsley, Production Designer
John Zuiker, Art Director
Jonathan Stoller-Schoff, Art Director

78th Annual Tony Awards:
Steve Bass, Production Designer

Murderbot:
Lance Slaton, Illustrator

Address

11969 Ventura Boulevard
Studio City, CA
91604

Opening Hours

Monday 9am - 6pm
Tuesday 9am - 6pm
Wednesday 9am - 6pm
Thursday 9am - 6pm
Friday 9am - 6pm

Telephone

+18187629995

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