Fernando Luis Alvarez Gallery

Fernando Luis Alvarez Gallery From the doors in, we build artists' careers. From the doors out, we build community. With over 5,000 sq.

The Fernando Luis Alvarez Gallery recently earned a citation from the State of Connecticut as one of the nation’s most innovative contemporary art galleries. feet of space, the gallery produces upwards of ten shows each year, from a stable of international, career artists. Established in 2009 by Fernando Luis Alvarez, the gallery is committed to building careers of emerging and established contemp

orary artists from the doors in, and building community from the doors out. Current artists exhibiting in the gallery include Helen Frankenthaler, Robert Longo, Louise Fishman, Robert Rauschenberg, Frank Stella, Robert Motherwell, Jim Dine, Sean Scully, John J. Bedoya, Rex Prescott Walden, Jena Thomas, Kirsten Reynolds, William Nelson and Damla T. Faro who was recently featured in Sotheby’s Turkish, Arab, and Iranian contemporary art auction. For a full list of artists, please go to alvarezgallery.com

The gallery also features a competitive art leasing program that differentiates from its relationship with art collectors. With art leasing, corporations, small businesses and private clients can lease or rent art for a period of time at a fraction of the cost of the artwork. Art leasing programs and curating services are available to match a variety of interior design and corporate client needs. The benefits of art leasing can range from freeing up capital, to encouraging employee creativity, to providing tax incentives to larger corporations. The gallery's art leasing program also features the option for private events that include cultural diversity programs, private art shows, and performance art.

08/26/2026

Returning is not a straight line.

In Return(ing), Eugene Ofori Agyei transforms movement into tension. The tire suggests journey, friction, and resistance, while branches and ties speak of repair, improvisation, and persistence.

This is not just a return, but a negotiation with memory.

To return is also to transform.

Explore Return(ing) in What Lies Beyond the Visible? at: https://alvarezgallery.com/whats-lies-beyond-the-visible-eugene-ofori-agey/

An artist’s studio can be read as an archive of decisions.Works at different stages coexist in the same space, surrounde...
08/25/2026

An artist’s studio can be read as an archive of decisions.

Works at different stages coexist in the same space, surrounded by materials and traces of the process that remain invisible once a painting is finished and leaves the studio.

These photographs offer a look inside Jena Thomas’s studio—not simply as the place where paintings are made, but as a space where decisions accumulate over time, leaving their mark on both the works and the environment around them.

Photos courtesy of the artist.

IT’S TODAY | Three-Dimensional: Arturo Di ModicaOpening exclusively on the Alvarez Gallery Artsy profile, Three-Dimensio...
08/21/2026

IT’S TODAY | Three-Dimensional: Arturo Di Modica

Opening exclusively on the Alvarez Gallery Artsy profile, Three-Dimensional revisits a lesser-known chapter in the work of Arturo Di Modica (1941–2021).

Centered on small-format sculptures from the 1970s, the show looks beyond the artist’s widely recognized Charging Bull to explore his experimentation with abstract and representational forms, texture, volume, light, and shadow.

These works, part of the Alvarez Gallery collection, offer an opportunity to reconsider the breadth of a five-decade artistic practice.

Explore the show:
🔗 https://www.artsy.net/show/alvarez-gallery-three-dimensional-a-new-proposal-by-alvarez-gallery

Arturo Di Modica is most widely associated with monumental sculpture, particularly Charging Bull. Yet scale was never th...
08/19/2026

Arturo Di Modica is most widely associated with monumental sculpture, particularly Charging Bull. Yet scale was never the only way he approached three-dimensional form.

Archival images from the 1970s and early 1980s reveal a broader sculptural practice—one in which abstraction, form, volume, material, and scale were continuously explored.

Looking beyond his best-known public work allows another dimension of Di Modica’s practice to emerge.

This Friday, Alvarez Gallery returns to this lesser-seen side of his work with Three-Dimensional.

Three-Dimensional: A New Proposal by Alvarez Gallery
August 21 · 6 PM EST
On the Alvarez Gallery Artsy profile.

Arturo Di Modica in his Grand Street studio, New York, c. 1979. © Arturo Di Modica. Image source: The Estate of Arturo Di Modica / arturodimodica.com.

Arturo Di Modica, Early Bronze Abstraction, 1970. © Arturo Di Modica. Image source: Geist Monte Carlo / geistmc.com.

Arturo Di Modica, Abstract Sculptures, early 1980s. © Arturo Di Modica. Image source: Geist Monte Carlo / geistmc.com.

Arturo Di Modica with Charging Bull, New York. © Arturo Di Modica. Image source: The Estate of Arturo Di Modica / arturodimodica.com.

What do we see when we look back?In What’s Behind?, Eugene Ofori Agyei transforms the act of reflection into a complex e...
08/19/2026

What do we see when we look back?

In What’s Behind?, Eugene Ofori Agyei transforms the act of reflection into a complex experience. Mirrors multiply the gaze, fragment memory, and turn seeing into a search.

The visible surface becomes a threshold — between past and present, origin and destination, self and world.

There are stories that do not live in what is shown, but in what is carried.

Explore this work in What Lies Beyond the Visible? at: https://alvarezgallery.com/whats-lies-beyond-the-visible-eugene-ofori-agey/

The Kickstarter campaign for THE GREAT ILLUMINATION has officially ended.Although we did not reach our goal, this is not...
08/14/2026

The Kickstarter campaign for THE GREAT ILLUMINATION has officially ended.

Although we did not reach our goal, this is not the end of the project.

We want to thank every backer, supporter, advisor, team member, and friend who believed in this vision from the beginning. Your support helped us bring this ambitious idea into public conversation and taught us what must come next.

Projects of this scale are not built in a straight line. They require persistence, strategy, partnership, and the willingness to continue when the path becomes difficult.

We will use what we learned, regroup, and keep moving forward.

Thank you for being part of the beginning.

SAVE THE DATE | Three-Dimensional: Arturo Di ModicaAugust 21 | 6 PM ESTAlvarez Gallery returns to the work of Italian-Am...
08/12/2026

SAVE THE DATE | Three-Dimensional: Arturo Di Modica
August 21 | 6 PM EST

Alvarez Gallery returns to the work of Italian-American sculptor Arturo Di Modica (1941–2021) with an online show dedicated to small-format sculptures from the 1970s.

Three-Dimensional revisits a lesser-known aspect of Di Modica’s fifty-year artistic trajectory, examining sculpture through volume, texture, and the relationship between light, shadow, and form.

The show also reflects Alvarez Gallery’s longstanding connection with the artist, whose work the gallery began representing in 2013.

Exclusively on the Alvarez Gallery Artsy profile.

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Stamford, CT
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