04/23/2026
More liquid experiments 🥼🧪🌈
Clip featured in Chromakopia
Now available on Patreon! (23 Loops | 4.9 GB )
Chromakopia comes from another analog session with Plasma Wizard, built around his classic liquid light setup and the same feedback-driven workflow used in the Slime Light pack — but with an additional layer of digital post-processing to push the colors and textures further.
Like the previous pack, the visuals started with Plasma Wizard’s liquid light rig, where dyes, inks, and oils are manipulated between glass plates on an overhead projector to create constantly shifting organic motion. Alongside the liquid light source, camera feedback was introduced to create additional motion and distortion in the signal.
From there the signal moved through an analog chain: first into an Edirol V4, then through a Mezkalin VideoMaster, before being mixed again through my second Edirol V4. During this stage I introduced additional internal glitch feedback using my BPMC Premium Cable, bending and destabilizing the signal before capturing the final analog output.
Once the analog visuals were recorded, I brought them into PhotoMosh Pro to experiment with additional digital feedback, texture treatments, and color processing. This stage pushed the visuals into more saturated, psychedelic territory while still retaining the organic motion and feedback artifacts from the original analog chain.
The result is a set of liquid light loops that blend raw analog feedback with digital color distortion — fluid, chaotic, and highly saturated.
Suggestions / ideas for running clips live:
Use standalone during colorful, psychedelic sections of a set
Layer with other visuals to add additional motion and texture
Combine with mirroring or kaleidoscope effects to generate evolving color patterns
— Betty Sweaters
