Johnny's Record Barn

Johnny's Record Barn The Record Barn houses my record collection and The Arizona Musical History archives. Basically a custom built storage room in my back yard.

MONDAY MUSICAL MEMORIES: It's always exciting to find original radio station copies of Arizona music, and this is a find...
08/17/2026

MONDAY MUSICAL MEMORIES: It's always exciting to find original radio station copies of Arizona music, and this is a find! A 70 year old (1955) KHAT 1480 am Radio copy of "No Need To Cry Anymore" b/w "Give Me Some Of Yours (And I'll Give You Some Of Mine," (Viv 1000) both written by Naomi Ford (aka Lee Hazlewood). It's interesting to see the comments on the labels too. In reality, "No Need To Cry Anymore" was written by Spellman, and we see that "Naomi Ford" is scratched out on that side. I'll bet that Jimmy mentioned that to Ray Odom when he was at the station. Now, "Give Me Some Of Yours" is definitely a song that Hazlewood would have written, not quite up to "The Fool" or "Boots" of course, but you have to start somewhere...LOL. Note that it was "Not Fit For Air," according to someone at the station. Even though Hazlewood made a point of keeping his name off his Viv records, I'm sure that everyone knew that he was involved. He was a DJ at KTYL at this time, and I wonder if he played any of his Viv discs on his show. His home address on the label was a give away too. This was Hazelwood's first record (45/78) on his new Viv label, that would record several of the performers on Ray Odom's Arizona Hayride shows, including Al Casey. Shout out to Jimmy Spellman too! See less

Monday Musical Memory: On this day (7/11) 1929 Billie Maxwell was in El Paso, TX., recording 4 songs ("A Cowboy's Wife."...
07/13/2026

Monday Musical Memory: On this day (7/11) 1929 Billie Maxwell was in El Paso, TX., recording 4 songs ("A Cowboy's Wife." "Where Your Sweetheart Waits Yor You, Jack," "Haunted Hunter," and "The Arizona Girl I Left Behind") for Victor Records and Ralph Peer. Born in 1906, she was raised in Nutrioso, AZ., near Springerville. Her father, E. Curtis Maxwell, was locally renowned as a fiddler who'd amassed a massive repertoire of songs learnt from his father, William Beatty Maxwell, an Illinoisan who’d moved first to Nevada and then Arizona in the 1800s. Curtis Maxwell formed a string band called the White Mountain Orchestra who toured (on horseback) the ranches in the area, playing dances. In her teenage years, Billie joined her father’s band, where she played guitar alongside her brother, Marion (1913-1985), who played mandolin. Eventually she occasionally struck out on her own, performing solo shows in the back country.
In 1929, at the age of 23, she married a local schoolteacher, Alvin Chester Warner, and settled down to raise a family. A few months later, in June, her uncle Frank Maxwell (a lawman over in Silver City, NM.) noticed a classified in the local paper advertising an upcoming field recording session for Victor over in El Paso. At an audition, the White Mountain Orchestra were deemed worthy and two weeks later Chester Warner drove his wife, father in law Curtis, Marion and Frank to a recording session where they met Ralph Peer. They were living in Silver City, N.M. at the time.
Peer listened to the White Mountain Orchestra cut four numbers, “Escudilla Waltz,” “Gooson Quadrille,” “Leather Britches” and “Maxwell’s Old Rye Waltz.” After they finished, Peer singled out Maxwell and asked if she could sing. She sang (and recorded) “Billy Venero” and, suitably impressed, he asked her to record solo. She obliged (nine days later) with the four songs listed above. Although she may not have realized it, in doing so, she was the first woman to record western music.
After the session, Billie continued playing with her dad’s band and they all moved over to New Mexico, where they primarily played in a joint called The Smokehouse. After the birth of her first of ultimately two children, Billie Maxwell retired from music. Although she never received much recognition nor money for her role as western’s first female to record, her five songs are now part of history. Hopefully, someday she'll be recognized as the pioneer she was. She died on 2/18/54 and was buried in Kirtland, N.M.
An interesting book about Billie and the Maxwell family is available on Ebay now.

Hey, the party pictures are up now on my web site: https://azmusicdude.com  You can download them for your scrap book......
05/21/2026

Hey, the party pictures are up now on my web site: https://azmusicdude.com You can download them for your scrap book...LOL...grab as many images as you want. Thanks again to everyone who was there. Photos by Walter R. ENJOY!

May 12th, 2026 Was My 80th Birthday May 12th, 2026 was my 80th birthday and we hosted a party at The Dirty Drummer for family and friends. Thanks to all the singers, musicians and DJ's who entertained the masses. I hope you enjoy the photos from that evening. Mic drop. [...]

Years of Arizona sun and water took a a big toll on Ernie Johnson's one of a kind bronze grave marker at Resthaven Cemet...
04/22/2026

Years of Arizona sun and water took a a big toll on Ernie Johnson's one of a kind bronze grave marker at Resthaven Cemetery in Phoenix. Special thanks to Paola Moreno at Resthaven/Carr-Tenney Mortuary & Memorial Gardens for her help in getting it replaced. It's worth a visit sometime, located on the North East corner of the property. Ernie is smiling down from above. RIP.

News from Fervor Records:Masters of the Airwaves: Revisiting the Advertising Magic of MCIIn 1955, musicians Connie Conwa...
04/22/2026

News from Fervor Records:
Masters of the Airwaves: Revisiting the Advertising Magic of MCI
In 1955, musicians Connie Conway and Jimmie Wilcox, along with business partners Paul Humlie and George Welch Jr., leased office space at Audio Recorders of Arizona, the premier recording facility in Phoenix, AZ. Under the moniker Music Counselors Inc. (MCI), the team created advertising jingles and station IDs, winning over local, regional and national clients.

Conway and Wilcox hired the finest musicians in Phoenix to bring their advertising magic to life. Many of these hired guns found success just a few years down the road, including legendary session guitarist and Billboard charting artist Al Casey, country icon Waylon Jennings, as well as the entire rhythm section of legendary artist/writer/producer, Lee Hazlewood.

MCI became masters of selling products with bouncy melodies, lush harmonies and humorous quips at a time when local brands co-existed and even dominated their national counterparts. Chances are, if you had something to sell in Phoenix in the 1950s, you called on MCI.

Thanks to the archival work of the late Audio Recorders of Arizona engineer and Grammy Award winner Jack Miller, along with AZ music historian John P. Dixon, Fervor is proud to offer up this nostalgic listen of some of the finest jingles created by MCI. These adverts are still resonating today, credits include: Bride!, The Man In The High Castle, Apple, Puma, Whirlpool, Lucy In The Sky, and Meow Wolf. For more info , links, and/or licensing contact Jeff Freundlich.

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