Santa Paula Theater Center

Santa Paula Theater Center The SPTC has been providing a first class local theater experience to Ventura County since 1985.

06/13/2026

Our adult acting class filled up so quickly we had to add another slot! Get it while it’s hot!

Scene & Monologue Study For Adults with Taylor Kasch We ADDED a Class! So Don’t Be a Couch Kitty This Summer! OUR NIGHT ...
06/12/2026

Scene & Monologue Study For Adults with Taylor Kasch

We ADDED a Class! So Don’t Be a Couch Kitty This Summer!

OUR NIGHT CLASS SOLD OUT!!
SO WE ADDED A DAY CLASS!!

Some of our night actors bumped to day
so we currently have a couple of spots left in each class

DAY CLASS from 2pm-5pm
NIGHT CLASS from 7pm-10pm

MONDAYS JUNE 22 through JULY 27
5 Regular Classes
1 dress rehearsal Sunday July 26
Presentation Night Monday July 27
Cost is $150-Class Size is Limited

For more information or to reserve a spot
Please Contact Taylor Kasch directly at
805-201-5066 or [email protected]

This session will be held at the
Santa Paula Theater Center Backstage

Taylor began his career at the American Conservatory Youth Repertory. He has performed in numerous theatres in San Francisco, Minneapolis, and Los Angeles. Aside from founding the Flying H Group Theatre Company locally, he was the founding artistic director of The San Francisco Actors Theatre. His former students can be seen regularly on television, films, and in professional theatres including Broadway.

06/11/2026

Another Brite Session is coming up at SPTC! We LOVE hosting this amazing program!

Week 1: Monday - Friday 10am - 12pm | June 29th – July 3rd, 2026
Week 2: Monday - Friday 10am - 12pm | July 27th – July 31st, 2026

Free lunch and snacks will be provided at each session!

BRITE is excited to bring a series of improv theater workshops to middle and high school students in Santa Paula! Over the course of five days, students will come together to learn the foundations of using improvisation to make social change through creativity, teamwork, and leadership.

At the end of the workshop series, participants will showcase what they’ve learned in a fun and interactive applied improv performance open to friends, family, and the community.

Students will build:
Improv Theater Techniques
Social Change Performance
Confidence, Leadership, and Teamwork

Workshops are free to participate in, and transportation options may be available.

Questions? Contact Kyra at [email protected]

06/07/2026

For almost 20 years, Playzapalooza has been showcasing local playwrights BackStage@SPTC. It’s such a joy to see how much talent lives in this community. As always, they are killing it! Today’s the last day! ♥️

06/07/2026
06/04/2026

SANTA PAULA THEATER CENTER PRESENTS AUDITIONS FOR STUPID F**KING BIRD BY AARON POSNER

Santa Paula Theater Center announces auditions Sunday June 21st from 11-1 PM, TUESDAY June 23rd from 7 PM - 9 PM, and TBA callbacks Wednesday June 24th from 7 PM - 9 PM for their fourth Main Stage show of Season 2026. Auditions will be held at The Santa Paula Center. 125 S. Seventh Street, Santa Paula, CA 93060. Phone # 805-525-4645. www.santapaulatheatercenter.org.

STUPID F**KING BIRD will play from August 28 - September 27 2026 with performances on Fridays at 8:00 PM, Saturdays Matinees at 4:00 PM and Sunday Matinees at 2:30 PM. No appointments necessary, cold readings from the script. This is a non-equity production. THERE IS NO PAY. Taylor Kasch directs and inquiries about auditions and play may be directed to him at [email protected].

Aaron Posner’s STUPID F**KING BIRD is a sharp, funny, and deeply aching reinvention of Chekhov’s The Seagull — a play about artists, lovers, and the desperate need to matter. Blurring the line between comedy and collapse, it follows a group of people wrestling with ambition, intimacy, and the fear that nothing they create will ever be enough. With direct audience address, brutal humor, and startling vulnerability, the play dissects both art-making and modern loneliness in real time. At once irreverent and emotionally raw, STUPID F**KING BIRD asks what we owe to our art, to each other, and to ourselves. Fearless, contemporary, and wildly human.
"Aaron Posner's savvy, petulant blitz through Anton Chekhov's The Seagull [is] less an adaptation of Chekhov's landmark drama than a funny, moving slugfest, a ripe mashup of mock and awe... sometimes it blows Chekhov up, and sometimes the play explodes with a genuinely Chekhovian release of emotion. The show is smart enough to have it both ways: It mines The Seagull for classical heft even while giving it the bird." - Washington Post.

"STUPID F**KING BIRD, Aaron Posner's splendid, irreverent adaptation of Anton Chekhov's The Seagull [is] a refreshing splash of cool water on dry, well-trod terrain... STUPID F**KING BIRD is what you get from a writer who not only adores the material he's adapting, but understands it precisely." - DCist.

CHARACTERS:

Conrad — 20s–30s. An aspiring experimental playwright consumed by the need to create something honest and revolutionary. Intense, intelligent, funny, volatile, and emotionally exposed at all times. A role requiring tremendous vulnerability and emotional range.
Nina — 20s-30s. Ambitious, hopeful, and hungry for artistic and emotional transcendence. Beneath her openness is a deep resilience and an almost dangerous willingness to sacrifice herself for art and love.
Emma — 40s–60s. A celebrated actress at the height of her powers. Brilliant, charismatic, self-involved, and devastatingly funny. Fiercely committed to preserving both her relevance and her image.
Trigorin — 40s–60s. A successful novelist whose charm masks exhaustion, detachment, and quiet opportunism. Observant, seductive, and deeply uncomfortable with intimacy despite craving admiration.
Dev — 20s–30s. Conrad’s loyal best friend. Grounded, sincere, compassionate, and often the emotional center of the play. Struggles to balance kindness with his own longing to be truly seen.
Mash — 20s–30s. Dryly funny, existential, and emotionally sharp. Uses wit and irony as armor against profound disappointment and unrequited love.
Sorn — 50s–70s. A doctor confronting aging, regret, and mortality with humor and honesty. Wry, compassionate, and deeply aware of time slipping away.
Audition monologues are available at http://www.santapaulatheatercenter.org/auditions.html

06/02/2026

Backstage @ Santa Paula Theater Center announces open auditions for its 2026 production of FEED on Wednesday, June 10, and Thursday June 11 from 7 – 9 PM in person on the backstage with cold readings from the scripts. No appointments or reservations.

FEED will run for two weekends beginning August 14 and ending August 23. Performances are at 8 pm Fridays, 4pm on Saturdays, and Sunday at 2:30 pm. There are six performances total. This is a non-equity production; there is no pay. No conflicts allowed for performances or tech week (the week preceding opening).

Questions regarding the play or preparation for auditions may be asked directly to the production team, Leticia Mattson at [email protected] All roles open. Roles and script audition sides are listed on the Santa Paula Theater Center website auditions page, www.santapaulatheatercenter.org/auditions

Synopsis:
In a not-too-distant future when procreation is strictly regulated in a last-ditch effort to save the human race from self-annihilation, public defender Joseph Truman (Cowboy) finds himself saddled with a new client. Sydney Marginski (Sid) is initially charged with kidnapping when she is apprehended with an undocumented child, and later faces far more egregious charges when it is discovered that she has conceived a child without lawful sanction. Cowboy must plead his client’s case and win over public opinion via the Federal Education and Entertainment Display (FEED), a state-controlled, judicial broadcast that will ultimately decide Sid’s fate. During the explosive proceedings, Cowboy fights with everything he has for his client’s right to choose and ultimately discovers a reason to reinvest in a dying world.

Character Breakdown:

Joseph Truman (Cowboy): Male, 45, a public defender
A talented, yet disgruntled public defender who fights the good fight in an ever-restrictive world.

Diego Keller: Male, 35, a prosecutor. A slick, verbose prosecutor who fervently defends the rules of the “new” society.

Sydney Marginski (Sid): Female, 32, the defendant. A fiery and determined young woman who desperately defends her rights.

Justice: Female, 60, a magistrate. A non-nonsense authoritative ruler of her courtroom.

Bailiff: Male, 25. A pleasant new arrival to the courtroom whose relative youth does not impact his intelligence or capabilities.

Child: Female, 10. A sweet and inquisitive girl who seems to know more than what is on the surface

*Playwright’s Note on Inclusivity: The above breakdown includes character specifics that are integral to the story. Beyond these criteria, diversity in casting is strongly encouraged.

06/02/2026

You waited for the closing weekend, didn't you? I know we're going to be selling out, so I encourage you to get your tickets asap!
~Lisa in the box office/Playzapalooza co-producer

Here are the details:

www.santapaulatheatercenter.org.tickets

$15/General Admission in the newly revamped Backstage@SPTC

Six one act plays; 70 minutes of entertainment, including a ten minute intermission.

Friday 6/5 at 8pm
Saturday 6/6 at 4pm
Sunday 6/7 at 2:30pm

Remember, there's no late seating!

The Plays:
Best By Date by Scott Mullen
Before She Goes by Steve Grumette
The Waiting Room by Mark Herder
The Last Bench by Steve Grumette
Who Didn't Dunnit? by Tom Misuraca
Friendship Park by Andy Sobel

05/27/2026

SPTC loves celebrating local filmmakers! Thank you Travis Greer and Lee Harry for sharing your talents with us!

Address

125 S 7th Street
Santa Paula, CA
93060

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