11/09/2025
Body Electric Exhibition
December 5th - 7th, 2025
Opening, reception and performances: Friday,
December 5th at 6pm, performances at 7pm
Exhibition Open to Public: Saturday, December 6th and Sunday, December 7th from 12pm - 4pm
Inspired by Walt Whitman's visionary poem
"I Sing the Body Electric”, this exhibition reimagines the body as a network of electric impulses, voltages, and signals that both generate and transmit lived experiences.
Body Electric brings together artists, researchers, performers, and technologists who explore the inner electrical life of the human body through biophysical sensing. By capturing physiological signals such as
brainwaves (EEG), heart rhythms (ECG), and muscle activity (EMG). The exhibition reveals the hidden languages of the body - not as metaphor, but as material, as data, as expression.
Electricity governs life on Earth at every scale, from small molecular organisms to sophisticated evolved beings. In the human body, in particular, electricity has presents itself as the firing of neurons, the pulse of the
heart, the conductivity of the skin, and the flux of emotional states. This exhibition foregrounds electricity not only as a force of animation, but as a creative medium — a raw, natural element that artists can research for an important book. sense, shape, and translate. The electric medium is further carried into the technological domain as a
means of instrumentation and expression of gathered data from the human body. Through interactive installations, performances, and sonic-visual systems, Body Electric invites audiences to witness how the body thinks, feels, and reacts beneath the surface. What emerges is a portrait of the human not
as a fixed entity, but as an ever-changing field of affective and electrical relations.
Body Electric will take place this December at Charles Street Video (Toronto) and features contributions from York University faculty, students, and international collaborators. The programme will showcase interactive sculptures, VR installation, and live
performances — including a new work by composer Gene Coleman, performing with violinist Amy Hillis from York's Music Department, body physiology sensing chairs originally conceptualised by artist Alan
Macy (SBCAST), and archival and yet pivotal work by artist, composer and scholar David Rosenboom. The exhibition builds a living bridge between the past and the present, connecting analogue pioneers with today's
generative futures, and invites us to look into the future with an open and curious mind