SonneBlauma Danscz Theatre

SonneBlauma Danscz Theatre SonneBlauma is morphing into ArtBark International www.artbark.org although we are retaining the name for select European engagements.

https://youtu.be/JHcpFsAYres  my second printmaking story. I chose not to speak the ʻōlelo and used a chance track from ...
09/14/2024

https://youtu.be/JHcpFsAYres my second printmaking story. I chose not to speak the ʻōlelo and used a chance track from Y.T. being an authentic kanaka maoli.

e ʻIolani

This morningʻs work. Translated one of my Grandpa Puʻuʻs obituaries into his mother tongue, as a way of tending this lin...
06/28/2024

This morningʻs work. Translated one of my Grandpa Puʻuʻs obituaries into his mother tongue, as a way of tending this line of ʻōlelo. A start, and hope to get help to improve the translation. Nā Moʻolelo o Nā Mea ʻĀkahi nō ā Make.

Ua hala John K. Puu; ʻo ka mea hoʻokani pila o ka pae ʻāina ʻoia.

Ua hala maʻaneʻi kahi kanaka maoli i nehinei . I kekahi manawa ʻoia i hāʻawi ai i ka hōʻikeʻike hoʻohauʻoli no ka mea i hala iholā ʻo Jennings Bryan ma kona “Chataqua circuit.

ʻO John Kalani Puʻu ʻoia, ʻo kanahiku kūmāmāona (76) makahiki ona, no hā kolu hā (434) ala Luakini.

ʻO Bryan hala i ka makahiki o ʻumi kūmāiwa ʻiwakalua kūmūmālima. ʻO ka moho Pelekikena ʻoia i ka manawa ʻekolu.

Loa ka hoʻomaopopo ka poʻe iā Puʻu i kahi hōʻikeʻike hoʻohauʻoli luna a me haku o ka hana keaka. Ua lilo ʻo ia i mea kaulana mua ma ke ʻano he poʻo inoa ma ka Hale Keaka ʻo Orpheum i ka makahiki ʻumikūmāmāwalu kanaiwa kūmāmāwalu (1898) ma kona wā ʻōpiopio.

I kona wā mua, ua hana ʻo ia ma ka Hale ʻOpera Kahiko o Hawaiʻi a me nā hale keaka ʻo Bijou, Orpheum, Princess, Hawaiʻi, a me Liberty.

I mea hou aʻe, ʻoia i huakaʻi ai i ka ʻĀkia i ka makahiki ʻumikūmāmāiwa ʻumikūmāmākolu (1913) a me ka Bob Hughes Show.

I ka makahiki o ʻumikūmāmāiwa ʻumikūmāmāwalu (1918), he mea hoʻokani ʻo ia me ka Ringling Brothers Circus.

I ka makahiki o ʻumikūmāmāiwa ʻiwakalua kūmāmālua (1922), i hoʻi maila ʻo ia i Hawaiʻi nei a lilo ʻo ia i luna mālama no nā hale keaka he nui ma Honolulu.

I ka makahiki o ʻumikūmāmāiwa ʻiwakalua kūmāmāono (1929), ua hui pū ʻo ia me ke Kula Kiʻekiʻe ʻo McKinley ma ke ʻano he haku nui kahua no ka poʻe limahana o ka hale hōʻikeʻike.

E hoʻākoakoa ana kahi hālāwai haipule no ʻo Puʻu ma ka hola ʻewalu hapahā (8:30) i ke ahiahi ma ka “Ordenstein Mortuary.”

E hiki ana i nā hoaaloha ke kipa ma ka hale make ma waena o ka hola 6 a me 9 i ka ahiahi ma pōʻalima a mai ka hola 7 i
Ka hola 9:45 i ke kakahiaka ma pōʻaono.

E mālama ʻia ana ka ʻoihana hoʻomana ma ka hola ʻumi o ke kakahiaka i ka Pōʻaono ma ke Kula Sabati o Maʻemaʻe ma ke Alanui ʻo Wyllie me ka Haku ʻo Samuel Keala e hoʻomana. E kanu ʻia ma ka Hale Hana Hoʻomana ʻo Nuʻuanu Memorial Park.

Nā mea i koe mai o kona wahine, ʻo Lydia; nā keiki kāne ʻehā, ʻo James, ʻo Henry, ʻo Joseph, a me ʻo David, he mau koa kaua lākou a pau; he kaikamahine, ʻo Mrs. Margaret Lyman; a me nā kaikuaʻana ʻekolu, ʻo Mrs. Rose Reeves, ʻo Mrs. Emma Kim, a me ʻo Isabelle Miguel.

Times table in Hawaiian, not sure if this is correct or not, I asked in class yesterday how to say 1x1=2 in Hawaiian but...
06/07/2024

Times table in Hawaiian, not sure if this is correct or not, I asked in class yesterday how to say 1x1=2 in Hawaiian but I wasnʻt given an example. Just that it doesnʻt exist. I decided to just come up with something as a start. In the third grade I LOVED winning at times tables. I LOVED also winning races, and although I was the shortest kid at Isla Vista Grade School, there was one 50 yard dash I won amongst the boys and the girls in my class. When I raced in Jr. High, I learned how it feels to LOSE and moved forward later in life trying to manifest win-win situations focusing on respective talents and such so everyone can come away from a game feeling good. Moving away from competition and hierarchy to collaboration and cooperation in circular and horizontal forms to maximize the good feelings and wellbeing of all.

This is for my personal process. I am learning Hawaiian for my well-being, and recently realized, I had forgotten some of my times tables! I loved this in th...

https://www.youtube.com/watch?v=lm1qylLQwDU  My first little scene in Hawaiian. I am hoping to find other students who w...
06/03/2024

https://www.youtube.com/watch?v=lm1qylLQwDU My first little scene in Hawaiian. I am hoping to find other students who want to play with me!

For my ʻōlelo Hawaiʻi homework. I dedicated my life to the arts, and it was mostly a dance with western styles of expression. I have been studying Hawaiian w...

Now is a good time to remember the White Rose and what it stood for. When there are references made to a term used by Hi...
06/02/2024

Now is a good time to remember the White Rose and what it stood for. When there are references made to a term used by Hi**er in the political space, and what the intention is, well, I ask myself what choice would I make if I was back there in time in that this alive in the present moment, this threat to our democracy. It isnʻt a time to say, well, your view is my view, and my view is my view, but a time to be crystal clear and say, there is no wisdom in going backwards to this texture, but forwards with the flow of what IS manifesting, a kinder, more just, and humane world. It may not seem like it if one tunes in solely to the marketing machines and sellers of dismal things, but the fact remains that we have the capacity, as a species, to accomplish what it is that the two-legged soul desires. As a part of the human collective soul I sit in solidarity with all those who remember the beauty of rose, and let its beautiful fragrance be a calming balm to the body. I am okay, you are okay, we are all okay.

Back in the early days, payment for play was in the form of free classes, food, cards, and bushels of gratitude. We were...
02/26/2024

Back in the early days, payment for play was in the form of free classes, food, cards, and bushels of gratitude. We were blessed in our community, by writers, who would write about the 99% type of artist, the boutique experimental under-the-radar underground creatures, and a record would be made. Gratitude to all of the writers. By Felecia Tomasko, quoted below.

"SonneBlauma Danscz Theatre Takes to the Streets
by Felicia M. Tomasko

misaleap.jpgAs Misa Kelly sits beneath an arch of
powder-blue morning glories in her backyard, sipping coffee and
talking about her vision as an artist, she seems to embody creative
expression. She tells me the secret to watching a meteor shower
(it’s making sure that you’re comfortable), and it feels like she
is transmitting some esoteric knowledge. Her MFA is from Cal Arts,
where she participated in an interdisciplinary program combining
dance, film, and visual art, so it makes sense that, although she
is the artistic director of Sonne­Blauma Danscz, a community-based
dance group, her work also includes visual art, theater, and
filmmaking.

Dance remains Kelly’s core form of self-expression. While we are
talking, she leaps from her chair to dance out an answer.
Resembling a forest sprite, she undulates, waves her arms, dips,
and folds, at the same time talking steadily about the role of the
artist in uncertain times, about her anger at the current
administration, and about process and performance.

“I have a hunger for experimentation,” she declares, sitting
down again. She believes that the true artist is a catalyst for
social change, what she describes as a carrier of conscious
evolution, community building, and rebelling against the status
quo. As a result, Kelly wants to democratize her art. And this is
what she has done for the group’s upcoming performances.

One Day Dances, which will take place at various Santa Barbara
locations on August 26, is Kelly’s effort to strip off the
proverbial frame that surrounds most art. Kelly’s One Day Dances
take artistic expression out of what she refers to as the “churches
of art” — museums and theaters — and brings it to street corners,
bus stops, and parks. SonneBlauma Danscz is not the first dance
group in Santa Barbara to take it to the streets; Kelly
acknowledges “Dance About Town” — Dianne Vapnek’s Summerdance
brainchild — as one of her inspirations. Kelly’s vision of how this
will work involves lots of audience participation.

One Day Dances will begin with breakfast and continue with
warm-ups, vocal exercises, rhythm games, and conversation. Next the troupe will venture to a thrift store to outfit themselves with
costumes for their adventure before heading out. Beginning from an
improvisation, Kelly will lead the group to create the choreography
that they will later perform. To complete the process, the cast
will feast together in a potluck celebration.

Kelly muses on the process when she asks, “What would that
texture be like: to take the dance knowledge birthed in the
sanctuary of the studio out onto the concrete and be as vulnerable
as one is in the studio out in the open in the creative process?”
It’s a question that can only be answered by the experience, one
that Kelly is opening up not only to her professional company
members, but also to anyone who dares to dance with them."

Candid photographs of a fun adventure unframing art. I seem to remember ending up in Sojourner Kincaid Rolleʻs poetry workshop. I really felt drawn to this s...

I told Stephen the other day, I am publishing into the future. I remember, discovering things about myself, in the artic...
02/24/2024

I told Stephen the other day, I am publishing into the future. I remember, discovering things about myself, in the articles of a particular ancestor, and how somehow, knowing my roots, it was helpful in the discovery journey. We have no children, but who knows, perhaps another dancer will come along in the lineage, another artist, and will wonder, where in the heck did THAT come from. I vow to be a good aunty from wherever I will resonate on the next channel I am dialed into when this physical body can no longer hold this spirit. I can see clearly now the dynamism of the warrior/aliʻi energy in the dance. This was Twang, at the Monterey Dance Festival. The first opportunity to get work out of the home town. Working with Anaya as a dancer and a costumer, Coleen Bialas as a highly trained ballet dancer, Devyn as a dancer, but also, a highly skilled actor, with Natalie, whose speciality is her Greek ancestry, and the memory of Joanna Nobbe a part of originally creating the dance. One could definitely feel when the ancestors joined in with the dancing, when one becomes what in shamanism one might call a hollow bone, and the medicine flows through you, the ego sort of steps aside, and spirit uses the body to accomplish what seeks to be accomplished. With gratitude to the space, to the producer, to the videographer, to myself even, for having the courage to hula on my own terms.

My second produced collective group contemporary dance when I was organizing as SonneBlauma Danscz Theatre. This was in the really dense Jungian shadow phase...

One world is never enough, creating collaboratively with the community-based company, including, OMG, Dolbie, Karyn Lave...
02/22/2024

One world is never enough, creating collaboratively with the community-based company, including, OMG, Dolbie, Karyn Laverʻs dog, who LOVED performing. This was produced by Noelle Andressen of Rubans Rouges Dance, who has passed, and it is with great gratitude for her being inclusive, as was Amanda Hart of Hart Pulse Dance Company, in providing opportunity for artists to share their work. It is my observation that opportunities may have diminshed for dance makers, and letʻs hope, that the ritual and ceremony of dance, that this is something that carries forward, and isnʻt lost. The letters are from letters Stephenʻs father would send to his wife during WWII, he was a war correspondent, before he went on to be a speech writer for Harry Truman. This section was then integrated into Alma.Sama., but truth be told, I really like it as a stand alone piece that it was, with the diversity of abilities, backgrounds, and ages. So immensely grateful for the cathartic potent shamanic quality of contemporary dance harnessed with positive intentions to bring inspiration, healing.

Co-created by all of the artists with Stephen and Misa serving as the outside eye in pulling it together. We were organizing as ArtBark International at this...

Ranunculus: 2010, our communityʻs first NYC performance, as a solo. Costume design by Anaya Cullen. WOW! 14 years ago. O...
02/17/2024

Ranunculus: 2010, our communityʻs first NYC performance, as a solo. Costume design by Anaya Cullen. WOW! 14 years ago. One DVD/one CD at a time, clearing house, with gratitude for the wild adventure this has been. So much gratitude for the organizations that welcomed out of towners and were inclusive rather than exclusive, as some places are. They taught me alot about the value of creating opportunities for dancers that gotta do what they are gonna do.

Wowzers! I have been uploading the entire shows, for the ADaPT Festival Series, and, in that Sinan Temizalp has passed, ...
02/17/2024

Wowzers! I have been uploading the entire shows, for the ADaPT Festival Series, and, in that Sinan Temizalp has passed, I have pulled his performance for his community to enjoy. We love you Sinan Temizalp, Derya Yüksek, İlkay Sevgi.

From our communityʻs ADaPT Festival, reciprocating. Sinan came to Santa Barbara to share his work at Center Stage Theater. This was the information he presen...

02/17/2024

Remembering this performance, as I work on archiving works, of Alma.Sama., in Ljubljana, Slovenia. It is only in hindsight, that I can fully appreciate the beauty of each and every soul who helped make this happen. Incredible to think, as a collective, we managed to raise $17,000 so we could meet Mojca Majcen in Slovenia, collaborate with Marijan as a dramaturge, and have this produced at the Cankarjev Dom. To be able to meet my Slovenian relatives and connect with the land there, was a dream come true. To have all artists contribute creatively and to be able to dance in each others choreographic impulses was a slice of heaven on earth. Stressful? Yes, especially given I had a full time job then at a law firm as the receptionist. They were so good to me at that time. I needed a month off to be able to tour to Celje first to put all the puzzle pieces together, and then to the Cankarjev Dom. We deepened into the performances for the Santa Barbara show, and there are parts that went to the cutting room floor, I wish now, we had said to hell with the length, lets keep that section! With our budget, we had to cut the initial plan to hire a professional costumer, and I took on that task, I imagine with my ancestors who sewed, such as Grandma Puʻu who was a professional seamstress and worked for the product line ʻIolani. I wanted the costumes to travel through time to reflect Almaʻs journey and could not find patterns for the period she travelled during. I did find images of styles, and then just sort of made it up! https://www.youtube.com/watch?v=Nb3RnaGRboQ

Working on archiving dances. My Flame Knows to Swim the Cold Waters in Istanbul. Hosted by Sinan Temizalp. The video I h...
02/16/2024

Working on archiving dances. My Flame Knows to Swim the Cold Waters in Istanbul. Hosted by Sinan Temizalp. The video I have of him is too long for Youtube, so I am trying to upload it to the Internet Archive. I remember the dancers telling me later, they thought I was nuts. There was a HUGE storm and we had to walk from the youth hostel up Istiklal to meet the producers in order to be taken to the Asian side for our dress rehearsal. After all the money we invested, and energy to get there, it wasnʻt an option to miss. So, when the storm busted out windows, and glass came raining down, we jumped under storm awnings for protection. Beautiful journey. Beautiful life.

Remembering the community performance in Istanbul. Choreography by Misa M.M. Kelly, and this performance by Kaita Lepore. This was hosted by Sinan Temizalp i...

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2911 La Combadura Road
Santa Barbara, CA
93105

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