03/19/2020
New release blues LPs and CDs from Delmark Records:
Johnny Burgin - Johnny Burgin Live
My thing has always been live music. Going to shows, booking shows, playing shows. Playing with the best musicians I could. More than anything, I loved the feeling of getting in the van and going. Even better, once I got there, I love the feeling of knockin' em dead. It's been nearly 20 years since my last live recording. That one, More Real Folk Blues Live, was Chicago in every way, back when living in Chicago was like Christmas for me every day. It was the result of seeing and playing with great blues artists all the time - artists like Eddie C. Campbell, Tail Dragger, Sam Lay, Eddie Taylor Jr., Jimmy Dawkins, Eddie Shaw, Little Arthur Duncan, Jimmy Burns, Big Smokey Smothers, L.V. Banks, Eddy Clearwater - and many others. It was a recording borne of a long, self-imposed apprenticeship - the kind musicians like me came to Chicago from all over the world to get. Although that apprenticeship ended some time ago, I have begun another journey that's taken me from coast to coast in the US and all around the world, across Europe, to Russia, Japan and beyond. Live recordings often just repeat well-worn songs played by well-oiled machines. This live session is the exact opposite. It offers twelve brand-new originals done by artists who don't play together regularly, performed for a packed house of enthusiastic fans of course! We had just one night to nail it - which made this recording a crazy, but thrilling, high wire act! The many miles and musical clairvoyance I've enjoyed with my road band of bassist Chris Matheos and drummer Steve Dougherty gave me the confidence for this do-or-die session. I drew from the great Bay Area blues talent pool that lured me to the West Coast back in 2016. I count all my special guests as friends and knew their contributions would carry me through. Blues legend Charlie Musselwhite's driving boogie-woogie harp on "California Blues" is an absolute highlight. The end result is a raw, fresh, and original all-star set of blues, shot through with live energy. Chicago Blues sax legend Eddie Shaw once said, "It takes 20 years to make a bluesman." Here I am, ready to play my blues for you.
Dave Specter - Blues From The Inside Out
Blues From The Inside Out is the most expressive project of Dave Specter's 35-year career. Featuring his debut as a vocalist, the album is an exciting and timely celebration of blues, soul, jazz, funk and gospel. These are fine times to hear Specter, an evolving artist who embraces growth and discovery. I was always content focusing on guitar as my instrument and voice as a musician," Specter explained. "I've worked my entire career on the art of backing up singers and writing/playing instrumentals and never felt a desire to sing until fairly recently. People have always said nice things about my voice when I'm emceeing a show or doing my ("Blues From The Inside Out") podcast. I'm getting inspired to write more songs that I sing, as I'm honestly more comfortable singing my own words than somebody else's. I'm looking forward to seeing where this road takes me. - Dave Specter. Blues From The Inside Out includes a guest appearance on guitar by Jorma Kaukonen of Jefferson Airplane/Hot Tuna fame, who also co-wrote one of the album's 12 original tunes. Specter wrote the uplifting soul anthem for change "March Through the Darkness," he takes a deep dive into Meters-Neville Brothers inspired rhythms with the instrumental "Sanctifunkious" and sings on the blues shuffle title track. Besides Kaukonen, Specter recruited the Chicago-based Liquid Soul horns and Latin-percussion ace Ruben Alvarez, each playing on three tracks.
Breezy Rodio - If It Ain't Broke Don't Fix It
The latest project by Breezy Rodio, If It Ain't Broke Don't Fix It, presents vibrant, new, quality original material. Rodio has pro- duced a veritable smorgasbord of tasty songs. With the use of A-list musicians, dynamic horn arrangements and inventive original lyrics, Breezy has managed to produce a recording full of musical delights. I met Breezy shortly after he appeared on the Chicago Blues Scene. I watched him grow from a shy, young aspiring guitar player into the confident guitarist and vocalist that he has become. Believe me; I know a thing or two about navigating the Chicago Blues landscape. It may sound cliché, but you absolutely must pay your dues to get accepted here on the scene. Though long gone are most of the classic great musicians, Chicago is still the world Mecca of the Blues. I have seen many musicians with great potential fall by the wayside, succumbing to the many pitfalls that plague the path to success. Breezy has not only survived but has emerged as a dynamic artist. It is worth mentioning that Breezy's nine-year tenure as a guitarist in the band of Chicago's illustrious Linsey Alexander definitely gave him the experience and confidence to develop his own musical identity. I became acutely aware of his musical growth and development when I collaborated with him on his previous Delmark release, Sometimes The Blues Got Me (Delmark DE 853). I am confident that Breezy's musical growth will continue. I am happy to know him as a friend, and a serious musician, who shares the same respect for those who paved the way before us. Stay tuned, the best is yet to come.
