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The Lab believes that if we give artists enough time, space, and funding to realize their vision, the work they produce will change the way we experience the world and each other. These are often small propositions that challenge the familiar ways we perceive value, and so we seek out extraordinary artists who are underrepresented as a result of gender, class, race, sexuality, or geography, and wh

ose work is not easily defined and therefore monetized. As a site of constant iteration and indeterminacy, The Lab is, above all, a catalyst for artistic experimentation. Certification is a program initiated and operated by working artists that publicly recognizes non-profit arts organizations demonstrating a commitment to voluntarily paying artist fees that meet a minimum standard. The Lab is a 501(c)(3) nonprofit organization, federal ID number 94-2952488.

The great Shahzad Ismaily joins Lithuanian ambient-folk duo Merope for The Lab’s first event of the Fall 2026 season! Da...
08/14/2026

The great Shahzad Ismaily joins Lithuanian ambient-folk duo Merope for The Lab’s first event of the Fall 2026 season! David Wesley Golightly opens with a set of pieces celebrating the release of his new Seven Songs for Solo Piano cassette.

Merope w/ Shahzad Ismaily + David Wesley Golightly
August 28, 2026 at The Lab
8pm doors | 8:30pm show

Merope’s roots lie deep in the soil of Lithuania’s folk songs, connecting them with ideas from across the cultural map. Indrė Jurgelevičiūtė’s kanklės and singing are the foundation of their celestial ambient folk reinterpretations, joined by ornate, experimental guitar and electronics from Belgian multi-instrumentalist Bert Cools, creating an intimate soundscape and guiding the duo towards the unknown. Diving into ancestral words and melodies, they present a contemporary vision of ancient Baltic music. Tangling elements gleaned from jazz, traditional, ambient music, 20th century minimalism and kosmische into their moving, humanist compositions, they provide a soundtrack for today’s international landscape.

David Wesley Golightly is an Oakland-based composer known for his synth work in the bands Midday Veil, Hair and Space Museum, and the Soft Landing Ensemble. This performance celebrates the release of his debut solo album Seven Songs for Solo Piano. For these songs, David returns to the instrument he learned as a child, transmuting the sound world of analog synthesis to the manual domain of acoustic piano. In so doing, he has reconnected with the simple, immediate joy of making sound and following where it leads.

Flyer by Benjamin Rodgers

Saturday night, Bill Basquin presents “From Inside of Here” at The Lab, with Lori Goldstein and Phil Perkins. A feature-...
06/09/2026

Saturday night, Bill Basquin presents “From Inside of Here” at The Lab, with Lori Goldstein and Phil Perkins. A feature-length film shot in 2015 during which Basquin also made the first iteration of his piece “Scent Posts” on view currently as part of “the wet and the dry”.

The exhibition (with works by Basquin, Kevin Corcoran, Anna Friz, and Whitney Vangrin) will be open prior to the screening on Saturday.

Bill Basquin: From Inside of Here with Lori Goldston and Phil Perkins
Saturday, June 13 at 8pm
Free | RSVP appreciated



From Inside of Here is a feminist ethnographic landscape film that communicates the structure of 19th century landscape photography as well as the violence that is its context. The film uses soundscape and landscape to explore vulnerability and inter-connection through the lens of an ecosystem and through the body of the filmmaker.

The film is comprised of multiple media: 16mm film, HD video, infrared stills, inter-titles, and sound recordings.

The place itself is a character in the film, as are the filmmaker’s methods. Over the course of three years and eight camping trips, the filmmaker filmed on location in the Gila National Forest in the New Mexico - the only people encountered were elk hunters and government agents suspicious of his California license plates and reasons for being there.

The Gila is a site for the reintroduction of the endangered Mexican Grey Wolf; the species was hunted and poisoned to near extinction by the US Biological Survey in the early 1900s. The US Biological Survey is a direct predecessor of the U.S. Fish and Wildlife Service (an insight from Michael J. Robinson’s Predatory Bureaucracy), which is the agency now responsible for re-establishing the species.

For this live version of From Inside of Here, filmmaker Bill Basquin will be performing narration and Lori Goldston will be performing with cello.

06/03/2026

Weston Olencki comes to The Lab on Saturday with their electromechanical banjo and prepared autoharp, in support of their recent LP Broadsides. An ecstatic, never-ending “Foggy Mountain Breakdown” captures the euphoria of melancholy in motion, a kaleidoscopic sense of place rooted in old-time music.

Ava Koohbor opens the night with “Korkori,” an electroacoustic backgammon composition constructed from a backgammon board created by her father during the Iran-Iraq War. Artist and curator Taranaeh Hemami joins Koohbor for this performance.

Weston Olencki + Ava Koohbor
Saturday June 6, 2026
8pm doors / 8:30 show
(Tickets in bio)

Friday — Elori Saxl and Henry Solomon’s project “Seeing is Forgetting” combines analog synths with baritone saxophone & ...
05/13/2026

Friday — Elori Saxl and Henry Solomon’s project “Seeing is Forgetting” combines analog synths with baritone saxophone & bass clarinet, drawing from American jazz abstraction, New York classical minimalism, and contemporary pop’s sense of harmony, form, and hooks.

Phillip Laurent opens with a new collection of music “Hill Songs,” performed live at The Lab with Benjamin Rodgers (Agnes Martian, Tessellations) on cello. This work traces states of mind that might accompany the stewardship of another person’s home: at once foreign and immutably you.

Elori Saxl / Henry Solomon + Phillip Laurent’s “Hill Songs”
Friday May 15 at The Lab
$23 Adv / $25 Door

The Lab is announcing an open call for its celebrated Living Wage Residency program in 2026-27, providing substantial su...
05/04/2026

The Lab is announcing an open call for its celebrated Living Wage Residency program in 2026-27, providing substantial support for artists in the creation of new works.

Since 2014, The Lab’s residency program has provided over $1,000,000 to artists, with artist fees representing nearly 30% of our average operating budget. Residents receive keys to our space as well as substantial support in the form of artist fees, curatorial collaboration, and technical expertise.

Artists working in all media and disciplines are invited to apply, keeping in mind The Lab’s history as a site for experimental and interdisciplinary forms of artistic work spanning performance, exhibition, installation, sound and experimental music, writing, institutional critique, social practice, parades, feasts, and further disciplines yet to be defined.

Artists selected through our 2026-27 open call will receive:

- $17,530 artistic fee, commensurate with a living wage for 3 months of work in the San Francisco Bay Area as measured by MIT’s Living Wage Calculator.
- $5,000 in additional support for collaborators and materials.
- Three months of access to The Lab’s space for rehearsals and workshops, as space is available around other programming.
- Two weeks of continuous use of The Lab’s exhibition and performance spaces for the outcome of the residency.
- Curatorial and marketing support including outside studio visits, documentation of the work, and concerted publicity efforts.

thelab.org/residency-apply (and link in bio)

Photos from “the wet and the dry” are in! This group exhibition of major new works by Bay Area artists is the first in o...
04/24/2026

Photos from “the wet and the dry” are in! This group exhibition of major new works by Bay Area artists is the first in our three-year series “the compost pile,” investigating mutual interdependence among species and scale. Works by Bill Basquin, Kevin Corcoran, Anna Friz, & Whitney Vangrin assess. correspondences between species, scale, microbes, the living and the dead, life and non-life.

Open hours are Friday - Saturday, 12pm – 5pm, unless otherwise noted, and by appointment.
The Lab: 2948 16th St, SF

[1]: Full exhibition from entrance angle.
[2-3]: Bill Basquin: “Scent Posts, For Carolee Schneemann”
[4-5]: Whitney Vangrin: “Sour Coil — Cycle One”
[6]: Kevin Corcoran: Ground Figures: Moving the Earth Around Again
[7]: Anna Friz: Hole in the Wall

Photos by

Thrilled to announce Wendy Eisenberg  and autotune country legend More Ease  with .stade of Gumby’s Junk opening the sho...
04/22/2026

Thrilled to announce Wendy Eisenberg and autotune country legend More Ease with .stade of Gumby’s Junk opening the show! Tix just went on sale, don’t sleep, in bio!

Wendy Eisenberg + More Eaze + Jas Stade
Wednesday June 17
Doors 7pm / Show 8pm

Everything-guitarist Wendy Eisenberg and country autotune experimentalist More Eaze just both released phenomenal records, with Eisenberg scooping up Pitchfork’s “Best New Music” for their self-titled record. Jas Stade of Gumby’s Junk opens the show for this just-announced double headliner in June.

Friday! Lea Bertucci’s “The Days Pass Quickly Immersed in the Shadow of Eternity” for early music flutist Norbert Rodenk...
04/22/2026

Friday! Lea Bertucci’s “The Days Pass Quickly Immersed in the Shadow of Eternity” for early music flutist Norbert Rodenkirchen and 8-channel electronics, with an opening set by Brendan Glasson.

Lea Bertucci: The Days Pass Quickly Immersed in the Shadow of Eternity + Brendan Glasson
Friday April 24 at The Lab

Crystalline, minimal and dissonant, The Days Pass Quickly Immersed in the Shadow of Eternity is a new composition for sampled and live early flutes in 8-channel sound by Lea Bertucci. Steeped in folkloric influences, this work is a haunting contemplation of time, duration and memory that evokes the primeval and futuristic simultaneously. Written for master flutist, early music scholar, and member of the legendary early music group Sequentia, Norbert Rodenkirchen, this work reaches back through the spans of history and catapults ancient music into an immersive present.

The collection of flutes that Norbert has amassed over many decades features unique instruments not usually found in the repertoire of most flutists, which spans from the Renaissance to Medieval to Neolithic. Pre-recorded sustained pitches and abstracted melodic fragments generated from five of Norbert’s flutes (Medieval Traverso, Swan Bone, Sheep Bone, Renaissance Tenor and Renaissance Bass) are sampled and live deployed across an eight channel speaker array. Cutting edge audio technology in symbiosis with the deep history of music creates pathways for a new kind of listening.

Norbert Rodenkirchen performs live fragments of ancient songs and improvisations related to the origin of the flutes. Sustained tones and an idiosyncratic isopolyphony are two major aesthetic features of the work. The drones pulsing through the sound system create a lush and dissonant bed over which Norbert plays with minimal amplification, in effect expanding and contracting the instrument from its point of live origin to a diffused, spatialized sonic environment. This piece contemplates the depths of human history through the lens of our contemporary upheavals.

“the wet and the dry” opens Saturday night! This project is the first group exhibition in our three-year programming ser...
04/11/2026

“the wet and the dry” opens Saturday night! This project is the first group exhibition in our three-year programming series “the compost pile” and includes works by Whitney Vangrin, Bill Basquin, Kevin Corcoran Kevin Corcoran, and Anna Friz.

Whitney Vangrin performs at 7pm, with Andy Xue of Fugitive Gods, in her installation “Sour Coil - Cycle 1.”

the wet and the dry
Works by Bill Basquin, Kevin Corcoran, Anna Friz, & Whitney Vangrin
April 11 - June 27, 2026 at The Lab
Opening Reception April 11, from 6pm - 9pm
Performance by Whitney Vangrin with Andy Xue of Fugitive Gods at 7pm

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