10/13/2026
Profoundly inspired by her experiences with motherhood and the attendant renegotiation of her identity and bodily autonomy, Woods gives each generation of forms in her creative process equal weight. Rather than a hierarchy pointing to an inevitable and polished endpoint–a parent supplanted by her child–Woods offers something more rhizomatic, a latticework of relationships that values both sources and outputs in equal measure.
Elements recur across iterations–a sculptural form, part of a photographic print, the torn edge of a collaged shape–like characters slipping up and down a stream. These are not works that are resolved in a final form or in our ability to perceive a singular image. Parents and children generously feed into and shape one another. Our navigation of these images demands that we join Woods in looking and thinking expansively, considering negative spaces, discarded packages, each generation as a holistic exchange.
Written by Weston Teruya Weston Teruya
Photos by Minoosh Zomorodinia Minoosh Zomorodinia
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