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05/12/2026

Discover available works from Alvin Armstrong () on Artsy (), following his recent presentation with Jonathan Carver Moore.

Developed during a five-week residency, Peer Pressure explores the emotional and social weight of ambition, identity, history, and belonging, revealing pressure as something constantly shifting and deeply personal.

Learn more with the link in bio.

05/10/2026

Belinda Shade-Moore, my mother, captured by Pieter Hugo during our visit to his studio in Cape Town in February 2025 while I was showing at the Investec Cape Town Art Fair.

Celebrating mothers and mother figures today and every day. Happy Mother’s Day.

06/15/2024

Today is the LAST DAY to view—BOLD by DOKU BORLABI at JONATHAN CARVER MOORE.

Featuring eight artworks from the gallery’s first artist-in-residency program, these pieces merge the themes Doku captured in Ghana with the unique “characters” he met in San Francisco. The exhibition title, “BOLD,” reflects discussions between Moore and Doku. It portrays the Black beauty of Ghanaian people and San Francisco residents, highlighting their confidence and unapologetic self-expression through fashion, presence, and mannerisms.

We deeply appreciate all the love and support during our first artist-in-residence program. Thank you to everyone who visited, purchased artworks, wrote about BOLD, and collaborated with us on content, programs, and events.

A special thank you to DOKU for trusting us and embracing this journey together as we launched.

06/07/2024

COMING SOON to JONATHAN CARVER MOORE: Infinite—A Solo Presentation from Victoria Mara Heilweil.

“Mothering is not something you can’t plan for, you can only embrace the moment. Like water, it has fluid edges with no end - it is infinite.”

Two years ago, Victoria Mara Heilweil made the courageous decision to send her teenager to a therapeutic boarding school, prioritizing his mental health and safety. Through this difficult period, as she navigated the tumultuous waters of hope and despair, courage and fear, and fortitude and immobilization, she came to understand the profound importance of empathy, flexibility, and the power of change.

Originally started in 2017 with abstract photographs of water, and then recently integrated with Heilweil’s self-portrait work—‘Infinite’ was born.

Infinite is a contemplation of water as both a symbolic emotional state and a physical element. The imagery places greater emphasis on visual sensation than realistic depiction, creating an embodied response to the water. Removing the horizon line amplifies the infinite space, forming an expanse that plays with our sense of the micro and macro, challenging us to reflect on our relationship with the presence or absence of boundaries.

In viewing this body of work you are not simply looking at the water - you are immersed in it. Through the use of the camera, and design, Heilweil captures those single fleeting and invisible moments. This body of work, like water, is constantly in motion; dynamic, unstable, and rapid.

Infinite is a site for reflection—offering a tranquil space to pause and reflect on one’s thoughts, feelings, and connections.

INFINITE debuts at Jonathan Carver Moore on JUNE 20TH.

06/05/2024

While in DC I had the opportunity to stop by ! Loved seeing incredible works from some of my favorite Black contemporary artists; , , , , and .

05/28/2024

A few moments from celebrating ’s 10th anniversary in LA! 🎉

I had the honor of curating works from four amazing contemporary artists; Adrian Armstrong (), Tianna Bracey (), Chris Fallon (), and Justin Yoon (). Their vibrant portraits beautifully blend influences from people, places, and popular culture through photography, portraiture, and mixed media.

Thank you for being an incredible partner! Congrats on 10 years—here’s to many more! 🥂✨

05/20/2024

’s “Akwele & Akworkor II” is featured in ’s third auction, “Collecting through the Diaspora.”

This exceptional event also highlights works by artists such as , Matthew Imuetiyan Eguavoen (), Mary Graham (.graham.art), and our own . Additionally, it includes a work by , the gallery’s inaugural artist-in-residence. This year’s auction aims to unite artists and collectors, showcasing and supporting the vibrant art of the African Diaspora.

Bidding is happening exclusively on through May 30th. Place your bids today via the link in our bio.

05/17/2024

Adana Tillman’s “OTIS” is featured in ’s third auction, “Collecting through the Diaspora.”

This exceptional event also highlights works by artists such as , Matthew Imuetiyan Eguavoen (), Mary Graham (.graham.art), and our own . Additionally, it includes a work by , the gallery’s inaugural artist-in-residence. This year’s auction aims to unite artists and collectors, showcasing and supporting the vibrant art of the African Diaspora.

Bidding is happening exclusively on through May 30th. Place your bids today via the link in our bio.

05/07/2024

I enjoyed my weekend in New York, where I made sure to visit the to explore their newest exhibition, Giants: Art from the Dean Collection curated by and . It’s an absolute must-see, showcasing an impressive array of contemporary Black artists! Kudos to and for orchestrating such a captivating presentation!

05/03/2024

Namita Paul’s “W.M 265” is included within P L A C E: Reckonings by Asian American Artists—currently on view .

Curated by Judy Koong Dennis and Zoë Latzer, the exhibition features various art forms and is divided into three sections; The first section explores the challenges of migration and immigration, questioning the concept of being “American.” The second section addresses racial discrimination, labor exploitation, and violence against Asian American communities. Lastly, the third section presents perspectives on belonging, gathered through recent social projects engaging Asian Americans and immigrants in cross-cultural dialogue and research.

Paul’s work featured within the first section, spans 15 feet across and approximately 6 feet high. “W.M 265” delves into memory and a particular architectural setting, inspired by the artist’s recollections of visiting her grandparents’ residence in Punjab during her childhood.This residence holds significant history, serving as her birthplace and a sanctuary for her grandparents following the partition of India and Pakistan in 1947.

This interdisciplinary work is made of indigo-dyed canvas, burlap, sequins, acrylic photo transfers, LED lights, and currency. Paul shares “the work, which started as a personal journey into memory and history has now become a memorial to my ancestors.”

Don’t miss the opportunity to view “W.M 265” today!

Image credits:
P L A C E : Reckonings by Asian American Artists, 2024, installation view, ICA San Jose Photo: Keith McCullom, Courtesy of ICA San Jose

P L A C E : Reckonings by Asian American Artists, 2024, installation view, ICA San Jose Photo: Glen Cheriton, Courtesy of ICA San Jose

Address

966 Market Street
San Francisco, CA
94102

Website

http://www.jonathancarvermoore.com/

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