Emily Fitzgerald: Plays, Productions, & Books

Emily Fitzgerald: Plays, Productions, & Books Follow here for updates on my creative projects.

08/31/2022

The actor, playwright and Princess Bride star is also an essayist. Here, he explains why reading dialogue away from its performance has a magic of its own

10/01/2021

Hello all! I have a new writing project. [email protected]! Drop by there sometimes and catch up on my posts.

Better yet, subscribe to it and you'll get those posts automatically in your email inbox. And you can do that for free!

08/04/2021

I haven't done an update in a while so...

We had a great time reading Battle Cry, a sequel to No Rescue Required. It was time to return to the bucolic kingdom of Asphodel and catch up with our princesses and their on-going quest to vanquish the dreaded White Fire Wyrm. Much irreverence and antics ensued, of course.

Most recently I have begun a couple of plays that haven't entirely taken flight - some projects stall. I think it's important to not let that affect my overall enthusiasm. On a happier note, I have finished a decent draft of my Valentine novella and it's out to a few first reader's for responses. We'll see what happens with that.

For now, I'm merely a writer. COVID is still far too unpredictable and the situation too unstable for me to consider returning to a theatre. I hope to direct again one day. Until then, writing continues apace.

12/08/2020

So my most recent writing project is the first draft of a project I've been wanting to do for several years. I finally was able to buckle down and draft it. It is my first non-fiction work, a handbook on theatrical directing.

I've taught directing and the fact is, the textbooks I've seen are - not me. First, they're often about what directing is like when you've got money. In a high end professional or university theatre that has not just direct monetary resources, but the ability to attract and pay people, like designers, stage managers, technicians. That's not the world I work in.

Second, they're simply not practical guides. There's a lot of artsy bu****it, or simply impossible things. The worst I saw was an outline for analysis that included, in character analysis, that you write down both the heart rate and perspiration rate of that character. What? Even if you could find an actor who could control either of those things, why would you want them to? That sounds to me like it was written by someone who has never cast a show or worked with actors to put a play up.

So I wanted to write a book about how to just plain put a play on a stage. I have a method that works for me. Other people have methods that work for them, and I'm not knocking those, but I am saying - if you suddenly find you're in charge of putting on a play on your own for whatever reason, for the first time, you can follow these directions and you'll have a play. And if you have done it before but want to look at how someone else does it, you can look at my ideas..

I also speak to my personal philosophies of directing, including how you treat everyone you work with, how you do the job and take responsibility, how you do not quit until opening night. I don't personally find any of it revolutionary, but I have met a few actors who thought parts of it were.

So where this passion project goes, I don't know. But it feels good to say it all, write it down. I feel I have enough experience now to really have something useful to say. And this is the kind of book I would've wanted when I was teaching.

11/16/2020

I sort of love the messy cover photo of Creatures, but it is not my most recent work.

We did have two great readings in September and October of Creatures of the Night: The Chambered Nautilus and DRINK KALE LOVE, respectively. No, zoom readings aren't the same as getting together in a room and actually reading together. Or, hell, DOING the play for that matter. And I am really hoping we find a way to do both those suckers, one way or another. Because damn do I have a cast!

But the work doesn't stop. I'm working on many projects at the moment, enough so that I just need to buckle down, focus, and finish something. I have scripts ready to publish for And Then There Were Some and my adaptation of Twelfth Night. I have a third Creatures play begun. I have a strong start on a novelization of Chambered Nautilus. I did my first interview/profile of a stranger. And I'm still plugging away at my Directing Handbook.

This is a hard time to work. Many, many days go by where I accomplish zip on any of these. But I am proud that over the course of 2020, despite it all, we did Twelfth Night (right under the COVID wire, thank the goddess); I've written the full length and one-act plays I planned to produce and added one more full length for good measure; I did two very new things for me: adapted a Shakespeare play and wrote a farce with sexy sexy scenes; and we read the plays, with many laughs and happiness along the way, all of us getting just a bit of a hit for theatre that's largely impossible.

Thanks to all who are following along and all who have supported and contributed to my creativity this year. I wish much creation for all of you, however you can find it. I find nothing as satisfying as making something that wasn't in the world before in quite that way. Much love to the artists - and all of you who make something unique in the world just by living your life your way.

09/09/2020

Friday night, 6 pm, we all gathered in front of our devices for the first reading of *Creatures of the Night: The Chambered Nautilus.* So many of my favorite faces and voices, bringing Valentine and her world to life. Huge thanks to Kat McKenna as Valentine, Miguel Di Costanzo as Parker, Meaghan Setterbo as Aurore, Rhett Menchaca as Bobby-O, Wini Froelich as DeeDee, Cristina Vazquez as L, William Razavi as Schlomo, and the ever menacing Jay Overton as Chaumbruss. Finally hearing it outloud led to some really good re-writes and I'm feeling better than ever about the final script. Next up, the new farce, *Drink Kale Love* where we get to revisit the greenroom of the Briar Rose and it's nutty inhabitants, Enid Dobbs, The Great Antonio Valencia, and of course, Delilah Small!

06/20/2020

That felt so good, to have our first performance-like experience since 12th Night, distance be damned!

Right now we should be in performance for Evil Scientists but COVID pulled the breaks on that plan. So tonight we read the plays and what great actors we have! Thanks to Lacey, Amanda, Elise, and Meaghan. Many thanks to Jay for fabulous stage directions and also for being our technical director and making it all possible. Many twists and laughs and inappropriate jokes - all W***y and my favorite things.

Happy fiendish shwarma to all!

Address

San Antonio, TX

Website

Alerts

Be the first to know and let us send you an email when Emily Fitzgerald: Plays, Productions, & Books posts news and promotions. Your email address will not be used for any other purpose, and you can unsubscribe at any time.

Contact The Establishment

Send a message to Emily Fitzgerald: Plays, Productions, & Books:

Share