Taner Pasamehmetoglu

Taner Pasamehmetoglu Compulsively curious - constantly contemplating what is "art" by trying to capture it and create it myself.

First Spring in OctoberAcrylic, oil, spray paint, on repurposed canvas24”x36”2026Currently on view at  I’ve always been ...
05/18/2026

First Spring in October
Acrylic, oil, spray paint, on repurposed canvas
24”x36”
2026

Currently on view at

I’ve always been incredibly fond of people who can write well. I like to write but I’m when I’m at a loss for words I’ll paint. My great grandfather Zeki Omer Defne was a well-known poet in Türkiye. I’ll often revisit his writings when I’m lacking inspiration. This painting is based on a poem he wrote in 1971 called “The First Spring in October”. What I enjoy about his writing is it is very metaphorical (very Turkish lol) and creates vivid and colorful images in my mind as I read it. Every time I read this poem and try to interpret it from Turkish to English I come away with something different. With each layer in this painting I wanted to capture those different moments. In working this way I find it’s often easier to translate into an entirely different medium than to a different language actually. In that way I’m relaying how his words make me feel and not trying to distill its meaning. I wish I could talk to him now but grateful to still have his words.

First Spring in October (My translation to English)

Wherever I looked it was wholly blue, a luminous stirring

October held, but it was as though the first spring had suddenly arrived.

The sky seemed filled with crystal chimes,
As if in some distant star a promising hour had struck.

The whole afternoon had turned into a tulip garden,
In this glowing rain a rich crimson gazelle had been born.

Was it day, or future memories, the hours themselves
all around me, something was scattered fluttering and alive like birds.

It was like reading a letter without ever having seen love,
I had stopped, as if reading good news written upon my forehead.

This Saturday at ! I’ve prepared many a palimpsestual paintings for my latest solo show. Many are new new, some old new,...
05/06/2026

This Saturday at ! I’ve prepared many a palimpsestual paintings for my latest solo show. Many are new new, some old new, a few old old. Come see them and hang out with us.

Opening reception goes from 5-8 PM and I’ll be doing an artist talk/Q+A at 6 if you’re into that kind of thing.

Many thanks to and for the invitation and curation. So excited to share my surreal side-quests in this beautiful space.

It’s been a wonderful spring. Been navigating through many a craters by foot and by swim. Saw a snowflake eel in Hawaii ...
04/22/2026

It’s been a wonderful spring. Been navigating through many a craters by foot and by swim. Saw a snowflake eel in Hawaii among many other colorful and curious creatures! Saw blankets of wildflowers at Table Mountain, including my favorite poppies! Grew some massive s**t in the garden. Some more edible than others. Still learning what’s good and what’s not but that’s been a lot of fun.

Observing the natural world is always humbling and leaves me knowing I’d be a better person and artist if I did more of it. When I’m outside and paying attention to my surroundings, I often think about how the most beautiful things are here because of the most incredible natural phenomena throughout time.

Sheer forces of mass death and destruction that, in the larger picture, are merely adjustments and realigning. Healing. Cleansing. Beautiful fish and flowers are all here because of it, not despite it. It feels random but surely it’s not. I always love that that’s where scientists and religious folk can find common ground.

And I always laugh at the Earth Day posts about how Mother Nature is fragile and we need to do more to protect her too. We’re foolish to think we’re not the ones who desperately need protecting from ourselves. Every year this feels more evident. Why are we so fragile that we can’t understand that?

Anyway, happy Earth Day. How about all this rain!?

Stoked to announce my next show, Palimpsest. See you at  in May!Dates: May 8 - June 8Second Saturday Reception/Artist Ta...
04/11/2026

Stoked to announce my next show, Palimpsest. See you at in May!

Dates: May 8 - June 8
Second Saturday Reception/Artist Talk: May 9 5-8PM

There’s several quotes about paintings that say they’re never finished, only abandoned in interesting places. This body of work is a collection of those places for me, formed through layered material, color, time, and experience, and shaped by cycles of experimentation and meditation that help me navigate life in my thirties.

Many of these works evolved over years, not continuously, but through repeated returns. Like visual journaling, or meeting doodles, I move between paintings, adding words, gestures, textures, and marks that reflect fleeting thoughts and emotions. Over time, these accumulations create surfaces that evolve alongside me.

The work embraces improvisation and sustainability. Using reused or thrifted canvases, leftover palette paint, reject house paints, and other mixed media items I have on hand, I build on preexisting layers that remain part of the overall composition.

The way I work on these paintings reminds me of a palimpsest—a surface or place where traces of the past remain visible beneath continual revision. Each painting carries what came before, even as it becomes something new. And I think that idea is really beautiful for people too. It allows me to feel comfortable with my own change.

03/27/2026

One final post from my January show, for archive sake.

The namesake for the show came from this poem that I wrote while I was deep in the throes of a job from hell. I wasn’t making any art back then. The job exhausted me of all my energy and time.

I started writing though, because I had an epiphany that really bugged me. I realized that I’ve made a living by writing, yet never once even remotely considered myself a writer. The collection of words and numbers I’ve been writing for the last 13 years in the countless emails and pitch decks and sales reports and project briefs and Slack messages and hundreds of other mediums and modules where I was trained to be concise, to be cognizant of how many exclamation points I was using, to spin “negative outcomes” as opportunities, to elicit action when deep down I know I should have been delivering a warning instead, etc. etc. they were all missing something important. Any semblance of me. My voice.

Corporate America is so homogenized now it’s really no surprise at all that AI will be taking the jobs soon. The intelligence was already artificial.

So this is me, unfiltered. A cringey, unapologetically long poem about a s**tty job. It took me over a year to write it but I was never in any rush. No deadline except for the ultimate one. I sat on several versions of it for a long time as I processed my fear, my frustration, my embarrassment, and my eventual relief. I’m really proud of where it’s taken me. In sharing it I hope I can provide a little bit of inspiration for someone else too.

A massive thank you to for lending his time and talents to bring this to life. He made this video so much cooler than I could have ever imagined.

“BUY NOW”Mixed media on canvas12”x24”2025
03/16/2026

“BUY NOW”
Mixed media on canvas
12”x24”
2025

“Bye, now”2026Mixed media on thrift store paintingThe catharsis of creating and cutting downLayers and layers and layers...
03/13/2026

“Bye, now”
2026
Mixed media on thrift store painting

The catharsis of creating and cutting down
Layers and layers and layers to unlearn limerence
An homage to Klein
Bookmarks to join the bookends 🤓

“Companion chip”Concrete sealer and acrylic paint2026My first sculptures that aren’t made of cardboard, lol. These were ...
03/08/2026

“Companion chip”
Concrete sealer and acrylic paint
2026

My first sculptures that aren’t made of cardboard, lol. These were a fun experiment. For my first solo show, I wanted to challenge myself to make one work that felt completely outside my usual wheelhouse.

I’ve always loved concrete sculpture, especially when it’s used to depict something light and soft. A bag of potato chips (my ultimate guilty pleasure) felt like the perfect subject to explore that tension for this show. It took several attempts to get the water mixture just right so the thin areas at the top would be strong enough not to break, while still malleable enough to capture the folds and lightness of the bag.

I played around with different arrangements of the bag, and may do more in the future, but this one was my favorite because the bags support one another, even though they are slouchy and look like they’re barely holding on. In many ways, it reminded me of and me lol, and how we’ve been able to lean on each other to get through some really tough times over the past few years.

Plus, the ultimate added bonus: They are functional!

“City of Trees”48”x48”Acrylic and oil on layered canvas2026H St x 29th St. 💛
02/23/2026

“City of Trees”
48”x48”
Acrylic and oil on layered canvas
2026

H St x 29th St. 💛

“Redwood”Oil and acrylic on layered canvas 48”x48”2026SOLDThere is nothing more resilient than a mature tree in present ...
02/19/2026

“Redwood”
Oil and acrylic on layered canvas
48”x48”
2026
SOLD

There is nothing more resilient than a mature tree in present day. Large, old trees have a way of reminding us that they were here long before us and will remain long after us. They not only survive, they thrive, adapt, and remain interconnected through their root systems, no matter where they grow. They give me hope for navigating troubling times. I’m especially drawn to moments when trees or dramatic natural landscapes collide with the built environment.

I find this visual and conceptual clash most compelling at gas stations, particularly at dusk, when the artificial light and sharp corners of their perfectly square awnings slice through something otherwise serene. That final gas station before entering protected land or a national/state park can feel particularly spacecraft-like, illuminating the surrounding living landscape with a sterile, bright glow. Stopping for gas is always a s**tty manufactured need, but I appreciate the opportunity to pause and reflect. It’s one of the few times in the day you’re forced to be still between two places and to be outside, so I try to take advantage of that.

This is where an ongoing series was born. This painting, specifically, is based on a Redwood tree towering over a gas station in Scotia, CA, a depressingly historical logging town where we stayed when we took my mom to see the Redwoods for the first time.

I wanted to represent the tension between man and nature in this scene through process and material. The natural landscape and Redwood tree are painted in earthy oils, while the gas station awning is painted in bright acrylics on a separate canvas layered over the original composition. The petroleum-based medium and physical overlay act as an interruption—one painting intruding upon another—mirroring how the built environment often encroaches upon nature. And yet, the tree endures, glowing beautifully within artificial light at night and growing bountifully within natural light during the day. A beacon for us to try and do the same.

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Sacramento, CA
95828

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