01/28/2020
A good song doesnt need a $3k can of turd polish 😀
Trolls would lose their s**t over this picture. I love it.
That's Finneas O'Connell, Billie Eilish's brother in his bedroom studio.
I can hear the trolls frantically typing, foaming at the mouth:
-"But! THE MONITOR PLACEMENT! Arrghghghgh!"
-"No acoustic treatment in the EARLY REFLECTION zones?!!?" (proceeds to hyperventilate into his Kiss lunchbox)
-"He's using Logic?!? Don't you know you need PROTOOL!"
So on and so forth ad nauseam.
Having vicariously gone to law school, I love that I can now use their case as precedent.
Dear people of the jury: let it be known that Billie and Finneas are unequivocal proof that you can make great records in your bedroom.
As a home studio musician, this should be encouraging to you. It's not about the expensive gear. It's about the music you make with the gear you already have.
It's simple to make a song sound good if the song is good. As long as you get a decent sound and a killer performance, mixing is easy.
People will say, "but it was mixed by a PROFESSIONAL engineer!" which is somehow supposed to paint Finneas as the opposite, ignoring the fact that he now has Grammys for both Engineer and Producer of the Year. That feels like a pretty professional accomplishment to me.
Even if When We All Fall Asleep, Where Do We Go? was mixed by an established mixing engineer, it doesn't change the fact that Rob Kinelski received some spectacular ingredients to mix.
Or put more bluntly, and I quote myself:
"Mixing isn't worth s**t if the song and arrangement isn't stellar"
Keep in mind that this is coming from someone who wrote a best-selling book about mixing (www.stepbystepmixing.com). None of my tips will help you if the songwriting, arranging, and engineering are bad.
It's a pleasure to mix a great song with a good arrangement. It's an absolute nightmare to do the opposite.