Farnsworth Art Museum

Farnsworth Art Museum Celebrating Maine's role in American art It is open year-round as the only museum dedicated solely to American- and Maine-inspired art.
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Named by the Boston Globe as one of the finest small museums in the country, the Farnsworth Art Museum offers a nationally recognized collection of works from many of America’s greatest artists. Through its remarkable collection of more than 16,000 works, inventive exhibitions, wide-ranging intellectual resources, and energetic educational programming, visitors from around the world gain a deep ap

preciation of the ongoing story of Maine’s role in American art. More information about the museum can be found at www.farnsworthmuseum.org.

Only a few more weeks to see Benjamin Spalding’s Go Bang! The exhibition closes September 20, don’t miss it! Benjamin Sp...
09/03/2026

Only a few more weeks to see Benjamin Spalding’s Go Bang! The exhibition closes September 20, don’t miss it!

Benjamin Spalding (born 1984), is a sculptor, DJ, and athlete whose practice explores the rhythm and the pageantry of the body. In his work, he blends influences from club culture, sports, and Maine’s local ecology, with personal family narratives. Go Bang! is a sculptural installation featuring figural characters that reflect the dynamic social energy of dance halls and nightclubs.

Benjamin Spalding (born 1984)
Diva Dancer 2, 2026
Wood, metal, and paint
Collection of the artist

Benjamin Spalding (born 1984)
Diva Dancer 3, 2026
Wood, metal, and paint
Collection of the artist

“Louise Nevelson: Dawn to Dusk” traveling exhibition is now on view at the Frost Art Museum in Miami. This exhibition tr...
08/31/2026

“Louise Nevelson: Dawn to Dusk” traveling exhibition is now on view at the Frost Art Museum in Miami. This exhibition traces the artist’s formative years to her emergence as a sculptor of international renown through works selected from the Farnsworth collection. 

“[Nevelson] is, in many ways, the founder of what we understand as installation art,” said Jaime DeSimone, chief curator at the Farnsworth Art Museum. “In one of her first shows, she creates an environment where she’s inviting the visitor to engage with these sculptures. She’s thinking about the way the floor is, the way the walls are covered, using blue lights. This is so much more than just a sculpture that she’s created from discarded wood and fragments and unified by paint.” Read more at the link in our bio.

Louise Nevelson (1899-1988), Martha Graham, circa 1950, cast bronze with patina, 10 x 19 x 11 inches. Gift of Louise Nevelson, 1984.23.8. © Farnsworth Art Museum

08/29/2026

Opening October 3rd, Shifting Vision: Joel Babb’s Painted Universe explores the artist’s remarkable ability to balance painterly precision with imagination.

Whether depicting sweeping aerial views of Boston or intimate woodland scenes in Maine, Babb constructs compositions that move seamlessly between multiple vantage points and varying degrees of detail. The resulting visual experience evokes the feeling of walking through a landscape, where each turn reveals new relationships between light, space, and form.

🖼️Joel Babb (born 1947) Bernd Heinrich’s Brook in Autumn, 2013 oil on linen 60 x 68 inches Farnsworth Art Museum Anonymous gift in honor of the Osher family of Maine, 2023.2 © 2026 Joel Babb / Image courtesy of the artist Joel Babb (born 1947) 
🖼️A Sunlit Brook, Wight Brook, Grafton Notch, Maine, 2022 oil on linen 48 x 46 inches Private Collection © 2026 Joel Babb / Image courtesy of the artist Joel Babb (born 1947) 
🖼️Eggemoggin Reach, 2002 oil on linen 60 x 84 inches Private Collection © 2026 Joel Babb / Image courtesy of the artist Joel Babb (born 1947) 
🖼️Copley Plunge, 1990 oil on linen 82 x 65 inches Collection of the Museum of Fine Arts, Boston Gift of Peter Jacobs in memory of Mimi Jacobs, 2017.4006 © 2026 Joel Babb / Image courtesy of the artist.

The Farnsworth welcomed U.S. Representative Chellie Pingree, NEA Chairman Mary Anne Carter, and Amy Hausmann, Executive ...
08/28/2026

The Farnsworth welcomed U.S. Representative Chellie Pingree, NEA Chairman Mary Anne Carter, and Amy Hausmann, Executive Director of the Maine Arts Commission yesterday to the museum. 

They visited our Arts@theIntersection exhibition, our year-long educational program that culminates in a student exhibition at the museum. The Museum partners with local schools and offers a series of workshops in galleries, studios, and classrooms, where students delve into critical thinking, storytelling, and relationship building.

Katherine Bradford, who began painting in Maine in the mid-1970s, demonstrates her unwavering commitment to figuration a...
08/27/2026

Katherine Bradford, who began painting in Maine in the mid-1970s, demonstrates her unwavering commitment to figuration and mark-making in Summer Night. Here, two figures sit in lawn chairs under a star filled sky and unidentified flying objects. Bradford is aware of Maine’s maritime history as well as its long lineage of nautical painting and builds upon the legacies of Marsden Hartley and John Marin, among others, yet her works transform the genre of marine painting into densely packed, metaphorical realms.

Katherine Bradford (born 1942), Summer Night, 2021
acrylic on canvas, 60 x 80 inches.
Museum purchase, Lynne Drexler Acquisition Fund, 2022.17. © Katherine Bradford

A closer look at Hartley's lush impasto✨Maine-born Marsden Hartley painted the State’s landscape throughout his career. ...
08/25/2026

A closer look at Hartley's lush impasto✨

Maine-born Marsden Hartley painted the State’s landscape throughout his career. He was particularly drawn to the majestic spirit of the mountains. The vibrant colors, thick impasto of paint, and energetic brushstrokes in this early work also hint at the influence of European modernist painters such as Henri Matisse and Wassily Kandinsky. Hartley would have encountered these artists’ work at Alfred Stieglitz’s gallery before his own trip to Europe in 1912. Now on view in Maine: A Force within American Art (1890–2026) exhibition.

🖼️Marsden Hartley (1877–1943), Song of Winter No. 6, 1908-09, oil on board, 8 7/8 x 11 7/8 inches. Gift of Mrs. Elizabeth B. Noyce, 1996.13.5. Photography by Stephen Petegorsky

New Exhibition Announcement!The Farnsworth presents Shifting Vision: Joel Babb’s Painted Universe, opening on October 3r...
08/23/2026

New Exhibition Announcement!

The Farnsworth presents Shifting Vision: Joel Babb’s Painted Universe, opening on October 3rd!

Featuring a dozen monumental paintings spanning the artist’s career, the exhibition examines how one of New England’s most accomplished contemporary painters transforms familiar landscapes into richly layered explorations of imagination, memory, and place.

For more than five decades, Joel Babb (born 1947) has found extraordinary meaning in the ordinary, discovering what he describes as “something astounding, transcendent, mysterious, and beautiful” in both Boston’s dense urban landscape and the forests, rivers, and mountains of Maine. His paintings invite viewers into worlds where shifting perspectives, luminous pathways, and meticulous observation blur the line between illusion and reality.

Joel Babb (born 1947)
Copley Plunge, 1990
oil on linen
82 x 65 inches
Collection of the Museum of Fine Arts, Boston
Gift of Peter Jacobs in memory of Mimi Jacobs, 2017.4006 © 2026 Joel Babb / Image courtesy of the artist

08/21/2026

A special look at 51 Poppies by Cig Harvey, now on view in our Maine: A Force within American Art (1890–2026) exhibition.

"I created a time-lapse of a tabletop still life, but discovered that the table was never actually still. Cut flowers in their vases, seemingly a nature morte, constantly moved and bent sideways, reaching for water and light. The time-lapse condensed the extremes of a life, creating a space to see every moment of being from birth to death.

For each time-lapse, the camera took a photograph every thirty seconds, over the course of days, resulting in as many as 25,000 still images. In the time-lapse form, each individual picture is stitched to the next, giving the illusion of a video. Everything is in motion all at once. Just as in life, some things are more apparent, others barely perceptible unless you are truly paying attention. This distortion of time results in the unsettling feeling that the table is changing on a parallel plane, otherworldly. The time-lapses demand a slowing down. They have a mesmerizing, hypnotic effect.

For years, I have employed the camera as an extended eye to better understand the world, but these new experiments are a heightened and more focused inquiry. Similar to Eadweard Muybridge's studies of motion almost two hundred years ago, where, through a series of sequential photographs, he was able to discern 'what the human eye could not distinguish as separate moments in time,' I use photography to see more than our eyes can perceive. Like Muybridge, I work without sight; only when I stop the camera and look at the photographs sequenced in post-production can I see what really happened. These explorations of time, light, and space are both a scientific study and a philosophical inquiry, a memento mori—a reminder of the impermanence and brevity of life. Someone is dying as someone else is thriving. Everything is constantly changing. Nothing stays the same. In a world inundated by information at an accelerated pace, these time-lapses ask us to pay attention and be present." – Cig Harvey

📷Cig Harvey (born 1973)
51 Poppies, 2026
Moving image, color, silent; 23:00 minutes
Courtesy of the artist and Maine Media College
© Cig Harvey / Image courtesy of the artist

Address

16 Museum Street
Rockland, ME
04841

Opening Hours

Monday 10am - 4pm
Wednesday 10am - 4pm
Thursday 10am - 4pm
Friday 10am - 4pm
Saturday 10am - 4pm
Sunday 10am - 4pm

Telephone

(207) 596-6457

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