06/13/2026
MARC SWANSON // DEATH IS EXPENSIVE // The exhibition’s title is drawn from a line uttered by down-at-heel Southern belle Blanche DuBois in Tennessee Williams’s A Streetcar Named Desire: “How in the hell do you think all that sickness and dying was paid for? Death is expensive, Miss Stella!” In Streetcar, DuBois’s carefully maintained artifice—paste jewels passing for diamonds, borrowed elegance masking scarcity—functions as both a shield and a tenuous means of escape. The tension between luminous surface and underlying vulnerability is also present in Swanson’s work, which stages a parallel drama in materials: elevating the cheap, the decaying, or the everyday into objects of genuine and often melancholic beauty that never fully conceal their provisional or humble origins. Artifice is not deception but a necessary and sometimes defiant form of grace. As with Mike Kelley’s use of thrifted afghans and stuffed animals, Swanson insists on treating the ta**ry and provisional seriously, coaxing elegance from the overlooked without erasing its roots in impermanence, loss, and the working class.
On view through September 13. Plan your visit at the link the comments 🥀
Photos: Art Index
Marc Swanson
Untitled (Torch), 2026
Mixed media
56 × 38 x 16 inches
Marc Swanson
Windows, 2026
Epoxy clay, glass, paper, ink, metal, flowers, metal fringe 42.5 x 25.5 x 3 inches
His kind, 2025
Marc Swanson
Oil on canvas in wood artist frame
37.25 x 25.5 x 2 inches
Arrangement, 2025
Marc Swanson
Epoxy clay, paint, glass, paper, ink, metal, flowers 34 × 26 x 2.5 inches