Dryden Theatre

Dryden Theatre The George Eastman Museum's exhibition space for showcasing its unparalleled collection of motion pictures, as well as new foreign and independent films.
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The Dryden Theatre at George Eastman House is the Museum's largest exhibition space for showcasing its unparalleled collection of motion pictures, selections from archives around the world, as well as new foreign and independent films. With such diverse programming, the Dryden remains an essential part of the Museum experience and continues to be an important institution not only for the Rochester

community, but internationally as well. The Dryden Theatre was constructed in 1951 after George Eastman House received a generous donation from George and Ellen Dryden. The first film to be shown at the Dryden was Jean Renoir’s silent film Nana (1924). James Card (1915 – 2000) established the motion picture collection at George Eastman House. Card was a pioneer in the archival world and he single-handedly helped contribute to the appreciation of film as an art form. FILM
The projection booth is equipped with two reel-to-reel 35mm/16mm Kinoton projectors, and two 35mm Century projectors. Both sets of projectors have adaptable lenses for the following aspect ratios:

1.18: 1
Silent 1.33: 1
Academy 1.37: 1
1.66: 1
1.85: 1
Anamorphic 2.39: 1

VIDEO
The Dryden Theatre is equipped with an InFocus SP 777 DLP Projector. Video capabilities include: BetacamSP, Blu-ray, DVD, DigiBeta, U-Matic and VHS. SOUND
The theatre is outfitted with an up-to-date sound system designed to reproduce soundtracks for both contemporary and archival screenings. Designed and installed by Boston Light & Sound, it features a Dolby 7.1 system, able to reproduce the following stereo formats: Mono, Dolby A-Type, Dolby SR, Dolby Digital, and also DTS. NITRATE
The Dryden Theatre projection booth is also customized to handle highly volatile Nitrate film. Discontinued around the mid-20th Century due to its highly flammable nature, nitrate film stock – the combination of a silver nitrate base and orthochromatic or panchromatic emulsion – provided a shimmering, luminous motion picture experience for moviegoers during the entire first half of movie history. One of only a handful of venues in the world that is still safely equipped to show 35mm nitrate prints, the Dryden Theatre is occasionally able to re-introduce audiences to this special kind of cinema magic with classic films from our vaults or other leading archives. Because no nitrate film stock is being produced today, these rare screenings of vintage prints may represent your only opportunity to experience this distinctive aesthetic visual pleasure.

Legend of the Mountain (DCP)📅 Wednesday, June 17, 7:30 p.m.🎬 Series: Lose YourselfFew directors in the history of world ...
06/16/2026

Legend of the Mountain (DCP)
📅 Wednesday, June 17, 7:30 p.m.
🎬 Series: Lose Yourself

Few directors in the history of world cinema have so masterfully bridged the gap between the visceral energy of the action genre and the contemplative depth of classical art as King Hu. A multifaceted director who frequently produced, edited, and designed his own sets and costumes, Hu transformed the wuxia (martial arts) film from a studio-bound commodity into a vehicle for existential inquiry and Buddhist transcendence.

In Legend of the Mountain (1979), Hu moves away from the frantic swordplay and acrobatics of his earlier hits to craft a hypnotic, three-hour supernatural odyssey. Set during the 11th-century Song Dynasty, the film follows a young scholar, Ho Yunqing (Shih Chun), who is tasked with translating a Buddhist sutra powerful enough to release the souls of the dead. As he retreats to a remote, abandoned fortress in the mountains to complete his work, he finds himself ensnared in a web of spirits, seduction, and sorcery.

Filmed on location in the scenic countryside of South Korea, Hu utilizes the natural environment, such as swirling fog and golden sunlight, to mirror the shifting boundaries between the physical world and spiritual realms. Eschewing the rapid-fire editing of his groundbreaking Dragon Inn or A Touch of Zen, here Hu adopts a more tranquil pace, punctuated by bursts of vibrant colors and percussion-driven rituals. A culmination of Hu’s artistic and philosophical achievements, this restored masterpiece is a dreamlike journey that invites the viewer to lose themselves in its picturesque landscape.

Introduction by and post-screening discussion with Selznick student Ha Nguyen.

Forever a Woman (DCP)📅 Tuesday, June 16, 7:30 p.m.🎬 Series: Lose YourselfFumiko, a mother of two and wife to an unfaithf...
06/16/2026

Forever a Woman (DCP)
📅 Tuesday, June 16, 7:30 p.m.
🎬 Series: Lose Yourself

Fumiko, a mother of two and wife to an unfaithful husband, attempts to balance domestic responsibility with her work as a poet. Just as her writing career takes off, she divorces her husband and is diagnosed with breast cancer. As she grapples with changes to her life, a young journalist, who is enamored with her poetry, wants to write about her to help further her career. Stripped of the accepted cultural markers of femininity—family, domesticity, and even her breasts—Fumiko must rediscover her place as a woman in the deeply patriarchal Japanese society.

This humanist drama, with its almost Sirkian vision, was directed by Kinuyo Tanaka. She was among the most popular actors in Japanese cinema and worked with many of Japan's greatest filmmakers. In 1953, she became only the second woman ever to direct studio films in Japan. Forever a Woman is Tanaka’s third feature film and represents the height of her delicate cinematic style. In it, she explores a woman’s difficulty with letting go of her past, her loss of who she was, and her attempt to make a new life.

Introduction by and post-screening discussion with Selznick student Andrew Bacon.

July at the Dryden: High Anxiety (Saturday, July 11, 7:30 p.m.)Comedic genius Brooks plays Dr. Thorndyke, the new admini...
06/15/2026

July at the Dryden: High Anxiety (Saturday, July 11, 7:30 p.m.)

Comedic genius Brooks plays Dr. Thorndyke, the new administrator for the Psychoneurotic Institute for the Very, Very Nervous. When he is wrongfully accused of murder he must overcome his fear of heights or "high anxiety" in order to uncover a sinister plot hatched by Dr. Charles Montague (Harvey Korman) and his do******ix assistant Nurse Diesel (Cloris Leachman). Brooks' parodic homage to the thrillers of Alfred Hitchcock (including Vertigo, Psycho, and The Birds) also features Brooks favorite Madeline Kahn as the love interest with a dark secret. A must-see for fans of both Brooks and Hitchcock!

July at the Dryden: First Man (Thursday, July 9, 7:30 p.m.)Ryan Gosling plays the legendary Neil Armstrong in this adapt...
06/14/2026

July at the Dryden: First Man (Thursday, July 9, 7:30 p.m.)

Ryan Gosling plays the legendary Neil Armstrong in this adaptation of the James Hansen biography, directed by Damien Chazelle (La La Land, Whiplash, Babylon). Focusing on Armstrong’s professional career and his journey to become the first man to walk on the moon, the film opens with the distracted pilot escaping a dangerous flight, yet still under threat of being grounded. He applies for Project Gemini and is accepted to the space program. Meanwhile, his daughter has a been diagnosed with a brain tumor, and Armstrong spends his personal time detailing her symptoms and researching possible treatments. Unfolding over a decade of professional success and personal loss, First Man is a portrait of the man behind the icon. Chazelle’s attention to detail extends to the visuals and soundscape that put you in the cockpit with Armstrong.

July at the Dryden: Eternity and a Day (Wednesday, July 8, 7:30 p.m.)An elderly poet in Greece, alone and near death, ta...
06/13/2026

July at the Dryden: Eternity and a Day (Wednesday, July 8, 7:30 p.m.)

An elderly poet in Greece, alone and near death, takes comfort in memories of a happier time and the companionship of a young Albanian refugee. Bruno Ganz (Wings of Desire) stars in a poignant performance as the dying author, and Eleni Karaindrou's music contributes greatly to a moving meditation on life, loss, and memory - the winner of the Cannes Film Festival's Palme d'Or.

July at the Dryden: The Right Stuff (Friday, July 3, 7:30 p.m.)Thrilling, comedic, and epic, writer-director Philip Kauf...
06/12/2026

July at the Dryden: The Right Stuff (Friday, July 3, 7:30 p.m.)

Thrilling, comedic, and epic, writer-director Philip Kaufman adapts Tom Wolfe’s docu-drama novel about the Mercury program, NASA’s first steps toward space flight. Seeking out test pilots, who they deem to have the “right stuff,” physical, mental, technological, and ethical boundaries are pushed in the efforts to beat the Soviets to space. Nominated for eight Academy Awards, including Best Picture, the film features a deep cast, most of whom were just beginning their film careers, including Sam Shepard, Fred Ward, Dennis Quaid, Ed Harris, Scott Glenn, Lance Henriksen, Barbara Hershey, Jeff Goldblum, and Harry Shearer. With aerial photography that continues to amaze forty years after the film’s release, this big-screen spectacle should not be missed.

Blazing Saddles (35mm)📅 Saturday, June 13, 7:30 p.m.🎬 Series: 100 Years of Mel BrooksMel Brooks’s third feature, and his...
06/12/2026

Blazing Saddles (35mm)
📅 Saturday, June 13, 7:30 p.m.
🎬 Series: 100 Years of Mel Brooks

Mel Brooks’s third feature, and his first box-office blockbuster, turns the western upside down and inside out. Scheming politician Hedley (not Hedy!) Lamarr (Harvey Korman) appoints a Black sheriff (Cleavon Little) to the small town of Rock Ridge in order to drive the people away. When the plan backfires, he is forced to take further desperate measures to unsettle the town's unity, while Little teams up with washed-up gunslinger Gene Wilder to do his job.. A delirious mix of postmodern parody (the finale) and bathroom humor (the campfire scene), the film was co-scripted by Richard Pryor, who lends the film an in-your-face send-up of racist stereotypes that remains both hilarious and powerful.

July at the Dryden: Herbaria (Thursday, July 2, 7:30 p.m.)Argentinian filmmaker and programmer Leandro Listorti offers a...
06/12/2026

July at the Dryden: Herbaria (Thursday, July 2, 7:30 p.m.)

Argentinian filmmaker and programmer Leandro Listorti offers a contemplation on the parallels between extinct plant life and lost film. An herbarium is an archived collection of preserved plant specimens, involving plants pressed flat, dried, and mounted for future study and research. In the film, Listorti draws comparisons between herbaria and film archives, which are collecting, conserving, and, in best conditions, restoring the images stored there. Featuring footage from both the Buenos Aires Botanical Garden and the Museo del Cine, Listorti follows professionals at both institutions as they attempt to identify, catalog, and preserve Argentina’s history, natural and cinematic. The film takes a poetic turn as Listorti considers the future of both, and the work necessary to achieving these goals.

Trainspotting (DCP)📅 Friday, June 12, 7:30 p.m.🎬 Series: Lose YourselfBased on Irvine Welsh’s 1993 novel of the same nam...
06/11/2026

Trainspotting (DCP)
📅 Friday, June 12, 7:30 p.m.
🎬 Series: Lose Yourself

Based on Irvine Welsh’s 1993 novel of the same name, Trainspotting follows a group of he**in addict friends in late 1980s Edinburgh. Dissatisfied with the way drug addiction has taken over his life, Mark "Rent Boy" Renton (Ewan McGregor), attempts to “Choose Life” and get clean. Unemployed and poverty-stricken, this group of friends stoop to incredibly dark and disturbing lows. The film is a portrait of Gen X nihilism and losing oneself in the seedy thralls of addiction.

Danny Boyle’s fast-paced directing is a visual trip, using time lapses, wide-angle lenses, dolly zooms, and hallucinatory surrealist sequences to put viewers in the shoes of an addict. Matched with an iconic soundtrack of Brian Eno, 90s brit pop, Lou Reed, and Iggy Pop (both he**in addicts themselves), the film serves as a generation-defining cult classic. Trainspotting begs the question: Is losing oneself to drug addiction the only rational response to the absurdity of modern life?

Renoir (DCP)📅 Thursday, June 11, 7:30 p.m.🎬 Series: Rochester Premiere!Chie Hayakawa’s debut feature, Plan 75, generated...
06/10/2026

Renoir (DCP)
📅 Thursday, June 11, 7:30 p.m.
🎬 Series: Rochester Premiere!

Chie Hayakawa’s debut feature, Plan 75, generated a lot of discussion around the Dryden when it screened in 2023. Her follow-up is a tender, often unsettling portrait of childhood grief and the sinuous imagination of an inquisitive young girl. In 1987 Tokyo, imaginative eleven-year-old Fuki begins her summer break lonely and adrift – her kind, terminally ill father has landed once again in the hospital and her mother, distracted by the inevitability of his diagnosis, doesn’t seem to have much time for her. Fuki responds to the situation not with tears but with placid curiosity about the prospect of death, becoming fascinated by the occult and experimenting with hypnotism. As the summer passes, Fuki encounters a string of lonely, imperfect adults, all of whom nudge her closer to an emotional truth she isn't quite ready to name yet.

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