10/26/2021
Please join Anna Billias, Julia Goudimova and me for a fun and spooky Collective Euphonia trio recital at W&L on Halloween at 3 pm. If you can't make it in person, check out the "Livestream" link below and tune in wherever you are.
W&L presents “A Gothic Romance”
Music Faculty Recital presented by
Scott Williamson, tenor and Anna Billias, piano
Sunday, Oct. 31, 2021 at 3 p.m.
No tickets are required.
“This program will sweep the listener away intro Halloween mode, allowing them to bathe in the spirit of fantastic and magical elements,” comments Anna Billias.
Scott Williamson, tenor and Anna Billias, piano, present a seasonal program entitled, “The Poet’s Echo: A Gothic Romance” on Sunday, Oct. 31 at 3 p.m. in the Wilson Concert Hall. Masks are required. No tickets are required and performance will be streamed at https://livestream.com/wlu.
Audience members are encouraged to come in costume for the hour-long program, which will be performed without intermission.
The recital opens with “The Siren, the Witch, and the Crow,” a group of songs by Schubert, Clara and Robert Schumann, and John Corigliano. Selections from Benjamin Britten’s rarely heard song cycle, “The Poet’s Echo,” are at the center of the program and feature Russia’s most famous writer, Alexander Pushkin.
Britten’s songs are framed by excerpts from Tchaikovsky’s “Eugene Onegin,” his operatic adaptation of Pushkin’s novel in verse. Cellist, Julia Goudimova joins her colleagues for the Tchaikovsky arias. Billias offers a trio of vivid portraits from Mussorgsky’s “Pictures at an Exhibition,” conjuring old castles, catacombs and gnomes.
Williamson shares musical theater favorites by Gershwin, Sondheim and Rupert Holmes. Goudimova joins tenor and pianist to conclude the program with one of Richard Strauss’s beloved songs, “Allerseelen” (All Souls’ Day).
“The program is eclectic by design to showcase a variety of responses to romantic and gothic themes,” says Williamson. “Mythological figures like the Lorelei, a German relative of Homer’s Sirens, connect Lieder by Schubert and the Schumann’s to Gershwin, and Pushkin’s verse is full of mystery and phantasmagoria.”