08/20/2026
Artist Announcement ✨ Mary B. Howard Invitational
Every two years, Tephra Institute of Contemporary Art (Tephra ICA) presents the Mary B. Howard Invitational, a group exhibition featuring new work by four contemporary artists selected through a competitive application process. We are pleased to announce the selected artists for the 2027 Mary. B Howard Invitational: Michelle Shengyu Li, Sunanda Khajuria, Mathilde Kabuka Mujanayi and Avijit Dutta.
Organized by Tariq Allana and Tephra ICA, will foster an international conversation, featuring two regional artists and two Indian artists. They will work over the course of the next year towards the development of a group exhibition, for which each artist creates and presents work exploring and negotiating complexities surrounding “assimilation.”
The Mary B. Howard Invitational will be on view August 14–December 18, 2027.
Michelle Shengyu Li is an interdisciplinary artist based between Baltimore, USA and Vancouver, Canada. Through sculpture, installation, and photography, her practice speculates belief and belonging in tensions to land, diaspora, (in)visibility, and the sacredness of life/death.
Michelle Shengyu Li, The Sunset/ Eternal Horizon, 2025, cherry, paper, brass, and candle, 94 x 24 x 54 inches
Sunanda Khajuria’s practice explores transformation, identity, and the lived experience of existing between cultures, geographies, and states of mind. Her time in China brought her into dialogue with Taoist principles of flow and impermanence. Sunanda’s work is rooted in the emotional realities of migration: the invisible weight of longing, loss, and survival that women carry across borders.
Sunanda Khajuria, Silence of Departure, 2025, acrylic on linen, 60 x 48 inches
Mathilde Kabuka Mujanayi exercises various mediums through the lens of photography including fiber, installation, sculpture and performance in order to address personally led narratives. Rather than having a conclusive, definite idea or resolution, her work examines and documents the feelings encompassing an experience. Her practice aims to bring more nuance to an apathetic-led narrative s