Princeton University Art Museum

Princeton University Art Museum A world-class art collection at the heart of the Princeton University campus. Free to all. Princeton University Art Museum is free to all.

As an academically-based, public-facing institution, the Princeton University Art Museum educates, challenges, and inspires the students of Princeton University and members of diverse local, national, and international publics through exposure to the world of art. Broad in scope yet intimate in experience, the Museum presents opportunities to delve deeply into the study of art and culture, offers

a revitalizing experience of extraordinary works of art from around the globe, and provides entry to the University’s intellectual resources. Bringing together outstanding works of art, fresh scholarship, and wide-ranging perspectives, the Museum promotes dialogue among diverse audiences, fosters inquiry and curiosity, and affords encounters that excite the imagination. The Museum acts as a hub and gathering space in which people come together in a welcoming atmosphere, and in which intellectual stimulation goes hand-in-hand with emotional, psychological, and social well-being.

06/14/2026

The Museum’s viewing rooms are designed to offer “moments of reinvigoration and rest from the density and even intensity of the viewing experience in the collections galleries.” 🔎 Have you found all three? 
 
🔗 From the magazine: Museum Director James Steward describes the John Cecil & Celia Felsher Viewing Room and the artworks on view there. Tap to the Stories and Perspectives page of our website to read the article!
 
ℹ️
Sir Edward Burne-Jones, Fabricated by Morris & Co., “Saint Cecilia,” ca. 1900. Princeton University Art Museum. Museum purchase, Surdna Fund. 
Erard, Art-case parlor grand piano, 1909. Princeton University Art Museum. Gift of Deborah Broda-Morgan and John T. Morgan in memory of Joseph and Eleanor Broda. 
Kehinde Wiley, “The Virgin Martyr St. Cecilia,” 2009. Collection of Jennifer and Bob Diamond. © Kehinde Wiley. 
Nick Cave, “Let me kindly introduce myself. They call me MC Prince Brighton.,” 2025. Princeton University Art Museum. Museum commission made possible by the John B. Putnam Jr. Memorial Fund and the Fowler McCormick, Class of 1921, Fund. © Nick Cave.

06/13/2026

The Museum’s viewing rooms are designed to offer “moments of reinvigoration and rest from the density and even intensity of the viewing experience in the collections galleries.” Have you found all three?

Museum Director James Steward describes the John Cecil & Celia Felsher Viewing Room and the artworks on view there: https://ow.ly/Poir50ZblqV

ℹ️
Sir Edward Burne-Jones, Fabricated by Morris & Co., “Saint Cecilia,” ca. 1900. Princeton University Art Museum. Museum purchase, Surdna Fund.
Erard, Art-case parlor grand piano, 1909. Princeton University Art Museum. Gift of Deborah Broda-Morgan and John T. Morgan in memory of Joseph and Eleanor Broda.
Kehinde Wiley, “The Virgin Martyr St. Cecilia,” 2009. Collection of Jennifer and Bob Diamond. © Kehinde Wiley.
Nick Cave, “Let me kindly introduce myself. They call me MC Prince Brighton.,” 2025. Princeton University Art Museum. Museum commission made possible by the John B. Putnam Jr. Memorial Fund and the Fowler McCormick, Class of 1921, Fund. © Nick Cave.

Remembering artist David Hockney, who has passed away at the age of 88. One of several pieces by Hockney in the Museum’s...
06/12/2026

Remembering artist David Hockney, who has passed away at the age of 88.

One of several pieces by Hockney in the Museum’s collections, "In the Studio, December 2017" is a “photographic drawing” whose massive scale applies the conventions of traditional Western history painting—sweeping views and elaborate scenes—to the genre of the artist’s self-portrait. Using photo-editing software to stitch together images of his recent work, Hockney has depicted himself standing within a conjured interior setting. This complex space provides a wry commentary on the studio portrait as a metaphor for an artist’s oeuvre; everything in the room appears to orbit the figure of Hockney at its center.

Explore this piece and more from David Hockney in our collections search: https://ow.ly/9Slv50ZblPj

ℹ️ David Hockney, "In the Studio, December 2017 (detail)," 2017. Princeton University Art Museum. © David Hockney. Gift of RJ Vassiliou, Graduate School Class of 1991, and Ann Vassiliou.

06/11/2026

“I feel as if I’m seeing in hyper-vision,” says exhibition co-curator Mitra Abbaspour, describing the experience of seeing this group of de Kooning works together in the gallery in "Willem de Kooning: The Breakthrough Years, 1945–50.” In person, the works “reveal the rigor of the practice,” and present a demand for slow looking.

Give it a try yourself! Visit the exhibition, pause in front of one of de Kooning’s paintings, and follow these tips from the exhibition curator:
You can see the process of the push and pull of paint.
You can see the balance and a mastery of both the linear and the fluid.
As you go in further, you can see the ways that de Kooning would layer media one on top of another, and how they interact with each other dynamically.
As you come back out, you can see the ways that that was not accidental or even gestural as a quick action, but rather a very careful and academic process of study, of sketch, and of compositional intention.

Hear more from the exhibition curators: https://ow.ly/4P8W50Z9VJe

For information about the exhibition, on view through July 27: https://ow.ly/LnWV50Z9VJb

Installation views, “Willem de Kooning: The Breakthrough Years,” 1945–50. Princeton University Art Museum. Artworks © 2026 The Willem de Kooning Foundation / Artists Rights Society, New York. Video: Jacqui Hance

Meanwhile, in Venice... Artist F**g Ahmed is representing his home country of Azerbaijan at the Venice Biennale! Swipe t...
06/11/2026

Meanwhile, in Venice... Artist F**g Ahmed is representing his home country of Azerbaijan at the Venice Biennale! Swipe through for a glimpse of Ahmed’s exhibition in Venice, then experience his work in person at Art@Bainbridge, located at 158 Nassau Street, Princeton! Gallery hours:
Friday–Saturday: 11 a.m.–5 p.m.
Sunday: 12 p.m.–5 p.m.

Learn more about “F**g Ahmed: Textiles of Consciousness,” on view through August 2: https://ow.ly/BC6Q50Z9ptZ

📸 Image credits:
All images from Biennale 2026, courtesy F**g Ahmed Studio. Photos by Riccardo Banfi.
"Garden of Awakening”
“Entropy Altar”
“Ancestors”
F**g Ahmed with “Entropy Altar”

06/10/2026

Ready for ⚽? The Museum is partnering with Consulado de México en New Brunswick to explore Mexico’s ancient sporting tradition at the Art Museum. These events are free and open to the public. Join us!

Talk: The Ballgame of Ancient Mexico
June 12
Around 3,600 years ago, the Indigenous people of ancient Mexico began using tree sap to make rubber, creating balls for a sport that would come to be known by the Aztecs as ullamalitzli. Hear Joanne Baron, the Museum’s curator of the art of the ancient Americas describe the origins of the bouncing ball that we use in modern sports. Afterwards, visit the galleries to see objects related to the ancient Mesoamerican ballgame!
https://ow.ly/46mF50ZacGV

Spanish-language tours: The Art of the Mesoamerican Ballgame
Join us for a Spanish-language gallery tour exploring how the ancient game was played and what the sport meant to the people of ancient Mesoamerica. Dates:
June 21 | 2 p.m.
July 6 | 1 p.m.
July 12 | 2 p.m.
July 13 | 1 p.m.
July 16 | 6:30 p.m.
https://ow.ly/jYFH50ZacGT

¿Listo para ⚽? ¡El Museo de Arte se ha asociado con Consulado de México en New Brunswick para explorar la antigua tradición deportiva de México en el Museo!

Plática: El Juego de Pelota de México Antiguo
12 de junio
Hace más de 3,600 años, los pueblos originarios de México comenzaron a utilizar la savia de los árboles para crear caucho y fabricar pelotas para un juego ancestral que los aztecas llamaron ullamalitzli. Escucha a Joanne Baron, curadora de arte de las Américas antiguas del Museo, hablar sobre los orígenes de la pelota que hoy se utiliza en deportes modernos. Al finalizar, visita la galería para conocer piezas relacionadas con el juego de pelota mesoamericano.
https://ow.ly/46mF50ZacGV

Recorridos guiados en español: El Juego de Pelota de México Antiguo
Acompáñenos en un recorrido guiado en español por la galería para descubrir cómo se practicaba este juego ancestral y qué significado tenía para los pueblos de la antigua Mesoamérica. Fechas:
21 de junio | 2 p.m.
6 de julio | 1 p.m.
12 de julio | 2 p.m.
13 de julio | 1 p.m.
16 de julio | 6:30 p.m.
https://ow.ly/jYFH50ZacGT

Up next: “Clay Has Memory: Creative Lineages From Africa” ▫️ Open to the public July 19, Members Preview Day July 18.Thi...
06/09/2026

Up next: “Clay Has Memory: Creative Lineages From Africa” ▫️ Open to the public July 19, Members Preview Day July 18.

This exhibition examines the ways in which African and African Diasporic artists use clay to sustain creative legacies from Africa. The exhibition brings together works by historical, modern, and contemporary artists who draw on and preserve intergenerational knowledge through their practices. Referencing the long history of ceramics in Africa, these artists harness the potential of craft traditions and the vitality of clay to establish new relationships to place and shared histories. Learn more: https://ow.ly/izST50Z91GQ

Plus: on July 18, hear from Curator of African Art Perrin Lathrop at a lecture to mark the opening of the exhibition. Registration is required and includes early access to the exhibition. RSVP for the lecture: https://ow.ly/WC9650Z91GO

ℹ️
Zizipho Poswa, "uNa’kaMzingisi (Mzingisi’s Mother)," 2024. Princeton University Art Museum. Museum purchase, Carl Otto von Kienbusch, Jr. Memorial Collection Fund. © Zizipho Poswa. Image courtesy of Southern Guild.

Artist unrecorded, Baatonu (Bariba), Nigeria, Western Africa, Oil lamp (fitira), 19th–20th century. Princeton University Art Museum. Bequest of John B. Elliott, Class of 1951

Ozioma Onuzulike, "Agbada (“1,500 Brand”)" (detail), 2022. Princeton University Art Museum. Museum purchase, Fowler McCormick, Class of 1921, Fund. © Ozioma Onuzulike

Museum buddies on National Best Friends Day! 💞 Which one reminds you of your BFF?🔎 Explore these pieces and more in our ...
06/08/2026

Museum buddies on National Best Friends Day! 💞 Which one reminds you of your BFF?

🔎 Explore these pieces and more in our online Collections Search: https://ow.ly/l5bM50Z8c6u

ℹ️
Chinese, Tang dynasty (618–907), “Pair of painted tomb guardians,” ca. mid–8th century. Princeton University Art Museum. Museum purchase, Fowler McCormick, Class of 1921, Fund.

Z.J.S. Ndimande & Sons (active 1940s–1983, South Africa), “Two women standing,” May 20, 1976. Princeton University Art Museum. Museum purchase, Carl Otto von Kienbusch Jr. Memorial Collection Fund. © Z.J.S. Ndimande & Sons.

Recuay, Early Intermediate Period, 200–600 CE, Ancash, Northern highlands, Peru, Andes, “Vessel in the form of a man with a camelid.” Princeton University Art Museum. Museum purchase, The Peter Jay Sharp, Class of 1952, Curatorship of the Art of the Ancient Americas.

Milton Avery, “Red Umbrella,” 1945. Princeton University Art Museum. Gift of Annalee Newman. © 2013 Milton Avery Trust / Artists Rights Society (ARS), New York

Leonora Carrington, “Twins,” 1997. Princeton University Art Museum. Bequest of David L. Meginnity, Class of 1958. © Leonora Carrington / Artists Rights Society (ARS), New York.

Marisol, Printed at Styria Studio, Inc., “Women's Equality,” 1975. Princeton University Art Museum. Gift of Lorillard, a Division of Loews Theatres, Inc. © Estate of Marisol Escobar / Licensed by VAGA at Artists Rights Society (ARS), NY / The Design and Artists Copyright Society (DACS), London.

Japanese, Edo period (1603–1868), “Netsuke: Board game.” Princeton University Art Museum. Morse Collection.

Elizabeth Catlett, “Friends,” 1944. Princeton University Art Museum. Museum purchase, Laura P. Hall Memorial Fund. Art © Catlett Mora Family Trust/Licensed by VAGA at Artists Rights Society (ARS), NY.

Roman, Roman Imperial Period (ca. 30 BCE–476 CE), Roman Empire, probably Italy, 1st century BCE.–early 1st century CE, “Relief of a seated poet, possibly Menander, with comedic masks.” Princeton University Art Museum. Museum purchase, Caroline G. Mather Fund.

Maya, Late Classic Period, 600–800, Northern lowlands, Campeche, Maya area, Mexico, Mesoamerica, “Moon goddess and rabbit.” Princeton University Art Museum. Bequest of Gillett G. Griffin.

Gabriele Münter, “Kandinsky and Erma Bossi,” 1910. Princeton University Art Museum. In loving memory of Frank and Peggy Taplin. © 2013 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn.

Celebrate Juneteenth with the Stoutsburg Sourland African American Museum (SSAAM)! ☀️ On Saturday, June 20, head to the ...
06/07/2026

Celebrate Juneteenth with the Stoutsburg Sourland African American Museum (SSAAM)! ☀️ On Saturday, June 20, head to the museum in Skillman, NJ for a full day of joy, history, and community! Families can explore SSAAM's powerful history through hands-on activities, live music and theater, delicious food, and guided tours of the historic property.

Learn more and buy tickets by tapping to our events calendar: https://ow.ly/YBaa50Z88BA

📸: Yuri Marder

Now on view: “What Is an American?”: Artists Reflect"Borrowing its title from a large print by the Native American artis...
06/06/2026

Now on view: “What Is an American?”: Artists Reflect"
Borrowing its title from a large print by the Native American artist Jaune Quick-to-See Smith, and coinciding with the 250th anniversary of the founding of the United States, this exhibition features works on paper that grapple with questions of American identity.

Learn more: https://ow.ly/MBqP50Z88gZ

ℹ️
Jaune Quick-to-See Smith, "What is an American?," 2003. Princeton University Art Museum. Promised gift of Dr. Ferris Olin. © Jaune Quick-to-See Smith. Photo: Joseph Hu

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