Cuttime Productions

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Cuttime Productions CutTime® works to make symphonic music matter beyond concert halls with small ensembles + lively co We also follow rather traditional formats when requested.

CutTime Productions, LLC (aka CutTime®) is an artistic enterprise with a clear mission, to extend classical and esp. symphonic music from the concert hall tradition, which uses theater rules, to a much broader humanity, often using "club rules." CutTime is the bold idea to fulfill the promise of the Public Domain, to create jobs nationwide, as well as American-Romantic composition styles that work for the deserving masses eager for compelling hooks. CutTime events can add classical music to the menu for thousands of curious newcomers. Through the warmth of mixing classical with some other genres, listeners can't help but learn the HOW and the WHY we might chose pure classical. CutTime encourages musicians to wear passions on sleeve, take risks, and work with "club rules" regularly. We develop audience participation, from movement, tapping, dancing and even conducting along, as far as the presenter and setting will allow. CutTime rewards the natural curiosity about classical music to create even more. CutTime manages two flagship ensembles of 4-8 players (CutTime Players and CutTime Simfonica®), a portable club classical series (formerly Classical Revolution Detroit), and a large sheet music catalog (150+) of rich symphonic hits and soulful compositions by founder Rick Robinson, a former bassist in the Detroit Symphony Orchestra. Orchestrations, Rent-a-Composer and Zoom consultations on outreach and education programs are available. During the pandemic, all sheet music (CutTime Players Publishing) will be electronic (PDF), inc. all scores. CutTime® adapts the classical arts for the rest of America! We are hired by orchestras, music schools, music presenters, musicians, venue owners, corporations and wives. It was founded and is directed by former Detroit Symphony Orchestra bassist-composer Rick Robinson (aka Mr. CutTime), who won a Kresge Artist Fellowship in 2010 and a Knight Arts Challenge Grant in 2015, and was featured by NPR, Time magazine, International Musician, Sound of Applause, CVNC, Houston Chronicle, and SFCV. CutTime also maintains another page for Classical Revolution Detroit that focuses on the casual classical series, out-of-the-box ideas, and how the classical arts affect Americans. Whereas this here page focuses on the business side of Americanizing the fine arts. If you'd like to help. Please read up at cuttime.com, listen to a few of the many SoundCloud tracks, and see a few YouTube videos. We'd love to speak with you over Zoom. Email [email protected].

Over 100 arrangements for mixed octet or strings, plus two-dozen delicious compositions for strings, mixed octet or orch...
09/30/2026

Over 100 arrangements for mixed octet or strings, plus two-dozen delicious compositions for strings, mixed octet or orchestra can be sampled in full on CutTime® founder Rick Robinson's SoundCloud feed. Hear live performances and a few commercial recordings of his work and performances since 1995 with significant impact for orchestras, orchestral students and local communities. Contact us if interested in these publications.

To play and adapt classical music for a career have been my greatest joys. Then I began creating new music to share with broader communities in new ways. While playing in the Detroit Symphony Orchest

"We need far, far more people to know about and participate in this art form for it to be foregrounded in American cultu...
09/17/2026

"We need far, far more people to know about and participate in this art form for it to be foregrounded in American culture. If we cannot even agree that classical music is indeed obscure to most people, how can we understand the current state of affairs so that we might do something about it?"

SFCV’s weekly think piece on classical music today

09/07/2026

CutTime® celebrates Labour Day, thinking of the hundreds of classical and jazz musicians we hired over 32 years to perform in schools, churches, festivals, bars, breweries, cafes, house concerts, backyards, apartments, and oh yeah, bonafide concert stages.

To each worker we wish you fair contracts, safe and fair working conditions, and time off to heal when needed!

  to a ClevelandClassical review of CutTime® founder Rick Robinson's first orchestral composition Essay No. 1 (After Sib...
08/20/2026

to a ClevelandClassical review of CutTime® founder Rick Robinson's first orchestral composition Essay No. 1 (After Sibelius) in a performance by the Canton (OH) Symphony Orchestra led by the late Gerhardt Zimmermann in 2022.

This "accidental" 2003 work was premiered by the Detroit Symphony in 2006 and led to Rick creating many more works to launch CutTime Simfonica®, the Classical Revolution Detroit series, "Art As a Weapon," work with The Urban Requiem Project poets, and the Music For Interesting Times program.

The audio link to the premiere is in comments below.

Download article as PDFby Tom Wachunas “Music begins where the possibilities of language end.” —Sibelius The first selection on the June 25 “Triumphant Tchaikovsky” program from the Canton Symphony Orchestra (CSO) was Jean Sibelius’ Symphony No. 3 in C Major. With this work, premiered in...

08/19/2026

Sergei Prokofiev's "Peter and the Wolf" is one of classical music's most beloved introductions for audiences of all ages. That is why it was the very first transcription by CutTime® founder Rick Robinson for the mixed octet of Detroit Symphony Orchestra Musicians called CutTime Players back in 1994.

For a limited time we are licensed to sell copies of this publication, including the narration and score, which is ideal for orchestra performances in small schools, houses of worship and other occasions, or even for music schools and conductor training.

Direct message us for more information, a perusal score or to purchase. Listen to this audio collage of other mixed octet arrangements.

ArtsJournal creator Doug McLennan articulates the trends of the last 20-40 years challenging classical music institution...
06/15/2026

ArtsJournal creator Doug McLennan articulates the trends of the last 20-40 years challenging classical music institutions in the US.

Longtime music journalist and founder of ArtsJournal talks about the multiple crises facing orchestras and arts organisations in the United States, amid the damage wrought by the second Trump administration.

The orchestration of CutTime® artistic director Rick Robinson's "Chaconne For Interesting Times" was premiered in 2023 b...
06/01/2026

The orchestration of CutTime® artistic director Rick Robinson's "Chaconne For Interesting Times" was premiered in 2023 by the Canton Symphony Orchestra (of Ohio) and his first employer, Maestro Gerhardt Zimmermann, shortly before his passing.

While we cannot post that performance, Rick has made available on his Soundcloud feed this brilliant virtual recording. Be aware it starts quite loud. https://soundcloud.com/mrcuttime/rick-robinson-chaconne-for-interesting-times-for-orchestra-on-noteperformer?si=4bba284138174a8e872927dcbb818fde&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

05/24/2026

CutTime® celebrates the beautiful and emotive compositions of our founder Rick Robinson adding to the profound legacy of written music that eventually belongs to all of humankind.

When his father suddenly passed in 2011, Robinson began hearing this music, which he brought to conclusion over two days. His "First Grief" is here recorded in a private session with CutTime Simfonica®.

Address

PO Box 9279
Pittsburgh, PA
15224

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