Wexler Gallery

Wexler Gallery Wexler Gallery is an internationally recognized gallery exhibiting the finest in art and design, foc

06/01/2026

Feyza Kemahlioglu’s Pillars of Meerschaum series combines hand-carved meerschaum with hand-blown glass to create luminous sculptural lighting. The historic Turkish material, traditionally used in pipe making, is reimagined here as cascading forms that glow with warmth and quiet movement. Shown here in a striking stairway interior, the monumental chandelier becomes the architectural focal point of the space.

Kemahlioglu’s works are available by custom commission, with scales ranging from intimate pieces to dramatic, site-specific installations.

This summer, Wexler Gallery will present Interstice: Thresholds Carved with Light and Time, a solo exhibition of new wor...
05/30/2026

This summer, Wexler Gallery will present Interstice: Thresholds Carved with Light and Time, a solo exhibition of new works by Marcus Vinícius De Paula. Carved from volcanic rock, granite, marble, and alabaster, these monumental sculptures transform ancient materials into luminous portals that explore perception, time, and our place within the cosmos.
This is just the beginning.

More images, installation views, and exhibition details coming soon.

Opening June 11 at Wexler Gallery, Philadelphia.

Now on view at Wexler Gallery’s New York City gallery at 200 Lexington Ave, The Burnout Table by Wilén-Jong transforms t...
05/28/2026

Now on view at Wexler Gallery’s New York City gallery at 200 Lexington Ave, The Burnout Table by Wilén-Jong transforms the emotional weight of exhaustion into sculptural form. Hand-carved and selectively charred maple evokes the moment just before collapse, balancing tension, fragility, and resilience within a quietly commanding presence. Part of the studio’s ongoing Burnout Series, the work reflects on the illusion that we can continue pushing endlessly without consequence.

Rooted in Scandinavian restraint and material experimentation, Wilén-Jong’s practice merges narrative and function through deeply tactile, emotionally resonant design.

Jennifer Trask’s latest sculptural work continues her exploration of the delicate threshold between nature and artifice....
05/25/2026

Jennifer Trask’s latest sculptural work continues her exploration of the delicate threshold between nature and artifice. Composed of bone, metal, resin, and antique fragments, the piece unfolds like an impossible botanical form—at once ornamental, archaeological, and deeply alive. Measuring 46 inches in length, the work may be exhibited vertically as a corner wall hanging or horizontally as a mantlepiece, shifting its presence and orientation within space.

Drawing inspiration from vanitas painting traditions, biological specimens, and museum display culture, Trask transforms materials marked by mortality into intricate compositions that speak to cycles of preservation, decay, and renewal. Antlers, vertebrae, and carved elements intertwine in a dense organic structure that feels simultaneously ancient and futuristic, fragile and enduring.

05/22/2026

Now on view at Wexler Gallery’s New York City gallery at 200 Lexington Avenue, Richard Haining’s new STACKED Floor Lamp #3 transforms salvaged California Redwood into a towering sculptural light form standing over 7.5 feet tall. Built entirely by hand through Haining’s signature STACKED process—layering wood much like coil building in ceramics—the work balances monumentality with an organic sense of movement.

Originally inspired by the bioluminescent lure of the deep sea anglerfish, the final form emerged after days spent observing rain-soaked flowers bending under their own weight. The resulting silhouette curves upward before gently drooping into a saucer-like shade, its interior revealing the faceted contours of Haining’s meticulous hand-built construction. Rich variations of mid and dark brown Redwood emphasize the natural beauty of the salvaged material, while every surface has been sculpted, refined, and finished entirely by the artist’s hands.

Feyza Kemahlioglu’s Meerschaum Sconces bring a luminous, sculptural presence to the primary bedroom of Teton Mountain Ho...
05/17/2026

Feyza Kemahlioglu’s Meerschaum Sconces bring a luminous, sculptural presence to the primary bedroom of Teton Mountain House, a remarkable ski-in, ski-out residence in Jackson Hole designed by . Built into a challenging triangular mountainside site, the home draws from both Western and Alpine architectural traditions.

Kemahlioglu’s sconces combine hand-blown glass with intricately carved Meerschaum, a rare clay mineral long associated with Turkish craftsmanship. Illuminated from within, they cast a warm, kaleidoscopic light that bridges ancient material traditions and contemporary design.

Available by commission, each piece can be customized in scale, glass color, and metal finish to suit a wide range of residential, hospitality, and architectural settings.

Looking back on one of our most memorable collaborations from Design Miami 2024.Originally conceived for the fair, Andy ...
05/15/2026

Looking back on one of our most memorable collaborations from Design Miami 2024.

Originally conceived for the fair, Andy Paiko and Dr. Woo’s three unique reliquary jars bring together two distinct practices centered on precision, symbolism, and permanence. Paiko’s meticulously blown glass vessels, inspired by 17th-century reliquaries, are engraved with Dr. Woo’s signature imagery, transforming each object into a container for memory and meaning.

Bridging the languages of glass and tattoo, these works explore how personal narratives are preserved—whether etched into the body or held within fragile yet enduring forms.

Francesco Maria Messina’s “Lunæ Onyx” transforms a standing mirror into a sculptural meditation on myth, material, and r...
05/13/2026

Francesco Maria Messina’s “Lunæ Onyx” transforms a standing mirror into a sculptural meditation on myth, material, and reflection. Set within a monumental fragment of natural onyx and accented with brass and green mirror glass, the work draws on the ancient story of Venus, whose divine fingernails were transformed into precious stones so that no part of her beauty would be lost.

Named for the moon, Lunæ evokes the celestial body as a mirror of the sun, reflecting light into the darkness. Messina unites stone and glass to create an object that is at once functional and symbolic, where beauty, femininity, and the enduring radiance of myth are given physical form.

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1811 Frankford Avenue
Philadelphia, PA
19025

Opening Hours

Monday 9am - 5pm
Tuesday 10am - 6pm
Wednesday 10am - 6pm
Thursday 10am - 6pm
Friday 10am - 6pm
Saturday 10am - 6pm

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+12159237030

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