09/01/2026
OPENING SEPTEMBER 10
In ‘Windowscapes,’ John Moore’s poignant images exist between the concrete and the metaphysical. Appearing at first like a glass of water, his paintings possess a “matter-of-fact” realism and transparency that belie the illusory, transcendent qualities of paint which he masterfully employs in his quietly brimming compositions.
Locks Gallery is pleased to present this exhibition of Moore’s recent paintings that reflect his enduring interest in the window both as frame and subject, alongside a landmark painting of a Philadelphia skyline from 1977 titled May Day.
Image: ‘Blue Moon,’ 2025, Oil on board, 24 x 24 inches
In ‘Windowscapes,’ John Moore’s poignant images exist between the concrete and the metaphysical. Appearing at first like a glass of water, his paintings possess a “matter-of-fact” realism and transparency that belie the illusory, transcendent qualities of paint which he masterfully employs in his quietly brimming compositions.
Locks Gallery is pleased to present this exhibition of Moore’s recent paintings that reflect his enduring interest in the window both as frame and subject, alongside a landmark painting of a Philadelphia skyline from 1977 titled May Day.
Image: ‘Grand,’ 2025, Oil on canvas, 24 x 24 inches
In ‘Windowscapes,’ John Moore’s poignant images exist between the concrete and the metaphysical. Appearing at first like a glass of water, his paintings possess a “matter-of-fact” realism and transparency that belie the illusory, transcendent qualities of paint which he masterfully employs in his quietly brimming compositions.
Locks Gallery is pleased to present this exhibition of Moore’s recent paintings that reflect his enduring interest in the window both as frame and subject, alongside a landmark painting of a Philadelphia skyline from 1977 titled May Day.
Image: ‘Reflection,’ 2025, Oil on board, 24 x 24 inches
OPENING SEPTEMBER 10
In ‘Windowscapes,’ John Moore’s poignant images exist between the concrete and the metaphysical. Appearing at first like a glass of water, his paintings possess a “matter-of-fact” realism and transparency that belie the illusory, transcendent qualities of paint which he mas
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