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Indigo Arts Gallery - Gallery Page Folk and Fine Art from Asia, Africa and the Americas. Est. 1986. Gallery space now open online and by appointment.

Haitian Art | Cuban Art | Mexican Art | African, Asian and Latin American Ethnographic, Folk and Fine Art

It’s time for POST.  Indigo Arts will be open for the Philadelphia Open Studio Tours this coming weekend,               ...
10/15/2026

It’s time for POST. Indigo Arts will be open for the Philadelphia Open Studio Tours this coming weekend, Sat. October 17th, 12 to 6pm and Sunday October 18, 12 to 6pm.
Stop in!
At 1400 N. American St., Suite #408

Mahalaxmi .  A collection of small works by the Mithila artists from Bihar, India.  Acrylic on paper.  Available at www....
10/08/2026

Mahalaxmi . A collection of small works by the Mithila artists from Bihar, India. Acrylic on paper. Available at www.indigoarts.com According to the artists behind painting collective Mahalaxmi Das, their work “is a combination of common and uncommon things.” Their work is created with resplendent and staggering complexity, and fantastic detail. Artists Shantanu and Mahalaxmi most often paint in the Madhubani style, which originated in Bihar, specifically in the Mithila region, which is in the far Eastern part of India. Traditional Madhubani painting was heavily influenced by religious deities, as well as aspects of nature, and folklore. Historically, the colorful, painstakingly detailed works adorned walls, floors, and even ceilings of homes. It transitioned to paper only in the 1970s through an income-generation project.

Mahalaxmi and Shantanu joined together after becoming disenchanted by the monotonous work they saw flooding the commercial art scene. “We decided to break away and include subjects that were more unusual,” says Mahalaxmi, “like portraits of everyday people and even visual depictions of Hindi poems.”

Though historical precedents for Mahalaxmi’s Madhubani-influenced style depend on mythological themes and ritualistic designs, these artists are more drawn to new, everyday themes—an interest which developed into book illustration, collaborating with photographers to create mixed-media works, and even painting large-scale murals.
Despite various experiments, however, traditional techniques remain intact. When treating sensitive subjects like the ongoing injustice of a patrimonial system, the artists try to represent not only women’s pain, but also the inequality that’s still pervasive in Indian society. “We try to push the boundaries by including new themes,” explains Mahalaxmi. “It’s liberating as artists to know we can do that while still keeping the original technique intact.”

(biographical information courtesy of the International Folk Art Market)

“La Sirene and the Serpent”  André Dimanche (Haiti, 1901-1988), wood sculpture, c.1969-70.  Purchased from the artist in...
10/05/2026

“La Sirene and the Serpent” André Dimanche (Haiti, 1901-1988), wood sculpture, c.1969-70. Purchased from the artist in 1970. Available at www.indigoarts.com

Fungus favorites.  Adirondacks in late August.  I am not knowledgeable or foolhardy enough to eat any of them.  🍄
10/03/2026

Fungus favorites. Adirondacks in late August. I am not knowledgeable or foolhardy enough to eat any of them. 🍄

“Lions Attacking Gazelles”  Kamante Gatura (Kenya, 1912-1985), c.1980.  Ink, crayon and colored pencil on paper.  Availa...
09/23/2026

“Lions Attacking Gazelles” Kamante Gatura (Kenya, 1912-1985), c.1980. Ink, crayon and colored pencil on paper. Available at www.indigoarts.com Kamante Gatura (1912-1985) was a Kenyan national of the Kikuyu tribespeople. As a young boy his family exchanged work for wages and the right to live on the undeveloped farmland of Karen Blixen, better known by her pen name Isak Dinesen the author of the memoir Out of Africa. Mr. Gatura became Blixen’s cook and good friend and is featured in the memoir.

He was also a self-taught artist who captured life in Africa with crayon and colored pencils. Along with Dinesen and the photographer Peter Beard he wrote a book called Longing For Darkness: Kamante’s Tales from Out of Africa which contains stories of his life with Dinesen as well as folk tales of his people.

(Biography courtesy of The Freeman Project)

A collection of African animal-themed drawings by Kamante Gatura was acquired by Kohler Foundation in 2009. From Kenya, Kamante was the “house-boy” remembered in Isak Dinesen’s book, Out of Africa. This true tale of Karen Blixen’s life on an African coffee plantation, tells how Kamante entered Karen Blixen’s life as a young boy when he was crippled by a severely infected leg. She arranged medical treatment and Kamante eventually became her cook and close friend. He drew upon the prey and predator relationships of the animals around him, along with the fables he heard at the Karen Coffee Farm School, to create a most unique body of work.

(Courtesy of the Kohler Foundation) (Photo of Kamante in 1980s by Peter Beard)

Tiger mask from the Terai.  Terai region, Nepal, 20th century.  Wood, oil paint.  At www.indigoarts.com
09/23/2026

Tiger mask from the Terai. Terai region, Nepal, 20th century. Wood, oil paint. At www.indigoarts.com

“Lion Hunters”  Kamante Gatura (Kenya, 1912-1985), c.1980.  Ink, crayon and colored pencil on paper.  Sold.  Other works...
09/19/2026

“Lion Hunters” Kamante Gatura (Kenya, 1912-1985), c.1980. Ink, crayon and colored pencil on paper. Sold. Other works available at www.indigoarts.com Kamante Gatura (1912-1985) was a Kenyan national of the Kikuyu tribespeople. As a young boy his family exchanged work for wages and the right to live on the undeveloped farmland of Karen Blixen, better known by her pen name Isak Dinesen the author of the memoir Out of Africa. Mr. Gatura became Blixen’s cook and good friend and is featured in the memoir.

He was also a self-taught artist who captured life in Africa with crayon and colored pencils. Along with Dinesen and the photographer Peter Beard he wrote a book called Longing For Darkness: Kamante’s Tales from Out of Africa which contains stories of his life with Dinesen as well as folk tales of his people.

(Biography courtesy of The Freeman Project)

A collection of African animal-themed drawings by Kamante Gatura was acquired by Kohler Foundation in 2009. From Kenya, Kamante was the “house-boy” remembered in Isak Dinesen’s book, Out of Africa. This true tale of Karen Blixen’s life on an African coffee plantation, tells how Kamante entered Karen Blixen’s life as a young boy when he was crippled by a severely infected leg. She arranged medical treatment and Kamante eventually became her cook and close friend. He drew upon the prey and predator relationships of the animals around him, along with the fables he heard at the Karen Coffee Farm School, to create a most unique body of work.

(Courtesy of the Kohler Foundation)
(Photo of Kamante in 1980s by Peter Beard.)

“Is that a bird on my head?”  Gabriel Bien-Aimé.  Hinche, Haiti, 2024Recycled steel oil-drum (34.5” h. x 14.5” w. x 2” d...
09/16/2026

“Is that a bird on my head?” Gabriel Bien-Aimé. Hinche, Haiti, 2024
Recycled steel oil-drum (34.5” h. x 14.5” w. x 2” d.). Last photo is of artist demonstrating for 8th grade students at the current exhibit “Resilient Spirits: 75 years of Haitian Metal Sculpture” at Springfield Museum of Art, Springfield, OH. www.indigoarts.com

Address

1400 N American Street/Crane Bldg, Suite 408
Philadelphia, PA
19122

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