M.B. Dallocchio

M.B. Dallocchio Itinerant Artist | Irreverent Storyteller
https://www.mbdallocchio.com Art Saves Lives

There's a particular kind of tiredness that has nothing to do with sleep.It's the kind of tired that comes from being ma...
06/08/2026

There's a particular kind of tiredness that has nothing to do with sleep.

It's the kind of tired that comes from being made "other" again. From walking through a day where someone decides your face, your child's face, your family's history, is an invitation to make you smaller.

Today was that kind of day.

I am Chamorro. Indigenous to the Mariana Islands. My family survived colonization, occupation, and concentration camps. I carry five hundred years of that survival in my body. And still, in 2026, I spend my energy explaining to people why dehumanizing my child (with racial slurs and referring to her as a monkey for being mixed race by Italian children) is not a joke, not a misunderstanding, not "kids being kids."

The exhaustion isn't only the cruelty. It's the aftermath. The part where you report it and get told you misunderstood. Where you name exactly what happened and watch people rearrange their faces into doubt. Where the burden of proof always, somehow, lands back on you.

That's the quiet violence of being othered. You don't just absorb the act. You absorb the denial of the act.

Here's what I want to say plainly: I am not confused about what I'm seeing. I have seen it my whole life. In the Southern US as a kid, and now here. The accent changes. The mechanism doesn't.

So, yes, I'm angry. Yes, I'm tired in a way that lives in my bones. But tired is not the same as defeated.

Because I know exactly who I am. I come from people who were not supposed to still be here, and we are. That lineage doesn't fold because someone in a nice coat decided I don't belong.

I'll keep naming it. Not because I enjoy it — I really f*cking don't — but because silence is what they're counting on, and I am not built for silence.

It's Kafkaesque, isn't it? Being forced to exist on the margins, navigating systems that twist and confound, is endlessly, profoundly exhausting.

To anyone who knows this specific exhaustion: you're not imagining it. You're not too sensitive. You're not the problem.

You're tired because you've been carrying something heavy, alone, for a long time.

Set it down for tonight. Pick it back up tomorrow. We endure. We always have. 🖤

06/05/2026

Some books don't just tell a story. They pull you into a fever dream.

That's exactly what happened when I opened this edition of Franz Kafka's The Castle (Zámek in Czech), illustrated by the brilliant Argentine artist Luis Scafati.

Scafati's expressionistic drawings don't just decorate the pages. They amplify everything Kafka does best: the surreal dread, the bureaucratic absurdity, the feeling of being trapped in a system that refuses to make sense.

The vibe? I was feeling Ralph Steadman and Ludwig Bemelmans mixed together. That same ink-soaked intensity meets a strange, almost tender sense of place. It's unsettling and gorgeous all at once.

And then the gift at the end. Kafka's own drawings and sketches are tucked into the back of the book. Seeing his spare, nervous little figures next to Scafati's wild lines made my whole chest ache. Two artists, decades apart, conjuring the same anxious, dreamlike world.

This is one of those editions that reshapes how I approach translating from my novel into visual form. It reminds me that illustration can carry mood as much as meaning.

This is part of my little ritual: sharing one special piece about Kafka every day until his birthday on July 3rd, slowly opening the door to the "Koffee With Kafka" world I've been building.

Follow along if you want to wander through it with me. 🖤

And tell me, what's your favorite Kafka edition or illustrator? I want to see them all.

06/05/2026

{PS}

06/04/2026

Is this timeline Kafkaesque? It doesn't have to be.

If you're in Milan, check out this event: https://www.democratsabroad.org/secretary_dait/yes_we_vote_milan_s_iwc_scavenger_hunt

Let us never lose sight of what civic engagement and the city shows us: the people have the power. brings that story to life through Milan’s historic past. You'll move through the city solving clues, completing challenges, and uncovering the stories of the people who refused to comply — and won. Join fellow Americans abroad who believe that staying out of politics is a luxury democracy cannot afford.

It's fun. It's historic. It's Milan. And it ends with your 2026 ballot requested to get us TF out of this whack a** timeline.

Memorial Day is not an abstraction for us as veterans. It is not a happy slogan, a sale, or a long weekend. It is a sacr...
05/25/2026

Memorial Day is not an abstraction for us as veterans. It is not a happy slogan, a sale, or a long weekend. It is a sacred pause.

Memorial Day is not an abstraction for us as veterans. It is not a happy slogan, a sale, or a long weekend. It is a sacred pause.

05/08/2026

Today, I created a piece of art that feels deeply personal: a self-portrait in modern clothing, wearing a mwaar (which is depicted on the CNMI flag), set against the gray skies of Milan. This piece is more than just an image; its a reflection of my identity as a mixed Chamorro woman navigating a world that often feels isolating, marginalizing, and, at times, Kafkaesque.

Franz Kafka's work has always resonated with me, not just as a writer but as someone who understood the weight of alienation. As a Pacific Islander living abroad, I often find myself in a perpetual state of being the "exotic other." In Italy, I'm frequently met with impolite and often insulting questions about my ethnic origins, interactions that echo the microaggressions I experienced in the U.S. These moments remind me of Kafka's characters, trapped in systems that demand explanations, compliance, and justification for simply existing.

This feeling of being observed, questioned, and misunderstood is compounded by the broader erasure of Native Hawaiian and other Pacific Islander (NHPI) voices. During AAPI Heritage Month, this erasure becomes even more glaring. NHPI people are often lumped together with Asian-Americans under the outdated AAPI label, despite being two separate, Federally-recognized ethnic groups from entirely different continents. This grouping not only marginalizes NHPI voices but also obscures the unique struggles we face: overrepresentation in the military and incarceration, underrepresentation in media and higher education, and systemic inequities that are rarely addressed.

As an Indigenous Chamorro woman, artist, writer, combat veteran, and social worker, I've seen firsthand how these disparities play out. I've also witnessed how NHPI culture and spaces are often appropriated for social and financial capital, while our voices are silenced. Its disheartening, but its also why I continue to speak up, create, and advocate for change.

To my fellow Pacific Islanders: your voice matters. Your story matters. And to everyone else: solidarity doesn't mean erasure. It's possible to support one group without silencing another or appropriating it as your own like a costume.

On today's episode of "Michelle in Milan," I crash-out over all the nothing being done by top brass staring down the bar...
02/13/2026

On today's episode of "Michelle in Milan," I crash-out over all the nothing being done by top brass staring down the barrel of fascism. Also, VA benefits are discussed along with a sprinkle of Franz Kafka references🤣

My segment starts at 23:16 and please don't listen to it in public😘

Happy New Year! The Democrats Abroad Veterans and Military Families (VMF) Caucus is pleased to start the year with three guest warrior speakers who served ou...

You can now watch Franz, the kaleidoscopic biopic of Franz Kafka on Netflix in Czechia.Also, I just wanted to mention th...
02/03/2026

You can now watch Franz, the kaleidoscopic biopic of Franz Kafka on Netflix in Czechia.

Also, I just wanted to mention that VPNs keep your data safe.

Totally unrelated.

Enjoy!

01/28/2026


Charlotte Salomon (German/Jewish, 1917 - Auschwitz 1943)
Kristallnacht. From "Life? or Theater?" series, 1940-42.
Never forget.

Fresh outta Trieste and back on my bullsh*t already😘Franz Kafka Franz
01/19/2026

Fresh outta Trieste and back on my bullsh*t already😘
Franz Kafka Franz

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