01/25/2021
I had a big eureka moment that has me very excited about the future of my work. 💡 In September I switched from creating art with pen and paper, to iPad. I saw other artists advancing their skillset via screen, and I thought it would be a great way to streamline my workflow, create content faster, give me more flexibility, and ensure that I wasn’t falling behind with the rapidly-changing technology of today. 👩🏼💻 I went from time intensive stippling by hand to rapid-result shading, imperfect freehand lines to software-assisted smoothness, permanent pen to erasable pixels. The stakes were lowered, it was easier, and I enjoyed picking up a new software and medium. I got what I wanted, but not what I needed. I started feeling less excited about the new work I was creating, and less invested in what I was building. Instead of standing out from other content, I felt my digital pieces sinking. ☁️ And through that struggle, and after not having found personal fulfillment in this new direction, I was able to see my work in a way I hadn’t been able to before. ⛅️ It’s not about creating the perfect piece, it’s about celebrating the beauty in imperfections (looking at you, wabi-sabi). 〰️ Squiggly, imperfect, time intensive pen has power over software-aided, rapid-result, pixel perfection. 🌤 I now know what gives my work soul, makes it stand out, and what makes me feel inspired and excited to keep creating. ☀️ Get ready to see some new work with a lot more time investment, but a lot more heart. Cheers to celebrating the imperfections, and the never ending creative journey. Thank you for reading 💗
Note: If you’re an artist reading this who uses an iPad, please see my note in the comments.