Morateur Gallery

Morateur Gallery We bring the best of French Art Deco & mid-XXth century art to the design world with artists such as Morateur Gallery carries only authentic, original pieces.

Located in Los Angeles and specializing in French Art Deco and rare XXth century furniture and decorative arts, Philippe Morateur brings over 25 years of his expertise in France to the heart of Los Angeles. Considered an international Art Deco expert, Philippe has lent his expertise to auction houses, advised museums on their collections, and participated in prestigious Antique and Art shows. Our

current offerings include some of the most famous artists of the era:

ADNET – BACCARAT – BAGUES – CHANAUX – CHARLES – CHEURET – COLIN – DA SILVA BRUHNS – DUFRENE – FRANK – GIACOMETTI – GUEDEN – JALLOT – JANSEN – JOUVE – LACHENAL – LALIQUE – LELEU – MATHIAS – NERI – NOLL – OLD – QUINET – PASCAUD – PICASSO – PONTI – PRINTZ – PROUVE – RATEAU – ROYERE – RUHLMANN – SABINO – SPADE – STEPHANY – SUE & MARE – FOUJITA – POILLERAT

Philippe's credentials include, but are not limited to:

- Member of the International Fine Art Appraisers, NY, USA.
- Listed in the American Appraisers Corporation Directory and CA Expert Witness.
- Contributed to enhancing the following rare collections:
- French Government - Paris/France.
- French Authorities - Paris/France.
- Air & Space Museum - Le Bourget/France.
- Decorative Arts Museum - Paris/France.
- Bibliothèque Forney - Paris/France.
- Laurent Negro Collection - Chateau de Gourdon/France.
- Museum of Scripture - Theoule sur mer/France.

08/03/2026

Robert MATHIEU

Adjustable Floor Lamp, France, 1950s
Documented in Mobilier et Décoration, No. 3, April 1952

This rare and highly architectural floor lamp is a quintessential example of Robert Mathieu’s innovative design approach, seamlessly blending mechanical ingenuity with refined aesthetics. Designed and produced in France during the early 1950s, the lamp is documented in the April 1952 issue of Mobilier et Decoration, one of the most influential French design publications of the postwar era (Documentation provided by Docantic)

The structure is composed of a slender brass arm mounted on a sculptural black-lacquered star-shaped base. At the core of this base is a solid brass sphere that acts as a pivotal joint, ingeniously allowing the entire armature to rotate a full 360 degrees. This rotating ball mechanism not only provides visual intrigue but offers full adjustability, enabling the lamp to be oriented according to the desired function, be it reading, accent lighting, or ambiance.

The stem features a telescopic adjustment mechanism that allows the height to be varied smoothly. The top segment supports a pivoting brass elbow, which leads to the distinctive diabolo-shaped lampshade. The shade, faithfully re-fabricated in off-white linen to match the original design, enhances the lamp’s sculptural profile and provides a warm, diffused light.

The head of the lamp is also pivoting, allowing further flexibility in directing the beam. This multi-directional adjustability speaks to Mathieu’s engineering background and his obsession with functional elegance.

The original black lacquer on the base shows beautiful aging consistent with its period, while the brass retains its warm patina. The result is a piece that remains both functionally versatile and visually compelling.

Literature: Mobilier & Décoration #3 April 1952

07/30/2026

André Dubreuil (1951–2022)
Pair of “Trévise” chairs, France, 1984.
Patinated iron with Ashanti black and white textile upholstery.

A rare sculptural pair from Dubreuil’s early period, where furniture becomes architecture, and design becomes art. Bold, refined, and collectible, a powerful statement piece for a serious interior.













07/16/2026

Jean PASCAUD (1903-1996)
Jean PASCAUD Oak Student Desk, France 1930
Original oak student desk from the Cite Universitaire of Paris with two drawers.
Measurements:
H: 29″1/2 x W: 43″1/4 x D: 23″3/4
Top: W.42” x D.23”1/4
Refinished, top newly covered with maple wood. Two drawers, one can be locked with one key.
Jean PASCAUD used to design the NORMANDIE Liner, the French Universities and Government offices.
This desk is from the University.

07/09/2026

Charles TREVELYAN (Australian, b. 1974)

Brutalist Bronze Coffee Table, United Kingdom
Cast and patinated bronze, Signed, dated, and numbered 1/8, 2018

This exceptional bronze coffee table by Australian-born, UK-based artist and designer Charles Trevelyan exemplifies the tension between organic growth and sculptural permanence that characterizes his work. Cast in solid bronze with a patinated surface, the piece features a free-form top with a richly textured surface reminiscent of natural erosion or mineral formations. The branching, asymmetric legs evoke twisted roots or coral, lending the table a biomorphic presence that feels at once prehistoric and modern.
The brutalist sensibility is tempered by an underlying elegance, as Trevelyan’s command of negative space and organic rhythm transforms a utilitarian object into a work of art. The piece functions as both a design object and a sculptural statement, making it a powerful focal point in any interior.

Condition:
Excellent condition, minor degree of patina to metal, wear consistent with age and light use

Measurements:
H.16.75" x W.35" x D.23.25"

Sotheby's Christie's Phillips

07/02/2026

André DUBREUIL (1951-2022)

Pair of patinated steel, copper and glass Wall-mounted candle holders Lamps, Sconces, model "Soleil" (Sun), Circa 1986-1987.

Literature: Jean-Louis Gaillemin, André Dubreuil, poète du fer, Editions Norma, Paris 2006, illustrated P.40, 41 and 120.

Measurements:
H.27" x W.15"1/4 x D.8"approximately
Glass: 6" Diameter

06/30/2026

Pair of Cabinets Attributed Maurice Champion (1899–1962)
France, circa 1955.

An exceptional and highly sophisticated pair of French modernist cabinets attributed to Maurice Champion (1899–1962), one of the leading designers of the post-war French decorative arts movement.

The attribution to Maurice Champion is supported by the distinctive bronze base, identical to examples illustrated in numerous contemporary issues of the prestigious French design magazine Mobilier et Décoration, documenting Champion's production throughout the mid-1950s.

Comparable cabinets and sideboards featuring this characteristic base are illustrated in:

Mobilier et Décoration, June 1953 (No. 5)
Mobilier et Décoration, April 1954 (No. 3)
Mobilier et Décoration, June 1954 (No. 5)
Mobilier et Décoration, July–August 1954 (No. 6)
Mobilier et Décoration, November 1954 (No. 8)
Mobilier et Décoration, December 1954 (No. 9)
Mobilier et Décoration, January–February 1957 (No. 1)
Mobilier et Décoration, March 1957 (No. 2)
Mobilier et Décoration, April 1957 (No. 3)
Mobilier et Décoration, May 1957 (No. 4)
Mobilier et Décoration, June 1957 (No. 5)

Beautifully preserved, this rare pair represents the very essence of French luxury design of the 1950s, combining noble materials, exceptional craftsmanship, and timeless elegance. Their rarity, impeccable proportions, and well-documented stylistic attribution make them highly desirable pieces for discerning collectors of French decorative arts. Fully refinished inside, they retain their original working keys and are ready to grace the most distinguished interiors with timeless elegance and refined sophistication.

Condition:
Fully refinished

Measurements:
Dimensions (each)
Height: 117 cm (46.1 in.)
Width: 74 cm (29.1 in.)
Depth: 42 cm (16.5 in.)

06/28/2026

Roger MUHL (1929–2008)

Title: Neige, December 1960

Oil on canvas depicting an abstract winter landscape, Neige (Snow), painted in December 1960.
Signed lower right.

Provenance: Private collection, France. Retains the original Galerie de Paris exhibition label on the reverse, inscribed "Muhl – Déc. 1960 – Neige – No. 615."

Painted during one of Roger Muhl's most sought-after early periods, Neige is a beautifully balanced abstract landscape that captures the silence and luminosity of a snow-covered countryside. Executed in December 1960, the composition is built from softly defined geometric forms suggesting distant houses emerging through the winter mist.

Working with a restrained palette of warm ivories, soft greys, pale ochres, and muted earth tones, Muhl creates an atmosphere of remarkable serenity. Thick, textured brushstrokes alternate with delicate translucent passages, allowing the painting to breathe with light while subtly dissolving the boundaries between architecture and landscape.

The Galerie de Paris label on the reverse precisely dates the painting to December 1960, placing it among Roger Muhl's documented early gallery works from the beginning of the decade that established his reputation as one of the leading French painters of lyrical abstraction and atmospheric landscape in the post-war period. Its presence not only confirms the title and date but also provides an important historical link to one of the Paris galleries that played a significant role in promoting the artist during his formative years.

Created just before Muhl's growing international recognition in the 1960s, this work exemplifies his distinctive ability to merge abstraction and landscape into compositions of quiet poetry and timeless elegance. The original Galerie de Paris label further enhances its historical significance and desirability for collectors.

A superb early example of Roger Muhl's lyrical abstraction, combining exceptional provenance with the refined atmospheric qualities that define his finest works.

06/23/2026

Charles Po***ck Executive Armchair, 1984
Manufactured by Knoll International

A sophisticated and highly comfortable executive armchair designed by Charles Po***ck and produced by Knoll International in 1984.

The chair features a generously padded, tufted black leather seat and backrest mounted on a black lacquered metal frame. Designed for executive comfort, it incorporates a swivel mechanism, rolling casters, and a reclining back that allows the sitter to adjust the seating position. The polished chrome five-star base provides both stability and visual contrast to the black finish.

The frame and arms are finished in black lacquered metal, creating a striking contrast with the polished chrome accents visible on the five-star swivel base. Mounted on original casters, the chair retains its full executive functionality while exhibiting a timeless aesthetic characteristic of high-end American office furniture of the late twentieth century.

The underside retains the original manufacturer’s labels dated August 31, 1984, confirming production by Knoll International.

Designer: Charles Po***ck
Manufacturer: Knoll International
Origin: United States
Date: August 31, 1984
Materials: Black leather, black lacquered metal, chrome-plated steel
Features: Reclining backrest, swivel mechanism, rolling casters, tufted upholstery, original manufacturer’s labels
***ck ***ck

06/15/2026

MAXIME OLD (1910 - 1991)

Pair of Chairs from the Marhaba Hotel in Morocco, France 1953
Exceptional and extremely rare pair of Maxime Old chairs from the Marhaba Hotel in Morocco.
The chairs has been made by Maxime Old in France in 1953 for this particular hotel.
Fully re-upholstered in new camel hued leather.
The wood bases are fully restored and refinished. The chairs have been reupholstered but we kept the original leather. Pictures upon request.
Illustrated in “Maxime Old” by Yves Badetz, Norma Editions, 2000. Pages 198-199.
Provenance:
Marhaba Hotel, Morocco

06/10/2026

A.J. HORSFORD – (American, active mid-19th century – died 1877)

“The Caravan at the Desert Outpost” or “An Orientalist Market Gathering”�Oil on canvas, signed lower left, North America, circa 1870–1875

Canvas: 18 1/2 x 8 1/4 in. (47 x 21 cm)�Framed: 24 1/4 x 14 in. (61.5 x 35.5 cm)

This exceptional oil painting is a rare and compelling example of 19th-century American Orientalist art by the elusive genre and landscape painter A.J. Horsford. While Horsford is traditionally known for his intimate Western genre scenes and coastal landscapes, the present work reveals a sophisticated and little-known exploration of Near Eastern subject matter, strongly influenced by the celebrated French Orientalist painters Charles-Théodore Frère and Eugène Fromentin.
Depicting a lively caravan encampment animated by merchants, travelers, camels, and architectural elements evocative of North Africa or the Middle East, the composition captures the fascination with the exotic East that permeated Western art during the second half of the 19th century. The warm palette, atmospheric light, and careful attention to anecdotal detail reflect the visual language that made Orientalist painting one of the most sought-after artistic movements of its era.
Orientalist subjects by American painters remain considerably rarer than their European counterparts and have attracted increasing interest from collectors in recent decades. Works depicting caravans, desert markets, and Near Eastern daily life have consistently commanded strong prices at auction, particularly when executed with the quality, charm, and narrative richness found in the present example.
Given the scarcity of documented Orientalist compositions within Horsford’s known body of work, this painting represents an especially unusual and desirable example, offering collectors the opportunity to acquire a rare intersection of American painting and Orientalist imagery.

Condition: Very good overall condition with old professional restorations.

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Channel Island
Oxnard, CA
93035

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(310) 360-0588

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