07/01/2026
In celebration of this past Pride month, these highlighted LGBTQ+ artists below represent a selection of works that have inspired visitors this year.
Jay Lynn Gomez’s work explores visibility, labor, immigration, and aspects of her identity as a Mexican-American trans woman. Gomez highlights the ways in which visibility can be both a privilege and a liability as well as the world of “invisible” labor that underpins the Los Angeles communities she grew up around. “self portrait as a trans woman soccer logo” comes from Gomez’s first publicly presented series of work after transitioning. Painted on the packaging of Gomez’s hemophilia medication, the work captures both her enthusiasm for sports and her identification within the transgender community. Come see “self portrait as a trans woman soccer logo” in the exhibition “Femme n’ isms, Part III: Feminine Faces and Intimate Space” before it closes on July 12!
Born in Paris in 1883, Marie Laurencin studied ceramics and oil painting at some of France’s top art institutions before she went on to become a prominent member of Paris’ Cubist avant garde art scene. Her work almost exclusively featured women and animals, creating a world in which men did not exist. Laurencin, who had romantic relationships with both men and women, often painted q***r sitters, allowing viewers entry into intimate scenes of q***r romance. Laurencin’s style is characterized by pastel colors and soft forms, a significant contrast from her male Cubist peers.
Jeffrey Gibson’s “TRY A LITTLE TENDERNESS” has welcomed visitors into the Allen for the past three years, and will return to view on August 22 in the exhibition “The land is a being who remembers everything.” Gibson is a Mississippi Choctaw/Cherokee artist who combines modern and ancestral art, often drawing inspiration from music, dance, politics, and his own identity as a q***r, indigenous person. In 2024, Gibson became the first Native American artist to represent the United States at the Venice Biennale. “TRY A LITTLE TENDERNESS” is a reminder of Native American environmental activism, a celebration of a crossroads of cultures, and the contemporaneity of Indigenous culture.