Studio Lone Mountain

Studio Lone Mountain Art studio, gallery, and zendo of Debra Jan Bibel Eventually retirement dictated a change of direction. research in microbiology. Patterns of form make existence.

Studio Lone Mountain is the abode and workplace of Debra Jan Bibel, painter and photographer, retired medical scientist and editor, sometime poet, and constant Zen practitioner. The early studio space was once a library dedicated to the history of medical microbiology and immunology, known as the Elie Metchnikoff Memorial Library, housing some 1,200 books, numerous articles, and objects related to

the fields. Bibel was a working scientist at the time, and besides research, she wrote articles and two books on the history of these sciences. The library contents were sold to a rare books dealer in southern California. As she was always an artist, as her father and uncle, the one time hobby transitioned to a serious, professional endeavor. Bibel’s more formal art studies began with the works and writings of Piet Mondrian, pioneer geometric abstractionist, a hard-edge painter. Her rubric became morphology, the science of shape and form as it relates to function, which was her Ph.D. Squares, rectangles, stripes, circles, and lines were the initial building blocks and focus. They in turn were the components of a city synthesis, using actual locations as models. Mondrian was a Theosophist in Paris, and his grid paintings of line and bold primary colors had spiritual and architectural purposes toward clarity of mind. Bibel, a Zen Buddhist, similarly developed her art to depict, by analogy, altered perception of structures after intense meditation. The rigidity of line and ruler has a counterpoint of bush and ink on rice paper, with the flowing curves of Chinese calligraphy and the controlled accident of sumi-e drawing. The seemingly opposite yet maintains balance and harmony and also introspective, perceptive qualities. Recent paintings merge the two sides by encompassing these approaches with acrylic on canvas. The latest series of paintings emphasizes the abstract quality of the actual, when reduced to elementals by shape and altered by hue. We are conditioned via culture and biology to define relationships and construct categories. Drummers are keen to rhythms in daily life; meditators are alert to the passing parades of sound and color; scientists examine the ideals of mathematics in behavior of objects and the paradoxical emptiness of matter. As the title of her website [www.lonemountain-art.com] expresses, Bibel’s experimental morphological art evolves. What will develop with this new direction is unknown, especially to herself. Debra Jan Bibel has a personal page on Facebook as well and that features her Amazon reviews of musical albums.

My last painting for a while derived from Chinese ideograms. This one is associated with sadness, grief, worry, and pity...
07/07/2026

My last painting for a while derived from Chinese ideograms. This one is associated with sadness, grief, worry, and pity. Its title is Gloom.

New painting[s], a diptych: Form / Emptiness. And now the explanation.......These two derived ideograms refer to the Bud...
06/25/2026

New painting[s], a diptych: Form / Emptiness. And now the explanation.......
These two derived ideograms refer to the Buddhist Heart Sutra (the core of the large philosophical Prajaparamita treatise), which states "form is emptiness, emptiness is form." It points toward process metaphysics, behavioral attributes, quantum fundamentals and observational dependency, concluding that existence is not based on nouns or stuff but on gerunds, verbal actions that serve as nouns, and are mutually dependent.

In English, the first character is translated to "form," but Chinese has several characters that are synonyms pertaining to form. The sutra ideogram itself, found in Korea and Japan as well, variously means, depending on context (usually specified by a follow-up ideogram), appearance, or hue, or substance, or the material world; however, artistically, aesthetically it is inferior to the one substituted for this work, which means appearance, shape, and form by structure or conceptual category. A third ideogram synonym might have worked in the sutra, as it refers to domain, territory, boundary, or indeed the world itself, everything in perceptive existence.

[The painting is self-referential via brush strokes. The form of the Form ideogram has common vertical brushing while the green background space is irregular, turbulent, chaotic.]

The second stylized Chinese character in the sutra is typically translated as emptiness or void or space or hole. These meanings imply duality in being absent with respect to something. Another way to translate it, particularly for this sutra (which presents paradox), is "no-thingness."

The background of this painting Emptiness suggests a rainbow or prismatic color spectrum. A rainbow from ancient times has been a symbol of a non-thing thing. A rainbow is not a substance, but an untouchable appearance dependent on the angle of observation [40-42°] with water droplets serving as a prism that splits composite white light into the spread of component hues. We nonetheless name that form and can describe it, hence becoming perceptively real, but it does not exist alone.

In Daoism, Lao Tzu's treatise begins with "the Dao that can be named is not Dao." In the Bible, the first act Adam assigned himself was to name the beasts in the field and birds in the air, everything in the world, hence causing separation and differentiation. In the quantum world, the packet of energy that comes out of the void, or itself, can act as a particle that individually and collectively behaves as a wave depending on observational/detectional design. In the Hindu Upanishads, the expression is neti, neti, not this, not that. In the common world, we concretize the metaphor.

New paintings: Quartet of Ideograms. Please visit my art website for proper linear display:
06/12/2026

New paintings: Quartet of Ideograms. Please visit my art website for proper linear display:

paintings

05/24/2026

I had stopped painting with the publication of my art book, and now an octogenarian, it seemed time........but boredom and the urge of creativity has taken me, after 6 months, back to the brush and paint. Stay tuned.......

Address

Oakland, CA

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