VIA Art Fund

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VIA Art Fund is thrilled to celebrate our recent Artistic Production Grant Awardees, including Kiyan William’s (Kiyan Wi...
06/23/2026

VIA Art Fund is thrilled to celebrate our recent Artistic Production Grant Awardees, including Kiyan William’s (Kiyan Williams) “Entanglements,” a new multi-part commission presented by the City of Boston, MA.

“Entanglements” is a series of sculptural and architectural interventions that trace the histories embedded in the landscape and built environment of Boston. “Stone Map (Ruttier for the Dispossessed),” is an earthwork composed of monolithic stones that will be situated on the North End’s Copp’s Hills Terrace, at the heart of the former New Guinea settlement, one of the first Black communities in Boston. Adjacent is Copp’s Hill Burying Ground, where 1000+ Black Bostonians are buried in unmarked graves, including who is believed to be Phillis Wheatley Peters, the first Black woman to publish a book of poetry, and her child.

As a point of departure, Williams retraced the transatlantic voyage of the ship “The Phillis” that trafficked Wheatley Peters from her birthplace of Senegambia to Boston in 1761, gathering volcanic basalt stones from along coastal ports in West Africa, including Gorée Island, a colonial-era trading post. The stones are arranged in an “X” to form a cosmogram that aligns with the sun and other celestial bodies during the summer and winter solstices to trace the nautical routes between Boston, London, and Senegambia, mapping the transatlantic networks that shaped the lives of Wheatley Peters and those who lived in New Guinea, and more broadly the landscape of Boston.

The second intervention will consist of a braided installation suspended from the façade of a 18th century marketplace. The sculpture transforms the historic structure in response to its symbolic and economic functions as a place of commerce and its origins as a site marked by legacies of subjugation. Unfolding across public spaces near the waterfront and drawing on the material and conceptual languages of land art and post-Minimalist sculpture, the two interventions compel audiences to consider the maritime economies that shape the city and the histories that hum beneath the surface of the soil.

📸: Kiyan Williams Artist Portrait by Clifford Prince King.

VIA Art Fund is thrilled to celebrate our recent Artistic Production Grant Awardees, including Lavar Munroe’s (Lavar Mun...
06/17/2026

VIA Art Fund is thrilled to celebrate our recent Artistic Production Grant Awardees, including Lavar Munroe’s (Lavar Munroe) “However Long the Night, the Dawn Will Break” a new installation presented by The Bahamas Pavilion (The Bahamas in Venice Committee) at the 61st Venice Biennale.

“However Long the Night, the Dawn Will Break” reimagines unrealized sketches from the notebooks of the late artist John Beadle, enacting a posthumous collaboration. The work serves as a spiritual and material invocation of Beadle, honoring his legacy while positioning Bahamian art within a global discourse. Central to the project is the deconstruction of Junkanoo costumes from Nassau’s Boxing Day (2025) and New Year’s Day (2026) parades, dismantled and shipped to Venice. The materials’ prior life, cultural resonance, and transformation—from secrecy to spectacle to discard—inform both form and process.

The installation was constructed on-site over several weeks, and embodies Bahamian labor, memory, and national identity. The artist’s approach to the project is guided by the intention to pay homage to Beadle, as well as the thousands of Bahamian hands that labored in secret for months to produce the Junkanoo costumes that embody the sculpture. These collective acts of making—rooted in discipline, ritual, and shared cultural knowledge—form the conceptual and ethical foundation of the work.

Following the Venice Biennale, the work will return to Nassau for exhibition at the National Art Gallery of The Bahamas (NAGB | National Art Gallery of The Bahamas).

🖼️: Lavar Munroe, “However Long the Night, the Dawn Will Break,” 2026, Courtesy the artist, the Estate of John Beadle and The Bahamas Pavilion. Photos Larkin Durey.

VIA Art Fund is thrilled to celebrate our recent Artistic Production Grant Awardees, including Jordan Ann Craig’s (Jorda...
06/16/2026

VIA Art Fund is thrilled to celebrate our recent Artistic Production Grant Awardees, including Jordan Ann Craig’s (Jordan) “Sharp Tongue,” a newly commissioned mural for the Memphis Art Museum’s (Memphis Brooks Museum of Art) Rooftop Art Garden.

“Sharp Tongue” is a site-specific public artwork that integrates contemporary Indigenous abstraction with the ecological and historical context of the Mississippi River bluff. Craig’s first outdoor public work and largest to date, the mural translates Northern Cheyenne beadwork and design systems into a monumental architectural surface that responds to light, movement, and landscape. Installed on a 900-square-foot architectural wall within the Rooftop Art Garden, the work will be freely accessible and embedded within MAM’s new riverfront campus, anchoring an “art park in the sky” that offers panoramic views of the Mississippi River, the Memphis skyline, and a newly created public pathway.

Designed in direct response to this highly visible civic setting—where architecture, river ecology, and public movement converge—the mural will be positioned as both a visual landmark and a conceptual meditation on place, continuity, and belonging, Opening in December, the mural will remain on view for five years, foregrounding Indigenous presence, interconnection, and place-based practice.

🖼️: Landscape Image of Jordan Ann Craig’s When He Sweats it Smells like Cedar, 2025. Photo by Monika Guerra.

Jordan Ann Craig, “Sharp Tongue; It Hit Me Hard and Soft,” 2024. Photo by JSP Art Photography.

Images courtesy the artist, Hales London and New York (Hales), and Memphis Art Museum.

VIA Art Fund is thrilled to celebrate our recent Artistic Production Grant Awardees, starting with Diana Al-Hadid’s (Dia...
06/13/2026

VIA Art Fund is thrilled to celebrate our recent Artistic Production Grant Awardees, starting with Diana Al-Hadid’s (Diana Al-Hadid) monumental Corinthian column, “Self-Evident.” Opening in Richmond in 2028, the work will rise from the rooftop of at the Institute for Contemporary Art at Virginia Commonwealth University (ICA at VCU) (Institute for Contemporary Art) and channel history into the future.

Al-Hadid’s larger-than-life classical column will be cracked, fragmented, and dispersed through the ICA at VCU’s Steven Holl-designed Markel Center, a modernist shell of glass and zinc. Al-Hadid will reimagine the ancient form as a vessel for femininity, presenting a ruin without nostalgia and a monument still in the process of becoming. “Self-Evident” is part of “Broad Signals,” a public art commissioning series at the ICA at VCU that invites artists to respond and transform its architecture and surrounding landscape into a site that is alive and experimental.

🖼️: Diana Al-Hadid, “Self-Evident,” artist sketch, 2026. Courtesy the artist and ICA at VCU.

VIA Art Fund is thrilled to announce our recent cycle of grant recipients in Artistic Production:1. Diana Al-Hadid (Dian...
06/11/2026

VIA Art Fund is thrilled to announce our recent cycle of grant recipients in Artistic Production:

1. Diana Al-Hadid (Diana Al-Hadid): “Self-Evident” presented by ICA at VCU (Institute for Contemporary Art), Richmond, VA ($95,000 Production | Exhibition grant)

2. Jordan Ann Craig (Jordan): “Sharpe Tongue” presented by Memphis Art Museum (Memphis Brooks Museum of Art), Memphis, TN ($75,000 Production | Exhibition grant)

3. Lavar Munroe (Lavar Munroe): “However Long the Night, the Dawn Will Break,” The Bahamas Pavilion (The Bahamas in Venice Committee), 61st Venice Bienniale, Venice, Italy ($95,000 Artist-Direct Production | Exhibition grant)

4. Ronald Rael: “LIMINAL” presented by the Harwood Museum of Art (Harwood Museum), Taos, NM ($50,000 Production | Exhibition grant)

5. Kiyan Williams (Kiyan Williams): “Entanglements,” Boston, MA ($75,000 Artist-Direct Production | Exhibition grant)

VIA’s Artistic Production Grants are awarded twice annually to individual artists, nonprofit organizations, and institutions to support new commissions that take place outside museum or gallery walls, within the public realm, or in non-traditional exhibition environments. These grants are awarded to projects that best exemplify our three core values of Artistic Production, Thought Leadership, and Public Engagement.

We look forward to introducing and sharing more information on each of our Grantees and their projects in the coming days and weeks!

2025 VIA Grantee Precious Okoyomon () currently has work on view in both the exhibition “New Humans: Memories of the Fut...
06/02/2026

2025 VIA Grantee Precious Okoyomon () currently has work on view in both the exhibition “New Humans: Memories of the Future” at the recently reopened New Museum and the 2026 Whitney Biennial.

At the New Museum (), Okoyomon’s work “When the Lambs Rise Up Against the Bird of Prey” features a swaying animatronic figure with an ever-moving gaze. “Everything wants to kill you and you should be afraid,” Okoyomon’s installation in the Whitney Biennial (), features more than 50 hybridized creatures crafted from taxidermied wings and salvaged stuffed animals suspended from the ceiling’s rafters.

Okoyomon’s work considers the natural world, histories of migration and racialization, and the pure pleasures of everyday life, with much of their work exploring violence and healing. We look forward to sharing additional details of the artist’s VIA-supported Courtyard Commission at MoMA PS1 (), opening later this summer! 

📸: Precious Okoyomon, When the Lambs Rise Up Against the Bird of Prey, 2024. Photo Dario Lasagni / Courtesy New Museum / Collection Patrizia Sandretto Re Rebaudengo

Precious Okoyomon with their installation Everything wants to kill you and you should be afraid (2026), now on view in the Whitney Biennial. Photo Christopher Garcia Valle for ArtNews.

Congratulations to 2021 VIA Curatorial Fellow Wassan Al-Khudhairi () for being appointed Artistic Director for the 2027 ...
05/26/2026

Congratulations to 2021 VIA Curatorial Fellow Wassan Al-Khudhairi () for being appointed Artistic Director for the 2027 edition of Art Basel Qatar! Art Basel Qatar () returns to Msheireb Downtown Doha from January 28–30, 2027, with Preview Days on January 26–27, exploring the curatorial theme between / بين — exploring the “between” as a space for encounter, exchange, and possibility.

📸: Jim Lafferty ()

“Seven Magic Mountains” by artist Ugo Rondinone () turns 10! Presented by Art Production Fund () and the Nevada Museum o...
05/21/2026

“Seven Magic Mountains” by artist Ugo Rondinone () turns 10! Presented by Art Production Fund () and the Nevada Museum of Art (), this VIA-supported commission is installed along a stretch of Interstate 15 just south of Las Vegas and builds upon the art historical tradition of Earthwork projects in the area, while expanding possibilities for Land Art in the twenty-first century. Rondinone’s artificial man-made stone forms offer a contemporary critique of the simulacra of destinations such as Las Vegas, while inviting meditation on collective desire and our notions of the real.

📸: Gianfranco Gorgoni (), courtesy of Art Production Fund

REMINDER: VIA Art Fund is accepting LOIs for our Fall 2026 Artistic Production Grants! Tomorrow, May 21 is the deadline ...
05/20/2026

REMINDER: VIA Art Fund is accepting LOIs for our Fall 2026 Artistic Production Grants! Tomorrow, May 21 is the deadline to submit a Letter of Inquiry.

VIA Artistic Production grants are awarded to artists, nonprofit organizations, and institutions to support new artistic commissions outside museum or gallery walls, within the public realm, or in non-traditional exhibition environments. Individual artists or producing organizations seeking funding must have a confirmed exhibition venue or presenting partner. Artistic Production funding ranges from $25,000 to $100,000 per project. Artistic Production Grants are awarded to projects that best exemplify our core values of Artistic Production, Thought Leadership, and Public Engagement. To find out more, please visit the link in our bio to review our LOI Guidelines, take the eligibility quiz, and submit!

Last week, VIA Partners were treated to a special day during Frieze Week in New York City! We began with a visit to the ...
05/18/2026

Last week, VIA Partners were treated to a special day during Frieze Week in New York City! We began with a visit to the Gochman Family Collection (), where we were treated to a tour by new Director Laura Phipps () and Curator Moonoka Begay () and saw work on view by multiple VIA Grantees. Following the curatorial tour, Partners walked to lunch nearby with VIA Grantee Kara Walker () to toast to her VIA-Supported commission, “Unmanned Drone,” that was recently on view in Los Angeles as a part of the MONUMENTS exhibition at and acquired by in February!

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