Bruce Silverstein Gallery

09/10/2026

09/10/2026

Mark Cohen, Untitled (Woman's Fingers), 1973

09/09/2026

Bruce Silverstein Gallery is pleased to announce Sarah Sense: Land, Line, Blood, Memory, the gallery’s third solo exhibition of work by Chitimacha/Choctaw artist Sarah Sense (b. 1980), who for more than two decades, has been a defining voice in contemporary photography. Comprising of more than twenty new photo-weavings made from the artist’s contemporary landscape photographs, archival documents, historical images, maps, printed bamboo and rice papers, cotton thread, ribbon, and hand-prepared rivercane, the exhibition considers the relationship between Indigenous people and ancestral land and the systems of representation, ownership, and erasure that have attempted to sever that connection.

09/09/2026

Larry Silver, Dock, Southport, CT, 1981

09/07/2026

Todd Hido, 12004-126-05, 2022

09/06/2026

Aaron Siskind, Pleasures and Terrors of Levitation #474, 1954

09/05/2026

Todd Hido, #11599-5811, 2014

09/05/2026

Brett Weston, Lily Leaf, 1930

09/04/2026

Please join us on September 17 from 6-8pm for the Opening of ⁠
Sarah Sense: Land, Line, Blood, Memory, the gallery’s third solo exhibition of work by Chitimacha/Choctaw artist Sarah Sense (b. 1980), who for more than two decades, has been a defining⁠
voice in contemporary photography. Comprising of more than twenty new photo-weavings made from the artist’s⁠
contemporary landscape photographs, archival documents, historical images, maps, printed bamboo and rice⁠
papers, cotton thread, ribbon, and hand-prepared rivercane, the exhibition considers the relationship between⁠
Indigenous people and ancestral land and the systems of representation, ownership, and erasure that have⁠
attempted to sever that connection.

09/03/2026

Constantin Brâncuși, Constantin Brancusi sur la plage de Nice (au fond le casino de la jetée-promenade), 1928⁠
As we transition from summer to the autumn season, we enter a momentous period dedicated to the works of Constantin Brâncuși. Anticipation builds as several prestigious museum exhibitions are set to unveil. Notably, Brâncuși's iconic presence is captured in his 1928 photograph taken on the beach in Nice, featuring the casino in the backdrop along the promenade pier.