Nunu Fine Art

05/27/2026

Nunu Fine Art is honored to announce that Ray IV by American artist Mia Westerlund Roosen has officially entered the permanent collection of the Wright Museum of Art at Beloit College, where it will be installed in front of the museum’s main entrance as a new public art landmark.

Born in New York in 1942, Westerlund Roosen has remained an active figure in American contemporary sculpture since the 1970s. Working across sculpture, painting, and public art, she explores the relationship between materiality, scale, and bodily perception. While her work developed within the contexts of Minimalism and Post-Minimalism, it does not fully adhere to their austere and depersonalized formal language. Instead, through the weight, texture, and structure of materials such as concrete and metal, her work reintroduces corporeality, tactility, and material experience. The acquisition of Ray IV not only marks an important milestone in the artist’s career but also adds a significant chapter to the museum’s collection of contemporary sculpture.

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路由藝術很榮幸宣布，美國藝術家米亞・維斯特倫德・羅森（Mia Westerlund Roosen）的作品《Ray IV》已正式獲美國伯洛伊特學院懷特藝術博物館（Wright Museum of Art, Beloit College）納入永久典藏，並將安置於博物館正門前，作為全新的公共藝術地標。

維斯特倫德・羅森1942年出生於紐約，自1970年代以來持續活躍於美國當代雕塑領域，並以雕塑、繪畫與公共藝術創作探問材質、尺度與身體感知之間的關係。她的作品雖發展於極簡主義與後極簡主義的語境之中，卻不完全遵循其冷峻、去個人化的形式規則，而是透過混凝土、金屬等材料的重量、肌理與結構，重新引入身體性、觸感與物質經驗。此次《Ray IV》納入館藏，不僅象徵藝術家創作歷程中的重要里程碑，也為該博物館的當代雕塑典藏脈絡增添關鍵篇章。

05/26/2026

This is the last week to see “Bellmer Nauman Pondick: Material Desire,” an exhibition created in collaboration with Sonnabend and Ubu Galleries currently on view at Nunu Fine Art New York. Closing this Saturday, May 30, 2026, the show brings together the work of three accomplished artists: Hans Bellmer, Bruce Nauman, and Rona Pondick. Though working from differing perspectives, in a wide range of media, and during distinct time periods, together Bellmer, Nauman, and Pondick generate new conversations surrounding engagement with materiality and the human body, subverting preconceived notions and throwing into question the viewer’s reality. We are honored that the exhibition has been reviewed in the New York Times, Studio International, The Brooklyn Rail, Beyond Noise, ArtDaily, Our Culture Magazine, Gazzetta di Mantova, and The Creative Process. Visit our website for additional material on the exhibition.

Installation photos by Martin Seck.

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由路由藝術與 Sonnabend 及 Ubu 藝廊共同策劃的展覽「貝爾默 諾曼 龐迪克：物質慾望」目前正在紐約展出，本週也將迎來最後一週。展覽將於 2026 年 5 月 30 日（六）閉幕。

本展匯聚三位重要藝術家——漢斯・貝爾默、布魯斯・諾曼與羅娜・龐迪克的作品。三位藝術家雖以不同觀點、媒材與時代背景進行創作，但他們的作品共同開啟了關於物質性與人體之間的新對話，透過顛覆既定認知與感知經驗，進一步質疑觀看者對現實的理解。

我們很榮幸此次展覽獲得《The New York Times》、《Studio International》、《The Brooklyn Rail》、《Beyond Noise》、《ArtDaily》、《Our Culture Magazine》、《Gazzetta di Mantova》以及《The Creative Process》等媒體評論報導。

更多展覽相關資訊，歡迎參閱藝廊網站。

攝影：Martin Seck。

05/26/2026

混合媒材藝術家南西‧鮑恩（ Nancy Bowen ）的個展「從 A 到 Z，以及那些交織其中的身體」（From A to Z and the Bodies in Between）將於 2026 年 6 月 5 日於路由藝術 紐約開幕。近日，她接受了《Our Culture》雜誌的專訪，由 Gerda Krivaite 撰寫。訪談深入介紹了鮑恩目前在雕塑與繪畫上的創作實踐，也談及她早期的藝術啟發，以及她與材料之間的關係。

我們誠摯感謝 Gerda Krivaite 與《Our Culture》發表這篇細膩且引人入勝的專訪文章。

歡迎點擊下方連結閱讀完整內容，也誠摯邀請大家參與南西‧鮑恩個展的開幕活動，時間為 2026 年 6 月 5 日（星期五）晚間 6 點至 8 點。

完整文章連結：
https://ourculturemag.com/2026/05/22/artist-interview-nancy-bowen/

05/25/2026

Please join us in wishing Nancy Bowen a very happy birthday! Born on this day in 1955 in Providence, Rhode Island, Bowen is a mixed-media artist known for her eclectic mixtures of imagery and materials in both two and three dimensions. Her sculpture and drawing exist in an in-between zone of form and idea, abstraction and representation, offering poetic commentary on our rapidly changing material culture.
Next Friday, June 5, 2026, solo exhibition Nancy Bowen: From A to Z and the Bodies in Between will open at Nunu Fine Art New York. The show will feature recent collages as well as sculptural works that bring together an expansive range of materials drawn from nature and the artist’s personal archive. A self-proclaimed “artist-archaeologist,” Bown excavates, recombines and repurposes these elements to subvert long-held narratives surrounding the female body, craft traditions, language, and history. Please join us for the opening reception of this monumental exhibition on Friday, June 5, 2026, from 6-8 pm.
Nancy Bowen’s work has been included in solo and group exhibitions internationally at institutions including the Provincetown Art Association and Museum, Lesley Heller Gallery and Annina Nosei Gallery in NYC, Galerie Farideh Cadot in Paris, and more. Her work is included in collections at the Corning Museum of Glass, Corning, NY; the Peeler Art Center, Depauw University, Greencastle, IN; the Neuberger Museum, Purchase, NY; and the Weatherspoon Art Museum, Greensboro, NC. She has won awards from Anonymous was a Woman, the National Endowment of the Arts, the Jentel Foundation, the European Ceramic Work Center, and more. Her work has been written about in journals such as Art in America, Artforum, Glass Magazine, Sculpture Magazine, and a host of newspapers.
Congratulations Nancy, and happy birthday!

05/25/2026

Please join us in wishing Nancy Bowen a very happy birthday! Born on this day in 1955 in Providence, Rhode Island, Bowen is a mixed-media artist known for her eclectic mixtures of imagery and materials in both two and three dimensions. Her sculpture and drawing exist in an in-between zone of form and idea, abstraction and representation, offering poetic commentary on our rapidly changing material culture.

Next Friday, June 5, 2026, solo exhibition "Nancy Bowen: From A to Z and the Bodies in Between will open at Nunu Fine Art New York." The show will feature recent collages as well as sculptural works that bring together an expansive range of materials drawn from nature and the artist’s personal archive. A self-proclaimed “artist-archaeologist,” Bowen excavates, recombines and repurposes these elements to subvert long-held narratives surrounding the female body, craft traditions, language, and history. Please join us for the opening reception of this monumental exhibition on Friday, June 5, 2026, from 6-8 pm.

Bowen has been featured in solo exhibitions throughout the United States and Europe, including at the Provincetown Arts Museum, Catskill Arts Society, Peeler Art Galleries at DePauw University, Maass Gallery at Purchase College, and European Ceramic Work Center, among others. She has been included in group shows such as at Corcoran Gallery of Art, Washington, D.C; White Columns, NY; The Queens Museum, NY; The Institute of Contemporary Arts, Richmond, VA; Centre d’Arte Contemporain, Geneva; Sculpture Center, NY; Tacoma Art Museum, WA; The Wallach Gallery at Columbia University, NY; Corning Museum of Glass, NY; Rockland Center for the Arts, NY; Neuberger Museum, NY; The Weatherspoon Museum, NC; Boston Center for the Arts, MA; Museum fur Angewandte Kunst; Museum of Arts & Design, NY; and Hyde Park Art Center, IL.

Her work has been reviewed widely in such journals as Art in America, Artforum, Glass Magazine, Sculpture Magazine, and has won awards from Anonymous was a Woman; the National Endowment for the Arts; the New York Foundation for the Arts; the MacDowell Colony; Yaddo; the Brown Foundation at the Dora Maar House in Menerbes, France; and the Jentel Foundation.

Congratulations Nancy, and happy birthday!

05/23/2026

05/22/2026

Mixed-media artist Nancy Bowen, whose solo exhibition “From A to Z and the Bodies in Between” will open at Nunu Fine Art New York on June 5, 2026, has been featured in an interview by Gerda Krivaite for Our Culture Magazine. The interview details Bowen’s current practices in both sculpture and drawing, as well as her early artistic inspirations and relationship to materiality. We would like to sincerely thank both Gerda Krivaite and Our Culture for publishing such a thoughtful, engaging piece. Read more at the link below and be sure to join us for the opening reception of Bowen’s show on Friday, June 5, 2026, from 6-8 pm. See our website for a PDF version of the text.

Link to article: https://ourculturemag.com/2026/05/22/artist-interview-nancy-bowen/

05/22/2026

Unlike canvas-based practices, “Painting Rules” also presents installation works that use stickers as a primary medium. Functioning as repeatable, detachable, and reconfigurable visual units, the stickers are directly applied within the exhibition space to generate imagery. In doing so, they not only extend Zimmermann’s long-standing interest in image translation but also establish a bridge between his earlier painting practice and his more recent epoxy resin works.

Zimmermann notes, “The patterns behind these stickers, in a way, reveal the background and context of the paintings — where they come from.” For the artist, these images originate from digital operations and processes of translation within the computer, forming what he refers to as a kind of “digital context.”

The stickers themselves draw from a wide range of sources, including political slogans, popular culture, music promotion, and images marked by humor and irony. As Zimmermann describes: “For me, they are like a kind of contemporary poetry. The words themselves carry meaning, but they can also be ironic. When they are placed together within the same pattern, it becomes like a poem — and a poem does not have a single meaning. It is more like a rhythm, a riddle, or a haiku.”

— From an interview with Peter Zimmermann published in 《500輯》, written by Yuan Shih-Pei, April 15, 2026.

Nunu Fine Art currently also carries publications by, featuring important works and documentation of the artist’s practice over the years. For inquiries, please contact [email protected] or visit the gallery for more information.

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有別於以畫布為主要載體的創作，「繪畫規則」進一步呈現辛默曼以貼紙為媒材的裝置作品。貼紙作為可重複、可拆解與重組的視覺單元，被直接運用於空間中生成影像，不僅延伸其長期關注的圖像轉譯方法，也在油畫與環氧樹脂創作之間建立起連結過去與當下的橋梁。

辛默曼表示：「這些貼紙背後的圖案，某種程度上呈現了這些畫作的背景與脈絡，說明它們是從哪裡來的。」在他看來，這些圖像源自電腦中的操作與轉譯，是一種「數位的脈絡」。

貼紙的來源多元，涵蓋政治標語、流行文化、音樂宣傳，以及帶有幽默與諷刺意味的圖像。辛默曼形容：「對我來說，它們就像一種當代詩。文字本身是有意義的，但同時也可能是諷刺的；當它們被放在同一個圖案裡時，就像一首詩，而詩並沒有單一的意思，更像是一種節奏、一個謎語，或是俳句。」

—彼得・辛默曼專訪，刊於《500輯》，作者 袁世珮，2026 年 4 月 15 日

路由藝術目前亦備有彼得・辛默曼畫冊，收錄藝術家歷年重要創作與作品圖版。如有興趣，歡迎來信至 [email protected]，或親臨藝廊進一步洽詢。

05/21/2026

We are pleased to congratulate artist Caroline Monnet on her solo exhibition "Pizandawatc / The One Who Listens" at the Canadian Museum of History in Gatineau, Quebec. The show, open until September 8th, 2026, brings together a selection of works in wood, bronze, and textiles to reveal her strong command of materiality and distinct visual language.

The exhibition’s title, "Pizandawatc"—translated to English as “the one who listens”-- refers to the traditional name of Monnet’s maternal family before French missionaries imposed new surnames on Canada’s indigenous populations. The title also honors the artist’s great-grandmother, Mani Pizandawatc, who was the first family member to experience the fragmentation of her ancestral lands into reserves. The exhibition itself becomes an act of cultural reclamation, in which Monnet explores memory, land, and resilience in the face of historic erasure.

The exhibition was recently written about in Canadian newspaper The Globe and Mail, read more at this link: https://www.theglobeandmail.com/culture/art-and-architecture/article-montreal-sculptor-caroline-monnet-museum-history-art/

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我們很高興恭賀藝術家 卡洛琳・莫內（Caroline Monnet）於加拿大魁北克加蒂諾的 加拿大歷史博物館（Canadian Museum of History）舉辦個展「Pizandawatc / The One Who Listens」。展覽將展出至 2026 年 9 月 8 日，透過一系列木材、青銅與織品作品，展現她對材質性的深刻掌握，以及鮮明獨特的視覺語彙。

展覽標題「Pizandawatc」，可譯為「傾聽之人（the one who listens）」，原是莫內母系家族的傳統姓氏，直到法國傳教士將新的姓氏強加於加拿大原住民族群之後才被取代。這個名稱同時也向藝術家的曾祖母 Mani Pizandawatc 致意，她是家族中第一位親身經歷祖傳土地被劃分為保留地的人。整體展覽因此成為一種文化復返與重新取回的行動，莫內藉此探討記憶、土地，以及在歷史抹除之下依然持續存在的韌性。

近期，加拿大報紙《The Globe and Mail》也刊登了關於此展覽的文章，更多內容可見：https://www.theglobeandmail.com/culture/art-and-architecture/article-montreal-sculptor-caroline-monnet-museum-history-art/

Image: Caroline Monnet, "When It's Fall, I Rest (Nindanweb apii dagwaaging)," 2021, plywood, lacquer, steel

05/20/2026

We are honored to share the latest news of artist Lu Guan-Hong, whose work is featured in "Material Extensions" at Taipei Fine Arts Museum (TFAM), widely recognized as the most iconic institution of contemporary art in Taiwan.

Lu Guan-Hong’s practice excels at embedding playful irony within blurred narrative structures. By creating absurd juxtapositions of scenes and figures, he constructs a calm yet tense sense of humor.

In "Material Extensions," Lu further explores how "material" intervenes and reshapes human lifestyles. Within a contemporary society defined by consumerism and symbolism, he uses a unique visual language to deconstruct the symbiotic relationship between humans and objects, production and consumption. He transforms the flow of materials into a black-humorist inquiry into our current state of existence.

Image 1: Lu Guan-Hong, From Cave to the Meeting Table, 2025, oil on canvas, 116.5 × 91 cm, collection of the artist

Image 2: Lu Guan-Hong, Aim Down the Sight, 2022, oil on canvas, 40 × 40 cm, collection of the artist

Image 3: Lu Guan-Hong, Highest Quality, 2025, oil on canvas, 70 × 70 cm, collection of the artist

“Material Extensions”
Venue: Galleries 2A & 2B, Taipei Fine Arts Museum
Dates: May 1 – August 16, 2026

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藝術家盧冠宏（Lu Guan-Hong）近期受邀參與台灣當代藝術最具指標性的殿堂——台北市立美術館（TFAM）「物質世界」（Material Extensions）展覽。

盧冠宏的創作向來擅長在模糊的敘事結構中植入戲謔手法，透過場景與人物的荒誕錯置，建構出一種冷靜卻極具張力的幽默感。在本次展覽中，冠宏的作品進一步探討「物質」如何反向介入並重塑人類的生活型態。在消費主義與符號化的當代社會，他以獨特的視覺語言解構人與物件、生產與消耗之間的共生關係，將物質的流動轉化為一場對生存現狀的黑色幽默式詰問。這次參展不僅標誌著其創作歷程的重要進展，也讓他的藝術實踐在美術館的學術視野中，展現出獨特的當代意涵。

圖片1：盧冠宏，〈從洞穴到開會〉，2025，油彩、畫布，116.5 × 91 公分，藝術家自藏
圖片2：盧冠宏，〈對焦〉，2022，油彩、畫布，40 × 40 公分，藝術家自藏
圖片3：盧冠宏，〈最高品質〉，2025，油彩、畫布，70 × 70 公分，藝術家自藏


「物質世界」展覽資訊
展覽地點：台北市立美術館 2樓 2A、2B 展覽室
展覽日期：2026年5月1日至8月16日

05/19/2026

Here’s a sneak peek inside the fully illustrated catalog “Bellmer Nauman Pondick: Material Desire” made to accompany the exhibition of the same name currently on view at Nunu Fine Art: New York.

“Fleshing Out,” an original essay by art historian and curator Dr. Albert Godetzky, is featured in the catalog alongside reproductions of both the work on view and other pieces by the artists not included in the show. Dr. Godetzky’s essay contextualizes each artist through connections to historical works and details ways in which all three use artistic practice to engage with the body. He will join artist Rona Pondick at Nunu Fine Art New York tomorrow (May 20, 2026) for a conversation expanding upon both the catalog and the show itself. The event begins at 6:30 and is free and open to the public.

Contact [email protected] or come by the gallery in person to purchase a catalog.