06/04/2026
What does it mean to build a practice rooted in history, embodiment, and the future?
For Daniel Alexander Jones, it means working at the crossroads of performance, music, and literature to create what he calls the "ancientfuture." In his words: "I tend my roots and my cultures as living ecosystems... and I work from their archives (their stories, their songs, their lessons, and their maps) as much as anything."
At this summer’s La MaMa Umbria International Symposium for Directors / Theatre-Makers, Daniel will lead a workshop called "playing ancient futures." He describes it as "an invitation to practice rooted in layers of history, embodiment, and speculation." Participants will write, move, and assemble through daily group experiences and individualized assignments, culminating in a processional sharing.
This is for directors and theatre-makers ready to deepen their artistic practice through focused contemplation and creative exercises in dialogue with personal pasts, the land, and imagined futures.
As playwright Sarah Ruhl says: "Daniel Alexander Jones is a poet of mighty theatrical proportions. Seeing his plays is like getting baptized. ... Daniel is a transmitter of light."
Don't miss the chance to learn with him. Applications and information at the link in the comments below 👇
🗓️ Session Two: Summer 2026
📍 La MaMa Umbria – Spoleto, Italy