11/16/2024
"It's funny. When I was a little boy and told people I was going to be a comedian, everyone laughed at me. Well, no one's laughing now!" β Joker
As brilliant as Todd Phillips' 2019 masterpiece "Joker" was, the Clown Prince of Crime deserved much better than what the ambitious but ultimately pretentious and tone deaf recent sequel "Folie Γ Deux" delivered.
With the entire Batman/Joker canon at his disposal, choosing to frame the primary narrative as a scolding social critique via courtroom melodrama instead of building on the bold cinematic choices of the first film was a fatal mistake by the filmmaker.
I was expecting a daring exploration of the dark criminal underbelly of Gotham City as Arthur Fleck evolves from the despondent and psychologically damaged stand-up comedian into the devious criminal mastermind of DC Comics lore, as well as a definitive silver screen pairing of Joker and Harley Quinn which would plumb the depths of the psychopathic duo's dynamic potential.
Regarding the musical aspect of the narrative, Todd Phillips could have told an engaging and credible tale of Joker's foray into life as a cunning felon and anti-hero through the prism of a gothic rock opera produced by Trent Reznor of Nine Inch Nails fame, whose impressive list of award-winning soundscapes for films includes "Natural Born Killers', "Gone Girl", "The Watchmen", and "The Social Network".
Casting Lady Gaga as Joker's legendary paramour should have lent itself to that specific narrative structure. Frankly, a cinematic redux of the Bonnie and Clyde archetype told in the style of "Natural Born Killers" would have made this a fittingly epic sequel.
Alas, we're instead left grieving what could have been. A truly missed opportunity for both Joaquin Phoenix, as his take on the character is absolute genius in spite of the stale script, and Lady Gaga alike, who was completely underused and underdeveloped. We had such high hopes.
I'm now eagerly anticipating Matt Reeves' version of the Joker played by Barry Keoghan, who made his promising debut at the end of the auteur's first take on the Caped Crusader's dynamic story arc in 2022's "The Batman".
After having learned all the cinematic lessons from previous iterations of the Joker character, there's nowhere to go but up. Judging by the success of Reeves' audacious miniseries "The Penguin" with Colin Farrell reprising his role as the titular villain, Keoghan's Joker is sure to be groundbreaking.
Until then, I'll be one of the artists who'll continue conceptualizing versions of Joaquin Phoenix's Joker that both the first film and the iconic character itself rightly deserve.