SailUp Arts

08/13/2026

Two quails settle quietly among grasses, their rounded forms and speckled plumage drawn with classical precision. Inspired by Qi Baishi’s line about “stealing a living among the grass,” Li Hongzhao’s A Life of Quietude (2023) offers a small refuge of harmony with nature. Ink on paper card, framed; inscription and artist’s seal included. Contact us for details.

草間雙鵪安然相依，圓潤身形與斑點羽紋以傳統筆法精描；取意白石老人「草間偷活」，李鴻照《安生圖》（2023）描繪樸素而自得的生息，寄託與自然同頻的靜好。紙本水墨（卡紙），已裝框；具題識與「鴻照之印」。歡迎私訊了解更多。

https://www.sailuparts.com/painting/lihongzhao0009
https://www.sailuparts.com/artist/lihongzhao

08/11/2026

Overlapping mountains gather in deep ink while white space mists the valleys—a mountain stream poised for rain. Chen Zilin’s Ink Landscape (2022) is a hanging scroll in pure ink, balancing weight and air with crisp tiers and restrained brushwork. Inscribed “Mountain stream about to rain” (Renyin, at Chang’an Yicaotang); seals: Zilin, “After Ninety.” Contact us for details.

濃墨堆疊群峰，留白化霧籠谷，山雨欲來而未至。陳子林《水墨山水》（2022）紙本水墨・立軸，以厚重與空靈相衡，筆致克制，層次井然。款題：「溪山欲雨。壬寅於長安一草堂，子林」，鈐「子林」「九十以後」。歡迎私訊了解更多。

https://www.sailuparts.com/painting/chenzilin0007
https://www.sailuparts.com/artist/chenzilin

08/09/2026

Undulating peaks, drifting mist, and a winding river frame a quiet villa. In Pure Lotus Villa (2020), Zhang Hailiang pairs vigorous rock strokes with finely rendered trees to open layered space in a literati spirit. Inscription: “The heart is as vast as the ocean; plant pure lotuses to nourish body and mind.” Ink and color on paper, framed. Contact us for details.

群山層疊、雲霧旋繞、曲水抱持山莊；張海良〈淨蓮山莊圖〉（2020）以岩石之勁筆對應樹木之細描，鋪陳出文人山水的分明層次。款識：「心如大海無邊際，廣植淨蓮養身心。」紙本設色，已裝框。歡迎私訊了解更多。

https://www.sailuparts.com/painting/zhanghailiang0001
https://www.sailuparts.com/artist/zhanghailiang

08/07/2026

Peaks emerge and dissolve in mist; waterfalls trace the cliffs while a mountainside retreat anchors the scene. In Distant Clouds (2018), Mo Zhaosheng layers ink and color to evoke the classic “five colors of ink,” using scattered perspective to open depth and intimacy. Ink and color on paper, framed; exhibited at New York Art Center in 2019. Contact us for details.

群峰雲間起伏，飛瀑掛壁，山居臨壑成景。莫肇生《遠雲》（2018）以墨色層階見「墨分五色」之妙，散點構圖兼顧宏闊與細緻，可遊可居。紙本設色，已裝框；2019 年於紐約藝術中心展出。歡迎私訊了解更多。

https://www.sailuparts.com/painting/mozhaosheng0001
https://www.sailuparts.com/artist/mozhaosheng

08/05/2026

Trees and vegetation surface through a moist, misty backdrop as deep washes meet airy grays. The varied ink tones carry the weight and freshness of falling rain, while scattered perspective and layered space open a contemplative distance. Mo Zhaosheng’s Nourishing Rain (2018), ink on paper, framed; exhibited at New York Art Center in 2019. Contact us for details.

雨霽未霽，林木在水氣氤氳中次第顯形；濃墨與淡灰交錯，既有雨水的厚度，也有清新的呼吸。散點透視與分明層次鋪陳出宜於駐足的寧靜遠景。莫肇生〈潤雨〉（2018），紙本水墨，已裝框；2019 年於紐約藝術中心展出。歡迎私訊了解更多。

https://www.sailuparts.com/painting/mozhaosheng0002
https://www.sailuparts.com/artist/mozhaosheng

08/03/2026

A winter plum grove shelters a cottage lit for reading. Dense branches and delicate blossoms meet distant, lightly rendered peaks. Wang Yi’s Reading in the Plum Grove (2023) uses ink wash and generous negative space for an airy stillness—an image of retreat and quiet study. Hanging scroll, ink on paper. Contact us for details.

梅林冬景靜謐，小屋窗光映出讀書氣息；繁枝細花對遠山淡寫，留白通透。王毅《梅林讀書圖》（2023）以水墨與留白見清雅與沉靜，寄隱居清修之想。紙本水墨・立軸。歡迎私訊了解更多。

https://www.sailuparts.com/painting/wangyi0001
https://www.sailuparts.com/artist/wangyi

08/01/2026

Bamboo rises in concise, powerful strokes—pure ink shaping resilience and grace. This 2019 horizontal scroll by Wang Fei embodies the gentleman ideal: upright, modest, unyielding. Leaves flicker with brisk energy, and the inscription, written during Grain Rain, names it “A Gentleman’s Breeze.” Contact us for details.

簡勁筆墨寫竹之直，純墨之間見堅韌與雅度。王非 2019 年紙本水墨橫幅，寓君子之風：端直、謙和而不屈；葉勢疾灑，氣脈清朗。題識記於己亥穀雨，名為〈君子清風〉。歡迎私訊了解更多。

https://www.sailuparts.com/painting/wangfei0002
https://www.sailuparts.com/artist/wangfei

07/30/2026

Misty ranges dissolve above a quiet lake as a solitary dwelling, ancient trees, and weathered rocks ground the foreground. Birds crossing the sky introduce soft motion to Wang Fei’s contemplative Landscape (2023). Ink and color on paper, hanging scroll; restrained brushwork with a Buddhist-inflected calm. Contact us for details.

遠山入霧，湖面安然；前景的孤居、古木與嶙峋岩石相互呼應。數隻飛鳥劃過天際，為沉靜畫面注入微動。王非《山水》（2023），紙本設色・立軸，筆觸內斂，氣息澄明，見禪意之靜。歡迎私訊了解更多。

https://www.sailuparts.com/painting/wangfei0003
https://www.sailuparts.com/artist/wangfei

07/28/2026

Tall trees rise from rocks at the water’s edge; a viewing pavilion and small bridge suggest gentle human presence within a vast natural setting. Misty mountains fade into a golden ground, while two red seals provide a decisive accent that balances the composition. Mo Lijia’s 2018 ink on paper is framed; shown at New York Art Center in 2019. Contact us for details.

水邊岩石間高樹挺立；一座觀景亭與小橋點出人與自然的和諧。遠山淡入金色底，兩枚紅印成為穩重的色彩支點。莫里加 2018 年紙本水墨，已裝框；2019 年於紐約藝術中心展出。歡迎私訊了解更多。

https://www.sailuparts.com/painting/molijia0015
https://www.sailuparts.com/artist/molijia

07/26/2026

A compact circle of warmth: red-roofed homes glow against layered mountains on a golden ground. Mo Lijia’s 2018 ink on paper balances delicate rocks and trees with a lively, simple composition. The red seal echoes the roofs, uniting the scene in a luminous village moment. Framed; exhibited at New York Art Center in 2019. Contact us for details.

圓幅之中見山村光景：金色底映襯紅屋頂與綠意，遠處山巒層層疊起。莫里加 2018 年紙本水墨，筆致細膩，構圖明快，紅印與屋頂呼應成一片溫暖。已裝框；2019 年曾於紐約藝術中心展出。歡迎私訊了解更多。

https://www.sailuparts.com/painting/molijia0012
https://www.sailuparts.com/artist/molijia

Artist: Mo Lijia | Year: 2018 | Material: Ink on paper | Dimensions: 22×22 cm | Framed