Musical Theatre Factory

Musical Theatre Factory Musical Theatre Factory (MTF) is committed to dismantling oppressive ideologies towards collective

We develop changemaking new musicals in a joyous, collaborative community free from commercial constraints. We are led by the passion to transform culture and do so through serving and gathering an artistic community that makes art to make change. We create opportunities for musical theater makers of excellence who exist at the intersections of underrepresented groups while providing all-­access p

rogramming for artists to collaborate and grow together. Our philosophy and values stem from studying the concepts of solidarity economy and grassroots economic justice, seeking to meet our needs together and taking responsibility actively for our interrelationships. This is the foundation of moving from a volunteer community to building an organization grounded in the values of equity, pluralism, democracy, cooperation, and sustainability. We examine the current normative systems in the political, socio-economic landscape and disrupt them through direct engagement with powerful storytelling and narratives from marginalized and underrepresented communities. We serve and gather an artistic community from diverse backgrounds for collective support, feedback, growth, collaboration, and community that centers art-making for change-making. We do so by crafting every space that we hold as radical, intentional, rigorous, and inclusive. These values are our foundation of what we envision—accessible and brave creative spaces where all artists of all backgrounds at any stage of their career can be supported throughout their process. We are a radical incubator, lab, and playground, allowing artists the time and space necessary to innovate form and genre, and create work that inspires civic discourse. We are intentional in our role as gatekeepers and curators, and have robust systems in place through our assembly line that ensures the resources we are providing are going to support the work of artists who have traditionally not been given equal opportunity and access. We are the beginning of the pipeline for musical theatre composers, writers, directors, actors, music director, and musicians. We provide rigorous opportunities for incredible talent to meet each other to make new collaborations, challenge monolithic thought, and gather together to build a community that can support each other. We cultivate new musicals that are artistically groundbreaking and socially inclusive – making work that dismantles oppressive ideologies towards collective liberation, through powerful and joyful story in song. By placing the resources in their hands, we have seen the impact on our community and the field at large. Our qualifications for programming is rooted first in the rubric of: What are we perpetuating? What are we dismantling?™ Who are the artists reimagining what musical theatre can be—in the field as well as in the form? How can we as a pipeline for emerging artists provide the necessary support for them to experiment boldly, free from the pressures of commercial success? That is the core of how curation begins, and is held with as much care as the crafting of the work. The system of accountability is made up of retrospectives and evaluations for all our activities, continually assessing how our programming moves us towards racial and gender equity. The intent of all of our programming is to engage our audience, community, and the field at large in the developmental process. This provides a unique space to provoke civic discourse surrounding the art and ideals of the generative artists that we serve. Art is one major way to shift culture, and by supporting the work of artists who are creating work that serves that vision, we are thereby challenging the field to be more inclusive and pushing the bounds of the artform. Our community of artists works collectively, sharing peer support and feedback to strengthen the work and lift each other up, amptly able to shift quickly and pivot towards having more effective strategies that serve our mission. We encourage our artists to do the same for their work, to dream boldly, be present with what is, and be unafraid to make radical shifts for the expansion into previously unimagined possibilities. Because of this dexterity, we are able to continually take down oppressive and unjust paradigms, thereby always evolving the form and expanding the idea of what Musical Theatre can be.

06/17/2026

Have you ever wanted to live inside the mind of a character from a musical you love? Well in this musical, you can!!

If you want to know more about Come See Your Future follow along with their journey

06/16/2026

“I shouldn’t have to create VR about racism but I did and found that it was quite effective helping people connect in a way that was very different than my many research studies”

Dr. Cogburn discusses how she's using virtual reality to shift perspectives and spark genuine empathy.

Come experience Be Steadwell's musical Dear Ex on June 15th at Red Eye NY! Tickets at the link in our bio.
05/30/2026

Come experience Be Steadwell's musical Dear Ex on June 15th at Red Eye NY! Tickets at the link in our bio.

Don’t miss STORY OF THE NIGHT featuring Be Steadwell on June 15th! Get your tickets at the link in our bio :)
05/28/2026

Don’t miss STORY OF THE NIGHT featuring Be Steadwell on June 15th! Get your tickets at the link in our bio :)

Join us for MTF’s Pride Event: STORY OF THE NIGHT, featuring the incredible Be Steadwell with support from Tone Shift Co...
05/27/2026

Join us for MTF’s Pride Event: STORY OF THE NIGHT, featuring the incredible Be Steadwell with support from Tone Shift Collective.

When: June 15, 2026 | 7PM – 9PM
Where: Red Eye NY

05/11/2026

Tickets are LIVE for our PRIDE month Story of the Night featuring Be Steadwell and their piece "Dear Ex". You're not going to want to miss this.

Be is a q***r pop composer and author from Washington DC. Be's goal as an artist is to write love stories centering Black girlies, introverts and weirdos. In 2019, Be wrote and directed Dear Ex, the musical. Dear Ex imagines a q***r black woman's experience of healing after a breakup. In 2021 Be released their pop and R&B album- Succulent. In 2023, Be joined the cast of Parable of the Sower the Opera by Toshi Reagon and Dr Bernice Johnson Reagon.

Join us for an evening of live performance, community connection, and creative exchange. This is an invitation to discover your own story of the night.

Next on our Hot Mic Night line up is Jaime Cepero! Jaime (they/he) is an Afro-Latino Q***r non-binary Actor, Writer, and...
05/06/2026

Next on our Hot Mic Night line up is Jaime Cepero!

Jaime (they/he) is an Afro-Latino Q***r non-binary Actor, Writer, and Award winning Activist. Originally from Boston, Cepero says he caught the acting bug in 4th grade and realized he wanted to act. As they went on through school and college, at 21, they decided to be an actor and quit college. Later, he moved to NYC, and starred in many Broadway and off Broadway productions such as Jesus Christ Superstar, Hair, and Porgy and Bess. Television credits include NBC's SMASH.

We can't wait to see you there!

We can’t wait for you to hear what Dwayne has been working on this May 7th @ 7 PM! DWAYNE IS A VERSATILE WRITER, ACTOR, ...
05/02/2026

We can’t wait for you to hear what Dwayne has been working on this May 7th @ 7 PM!

DWAYNE IS A VERSATILE WRITER, ACTOR, AND EDUCATOR. A JUILLIARD GRADUATE (B.M.), HIS CAREER SPANS ACCLAIMED PRODUCTIONS IN THE US AND UK, INCLUDING OLIVIER-WINNING WORKS. HIS OFF-BROADWAY PORTRAYAL OF LIL B MAN IN FIGARO 90210 EARNED PRAISE FROM THE NEW YORK TIMES FOR ITS POWER AND DYNAMIC PRESENCE. HIS WORK CENTERS ON EXPANDING BLACK STORYTELLING AND AMPLIFYING UNDERREPRESENTED VOICES, ASKING: “HOW FAR CAN MUSICAL THEATER AND THEATRICAL STORYTELLING BE PUSHED?” THROUGH HIS JOURNEY, DWAYNE CONTINUES TO CHALLENGE CONVENTIONS AND SHAPE THE FUTURE OF THE STAGE.

We're continuing our Hot Mic Night countdown with Ryan C! Ryan C is an up and coming musical theatre writing, singing, d...
05/01/2026

We're continuing our Hot Mic Night countdown with Ryan C!

Ryan C is an up and coming musical theatre writing, singing, dancing, and acting extraordinaire! This is the first official musical theatre project that he has had the pleasure of working on for 6 years. With no formal training prior to this project, subsequently titled, 'I'm A Nice Guy', he hopes to expand his musical prowess by not only developing this for the stage, but also the big screen. He encourages feedback in any form and looks forward to hearing everyone's thoughts on his Hip-Hop musical epic that is centered in the year of 2020. He also would like to lend a special shoutout to the great facilitator/artist known as UGBA for his guidance within UGBA's respective series of classes known as The Ungrateful Black Artist Institute that has thought Ryan to embrace his blackness without compromise. Thank you all for your support!

Mark your calendars! You won't want to miss Kathleen Payne at our next Hot Mic Night. Kathleen Payne (she/her), New York...
05/01/2026

Mark your calendars! You won't want to miss Kathleen Payne at our next Hot Mic Night.

Kathleen Payne (she/her), New York native, is a writer, composer, cellist, and singer whose performances reflect her wide-ranging musical experience and interests, from R. & B. and gospel to pop and musical theater. Her songs explore the experiences of people whose voices are not usually heard: a man with mental illness; the guilt of a nanny who must leave her own children to take care of the children of her employer.
Her original 20-minute musicals, Whale Watchers (book and lyrics by Kathleen Payne, music, sound design, and lyrics by Toni Lester); The Subway Enthusiast (book, music, and lyrics); Twenty Nickels (book; music and lyrics by Chad Gorn, lyrics by Hannah Bakke), and At The Feet Of The Master, (book and lyrics; music by Dionne McClain-Freeney) had staged readings as part of Across A Crowded Room, a musical theater program at the Lincoln Center New York Public Library. Kathleen has performed in Lyon, France as a featured soloist at the Absolute Gospel music festival, accompanied by a 100-voice choir and the Lyon Symphony Orchestra. Her solos can also be heard on the CDs of Lavender Light Gospel Choir. She is a member of the BMI Advanced Bookwriting Workshop.

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