Klaus von Nichtssagend Gallery

Klaus von Nichtssagend Gallery Klaus von Nichtssagend Gallery is a contemporary art gallery located in the Tribeca neighborhood of Manhattan.
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A contemporary art gallery in the Tribeca neighborhood of Manhattan.

David Gilbert’s new show “Stationery” is now on view in the front gallery. Photography inherently captures a brief momen...
05/27/2026

David Gilbert’s new show “Stationery” is now on view in the front gallery.

Photography inherently captures a brief moment in time, and Gilbert’s images emphasize their temporality by tracking the passing arc of daylight over his paper world. His castles can be quickly rolled up – like background sets of a puppet theatre. Gendered performance is implied in this theatricality, with supporting roles played by giant blooming lilies, partial sketches of hairy chests, and lushly creeping vines of ivy, threatening to subsume the whole scene.

The show runs through June 20!

Pictured: David Gilbert, ‘Sun Lily,’ 2025/2026, archival inkjet print, 30 x 20 inches.

Please join us in supporting  for their 2026 Benefit Auction on Wednesday, May 27. Ian Pedigo along with many other grea...
05/26/2026

Please join us in supporting for their 2026 Benefit Auction on Wednesday, May 27. Ian Pedigo along with many other great artists, has generously donated artwork to the benefit.

The works are all currently on view at White Columns located at 91 Horatio Street.

All proceeds from the sale of tickets and the benefit artwork goes towards funding future exhibitions and public programs, and providing support for emerging and under-recognized artists.

Ian Pedigo
‘Force as Its From,’ 2022.
acrylic, plaster, bone ash, wood. 13 ½ × 13 ¾ inches (34.29 × 34.93 cm) framed
Part of the White Columns Annual Benefit 2026

Get tickets and register to bid through the link in our profile

John Hyen Lee’s painting “Inches (Light),” 2026 is part of the artist’s first solo show at Klaus Galery, “Dark, Light, D...
05/20/2026

John Hyen Lee’s painting “Inches (Light),” 2026 is part of the artist’s first solo show at Klaus Galery, “Dark, Light, Dark”

John Hyen Lee’s paintings explore the effects of repeated mark-making and layered gestures. Drawing from the structure of the Korean writing system Hangul, he treats language as a vocabulary of paint, where consecutive marks mimic the act of committing form to memory. Through a cycle of application and erasure, letters dissolve into abstraction, positioning painting as an act of both remembering and forgetting, and blurring the line between seeing and understanding.

Tribeca Gallery Night!Tonight, Friday, May 15 Klaus Gallery is thrilled to open David Gilbert: StationeryJohn Hyen Lee: ...
05/15/2026

Tribeca Gallery Night!
Tonight, Friday, May 15

Klaus Gallery is thrilled to open
David Gilbert: Stationery
John Hyen Lee: Dark, Light, Dark

Reception from 6-8PM!

Opening today!Esther III  featuring work by Donna ChungJoy CurtisIan Pedigo Estonian House243 E 34th St, New YorkMay 12 ...
05/12/2026

Opening today!
Esther III

featuring work by

Donna Chung
Joy Curtis
Ian Pedigo

Estonian House
243 E 34th St, New York

May 12 – 15, 11AM – 6PM
May 16, 11AM – 5PM

Opening this Friday, May 15!David GilbertStationeryMay 15 – June 20, 2026Opening Reception : Friday, May 15, 6-8PM Klaus...
05/11/2026

Opening this Friday, May 15!

David Gilbert
Stationery

May 15 – June 20, 2026
Opening Reception : Friday, May 15, 6-8PM



Klaus von Nichtssagend is pleased to present Stationery, a new solo show by David Gilbert in the front gallery at 87 Franklin Street in Tribeca. An opening reception will be held for the artist on Friday, May 15 from 6-8PM.

In his new body of work, David Gilbert has been fashioning castles out of paper. He photographs these drawn and cut forms as they curl off the walls of his studio, dappled in the first rays of morning light or bathed in the glow of the evening.

The chateaux Gilbert chooses as subjects have a flavor of childhood, as if lifted from a fairytale. While the imagery draws on a sense of picture-book wonder, the castle as icon symbolizes power and dominance, staking a claim on land and over people. Gilbert’s rendering of these fortresses in drooping paper and scrappy cardboard defangs their power; stone heft and weight are made gossamer, the structures light with blowy impermanence.

Gilbert’s use of photography furthers this transient quality. Photography inherently captures a brief moment in time, and Gilbert’s images emphasize their temporality by tracking the passing arc of daylight over his paper world. These castles can be quickly rolled up – like background sets of a puppet theatre. Gendered performance is implied in this theatricality, with supporting roles played by giant blooming lilies, partial sketches of hairy chests, and lushly creeping vines of ivy, threatening to subsume the whole scene.

Paper itself is a subject here, and there are many kinds of paper in Gilbert’s studio, used variously as sculptural material, draping, wallpaper, and drawing surface. They all come together to construct his ad-hoc scenes. There is also the photo paper of the prints themselves, at times pinned simply to the wall, a nod to the way paper hangs in the studio.

Opening this Friday, May 15!John Hyen LeeDark, Light, Dark May 15 – June 20, 2026Opening Reception: Friday, May 15, 6 – ...
05/11/2026

Opening this Friday, May 15!

John Hyen Lee
Dark, Light, Dark

May 15 – June 20, 2026
Opening Reception: Friday, May 15, 6 – 8PM




Klaus von Nichtssagend Gallery is pleased to present an exhibition of new works by John Hyen Lee. This is the artist’s first solo show at the gallery.

John Hyen Lee’s paintings explore the effects of repeated mark-making and layered gestures. Drawing from the structure of the Korean writing system Hangul, he treats language as a vocabulary of paint, where consecutive marks mimic the act of committing form to memory. Through a cycle of application and erasure, letters dissolve into abstraction, positioning painting as an act of both remembering and forgetting, and blurring the line between seeing and understanding.

Lee handcrafts the wooden panels that act as grounds for his paintings, reflecting his deep engagement with woodworking. Growing up with a father who built their family home, Lee only picked up an interest in exploring the material of wood himself in adulthood. In addition to being selective with lumber choices, color, construction and finish, the hand-formed wood becomes an image element in the paintings. Certain works in the show present the panel frame as a part of the painting surface, incorporating it into the compositions as a primary painterly mark. Together, the collection forms a multi-lingual dialogue that dissociates letters from literal meaning and wood from mere utility.

Address

87 Franklin Street
New York, NY
10013

Opening Hours

Tuesday 11am - 6pm
Wednesday 11am - 6pm
Thursday 11am - 6pm
Friday 11am - 6pm
Saturday 11am - 6pm

Telephone

+12127777756

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