Chekhov's technique is a completely imaginative approach to experiencing the truth of the moment. According to Chekhov the work of the actor is to create an inner event which is an actual experience occurring in real time within the actor. This inner event as it is being experienced by the actor is witnessed by the audience as an outward expression related to the contextual moment of the play. Thi
s event and the ability to create it belong to what Michael Chekhov calls the Creative Individuality of the actor, and is not directly tied to his personality. This Creative Individuality allows the artist actor to use parts of himself that are not just the smaller meaner more banal elements that make up his daily life, but rather parts of his unconscious, where dwell more universal and archetypal images. In Chekhov's own words:
"All you experience in the course of your life, all you observe and think, all that makes you happy or unhappy, all your regrets or satisfactions, all your love or hate, all you long for or avoid, all your achievements and failures, all you brought with you into this life at birth -your temperament, abilities, inclinations etc., all are part of the region of your so called unconscious depths. There being forgotten by you, or never known to you they undergo the process of being purified of all egotism. Thus purged and transformed, they become part of the material from which your Individuality creates the psychology, the illusory "soul" of the character." (To The Actor by Michael Chekhov)
In this way the ego of the character is not subjected to the ego of the actor, because the Individuality seeks a creative union with the character, and will not allow the smaller personality to invade the character thereby distorting this character into one more representation of the actor's personality.