Taylor and Miller Architecture and Design

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TM is a multi-hyphenate design studio operating at the intersection of architecture, interior, and lighting design, where the boundaries between disciplines dissolve to reveal new ways of seeing and making space.

Originally designed by Skidmore, Owings & Merrill in the early 1970s, One Liberty Plaza’s lobby was reimagined to meet a...
09/25/2026

Originally designed by Skidmore, Owings & Merrill in the early 1970s, One Liberty Plaza’s lobby was reimagined to meet a new generation of office tenants. Lighting became central to that transformation.

Wood walls on either side and a stone wall behind carry the lighting. Together, they form the major ambient light source in the space. The technical difficulty lay in achieving an even wash of light across such expansive surfaces, calibrated with enough precision that the fixture itself disappears entirely from perception upon entry. It’s TM’s ethos: embedding the lighting into the DNA of the architecture so that it’s one and the same.

Above, a Pierre Huyghe ceiling-mounted grid of lights takes on a checkerboard aesthetic, animated and playable at architectural scale. Paddles rest on a coffee table below, inviting anyone who notices them to stop and play.

Architecture: Skidmore, Owings & Merrill
Photography: Lucas Blair

09/23/2026

Scaffolding is typically an afterthought, a screen meant only to keep a city block moving safely around construction. At ’s Fifth Avenue flagship, TM saw it as an opportunity for lighting instead. By day, it reads as a flat, graphic surface. By night, it dissolves into something dimensional and dynamic, visible from blocks down the avenue. Prada’s brand is built on understatement, and the design carries that same elegance while giving the neighborhood a genuine discovery.

Designed by
Photography by
Video by

Peel House is a residential addition built for an elderly family member returning home, its exterior surfaces unwrapping...
09/21/2026

Peel House is a residential addition built for an elderly family member returning home, its exterior surfaces unwrapping to embrace the existing house while giving the new space its own clear identity. Stacked cedar members stitch together across the facade, alternating between opaque and partially transparent zones at windows and doors, admitting shade, privacy, ventilation, and a physical connection to the surrounding landscape.

An alternating A-B surface system organizes the cedar linework, with digitally fabricated vertical teeth inserted at intervals to keep the overlapping members aligned and allow for natural expansion and contraction. Inside, bamboo and Ipe wood define the primary living space, while slate and corten steel ground the private bathroom.

Lighting at Thaden School was approached with architectural empathy; every decision made in response to the form and mat...
09/19/2026

Lighting at Thaden School was approached with architectural empathy; every decision made in response to the form and material logic already present. TM worked in close collaboration with MARLON BLACKWELL ARCHITECTS to ensure the lighting honored the campus’s hierarchy and intent from the outset.

Based on Arkansas’s rural vernacular, the campus reinterprets materials like sheet metal, plywood, and wood ceilings through a warm, indirect lighting strategy built to enhance texture and support a calm, focused learning environment. Light emerges through deliberate details, tucked into ledges, joints, and custom millwork, letting each building carry its own material language without interruption.

Architecture by MARLON BLACKWELL ARCHITECTS
Photography by Tim Hursley

09/18/2026

At ’s Meatpacking District flagship, TM treated light as a manifestation of architectural materiality, present in the space as an object in its own right. In the VIP room, tubular fixtures descend from the ceiling plane in a deliberate topography, designed to register as objects in the space. Ambient light catches the surrounding mirrored surfaces, sparking a bright, metallic glow that plays against the room’s chrome-toned architecture. It stands among TM’s most exuberant retail projects, lighting forward and fully present in the architectural dialogue.

Excited to share that TM co-founder B. Alex Miller has been featured inModern Luxury, marking a conversation on his path...
09/17/2026

Excited to share that TM co-founder B. Alex Miller has been featured in
Modern Luxury, marking a conversation on his path through Miami’s luxury fashion scene. Miller traces a practice built between Manhattan and South Beach, shaped early by relationships in Paris and New York that grew into flagship work across the Design District.

His instinct for light traces back further than any one flagship. Whether in a Renaissance painting, a restaurant, or Saarinen’s chapel at MIT, Miller has spent a career noticing what light does to a room before he starts designing one.

Architecture for Cartier MDD by Diller Scofidio + Renfro

Every construction site in New York wears the same uniform: plywood, steel pipe, a sidewalk shed. TM’s lighting for the ...
09/14/2026

Every construction site in New York wears the same uniform: plywood, steel pipe, a sidewalk shed. TM’s lighting for the Prada flagship facade, developed alongside 2 x 4, treats that uniform as raw material instead.

By day, printed mesh layers read as a graphic surface. At night, linear light fills that depth, and the building performs a state change, from solid to transparent, catwalk to canopy. Construction becomes the architecture of the moment, not something to be hidden until it’s finished.

Designed by 2 x 4
Photography by Bridgit Beyer
Video by Victor-Gabriel Hofer

A home shaped like water finds its way. At 250 West Street, two apartments merged into one continuous environment, and T...
09/12/2026

A home shaped like water finds its way. At 250 West Street, two apartments merged into one continuous environment, and TM’s design follows the logic of a river, with curved wood surfaces winding through the space in an unbroken current from the public wing to the private one.

Where a river slows, it forms an eddy, and so does this home. The entry surface folds inward to make room for an office, then unravels again to back the media lounge. Further along, the corridor widens just enough for a bench, then again for a library nook where the family piano sits. These moments arrive without a door or a partition to announce them, the current simply pulling back on itself, spaces revealing themselves gradually as you approach.

Photography by Christopher Sturman

A first flagship in America, and only JACQUEMUS’s second address outside Paris, arrived in SoHo built on a marriage of e...
09/10/2026

A first flagship in America, and only JACQUEMUS’s second address outside Paris, arrived in SoHo built on a marriage of eras. Working with OMA NY, the design unites a 19th-century townhouse with a modern extension from the early 2000s, with whitewashed walls and Pierre de Bourgogne limestone flooring running continuously between the two to hold them as one gesture.

TM’s lighting design meets the space where modernity and a rustic, revel-in-the-imperfections sensibility come together. The sweeping staircase, with its wrought-iron handrail inspired by architect Jacques Couëlle, becomes the room’s big, beautiful gesture, and light was considered as a way to let it read that way.

Architecture by OMA NY

Address

11 Broadway, Suite 1070
New York, NY
10004

Telephone

+16179668540

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