New Space Audio

New Space Audio We are a unique and wonderful private recording and rehearsal studio in Astoria Queens.

Click To See Equipment Specs


.................................................................................
DIGITAL
Macbook Pro 2.66 GHz Intel Core i7 running Pro Tools 12, 9, 7.4 + Logic 9, 10, + Abelton Live, Peak Pro, Wave Burner
2x M-Audio Profire 2626 Interface both with upgraded Converter Modification by Black Lion Audio
Apogee Apollo 8 with UAD powered plugins
Black Lion Audio Microclock MK2
ANALOG
Fostex B-16 Reel to Reel: 16 tracks on 1/2 inch Tape
Tascam 32a Reel to Reel: 2 tracks on 1/4 inch tape
Teac A2330co Reel to Reel: 4 tracks on 1/4 inch Tape
Tascam Midistudio 688: 8 tracks on Cassette Tape
Tascam Portastudio 424:4 tracks on Cassette Tape
MONITORING
Equator D5 CoAxial Monitors
Sampson Resolve seA
Vintage AKG K240 Headphones
MIXERS
Mackie 32x8 32 Channel 8 Bus Console
Mackie 16x4 16 Channel 4 Bus Console
PREAMPS
Seventh Circle Audio: 2x-N72, 2x-J99, 2x-A12b, C84, T15
GoldenAge Pre-73 " With Zen Pro Audio TT Mod"
AEA TRP "The Ribbon Pre"
Warm Audio TB-2 "The Tone Beast"
Altec Lansing 1592b
Aphex 107 Tubescence
OUTBOARD
Rolls Folcrom Summing Mixer
FMR1773 Really Nice Compressor
FMR7239 Really Nice Leveling Amp
DBX 166A
MICROPHONES
2x Cascade Fat Head "With upgraded Cinemag Transformers"
Golden Age Projects R1 Active Tube Ribbon
NOS R5 Dark Ribbon
Gauge ECM-47 Tube
Gauge ECM-87
AKG C414
ElectroVoice Cardinal
MXL v67
2x Oktava MK-012 "Modified by Michael Joly"
12 Gauge Black "X/Y Stereo SDC"
Beyer Dynamic M-69
ElectroVoice RE20
ElectroVoice RE16
ElectroVoice RE11
Audix D6
2x Senheiser e901
Senheiser e865
Shure SM57
Shure SM58b
AMPLIFIERS
Fender Tweed Deluxe (Loaded with Celestion Vintage-30 Speaker
and retubed with Stovek brand Tubes)
Fender Blues Junior (Retubed by Torres Engineering)
Fender Blues Deluxe
Orange Micro Terro Head + Vintage Acoustic 4X12 cabinet
Marshall VS100Rr
Vox Ivory Mini3 Modeling Amp
Ampeg BA 3 Bass Amp
Drums and Percussion
Pacific CX Series Kit with 12'' Tom 14'' Floor Tom 22''x21'' Kick
Pearl Export Series Kit with 12'' Tom 16'' Floor Tom 22''x18'' Kick
Pearl Snares: 14''x5'' Aluminum, 14''x4'' Maple Piccolo, 10''x6''
Firecracker
Various Zildjian, K, and Sabian Cymbals of all shapes and sounds
Handmade Djembe Drum (Purchased in Cape Town, South Africa)
Assorted Cowbells, Blocks, Bells, Shakers, Tamborines, and a rain stick
Mallets, Sticks, Brushes, the whole deal....
GUITARS
Fender Lite Ash Telecaster (Natural Finish with Seymour Duncan
Telecaster Pickups)
Fender Deluxe Stratocaster (Crimson Stained Finish with Seymour
Duncan Invader Humbucker)
Epiphone Sheraton (Tobacco Sunburst with NOS Pickups)
Epiphone Les Paul Custom (with Soprano Tuning)
Handbuilt P-Bass (Wine Red finish with Maple Neck and a Seymour
Duncan SB-1 Pickup)
Fender Deluxe Active Jazz Bass (Creme Finish with Active
Electronics)
Essex 5 String Fretless Jazz Bass
Guild D-25 (The Stain Crimson Finish is breathtaking I assure you..) Garrison G-40 Acoustic Guitar
Tara Nylon Classical Guitar
Fender 12 String Acoustic Guitar
Deering Goodtime Banjo
Mcnalley Strumstick
Kala Ukelele
INSTRUMENTS
Restored Spinet Piano (Built in 1941 but tuned regularly)
Wurlitzer Organ
Microkorg Synthesizer
Several Casio and Yamaha Keyboard
A Court Organ, and Childs Keyboard
M-Audio Midi Controller
Glockenspiel, Key of G Windchimes, Sansula
West African Kamel Ngoni
PEDALS
Electro Harmonix Holy Stain
Handbuilt Alien Hate Fuzz
Boss DD-3 (Modified)
Boss DD-6
Boss CE-5
Boss TR-2
Boss OC-2
Danelectro Dan Echo
Ibanez Tube Screamer
Behringer UV-300
Behringer VD-400
and others...

We’re bringing back DIY roof shows like it’s 2011 Hipster Millennial Heaven. Shout out to Flavors Change All Day for all...
06/26/2026

We’re bringing back DIY roof shows like it’s 2011 Hipster Millennial Heaven. Shout out to Flavors Change All Day for allowing me the pleasure of working the best live sound gig of the year thanks to our trusty NewSpaceAudio LiveRig. Multiple trips up 4 flights of stairs was well worth the sound the LIC skyline soaked in verb and fuzz. 101 db SPL 🫠can’t wait to return to the roof and yes that’s me in the theGreenlawner hat working the rig 🧙‍♀️

05/30/2026

Woodland Sage, Black Barlowe Columbine, some cool guy on Lake Road riding a street legal tractor 🚜

01/10/2026

This beat is Wicked 🤩 and if you recognize the musical interval (harmonizing notes) as a “fifth interval” congrats you have good ears. Anyone who wants to practice ear training could hum or sing this pattern (same as the first two notes of twinkle twinkle little star) … and would be achieving a melody of roots and fifths. “Ohh-root , Wee-fifth ohh- root … yoo-fifth ho- root” For science teachers who want a better understanding of the relationships between roots and fifths we could use math to break it down. All roots and subsequent octaves (higher and lower versions of the same note) would simply be the mathematical doubles of octaves as 2x and 1/2 of the root frequency. So 100hz has an octave at 200hz 400hz 800hz etc.. even 50hz and 25hz if divided backward. The fifth interval fits in as mathematically and physically its frequency exists exactly between octaves. So if the root was 100hz and it’s octave was 200hz the fifth would live at 150hz. If your root and octaves lived at 200hz and 400hz our fifth interval would be at 300hz. For sound engineers in training you may recognize this phenomena in room modalities/standing waves, as all sound behaves in this musical fashion, neatly governed by the “overtone/harmonic series” a great term to Google after you read this. AND finally why why why would the halfway point between two octaves get called a fifth? Because when you hum Do Re Mi Fa Sol La Ti Do, aka a major scale in music theory speak… you end up with 8 notes and if Do at the beginning and Do at the end are the same note and Octaves of each other at @ 100hz and 200hz respectively….then what we cal Sol, or the Fifth interval or in this case 150hz is just the frequency of the fifth jump from the root note towards the next octave but directly in the middle mathematically and LESS the perceived physical location. Teslas 369 actually deals with this phenomena as 3/6 being multiples or octaves can have a 9 placed on top representing the fifth between octaves… to act as both a forward multiplication and backwards division mechanism. Proof the universe is made up of an dynamic exchange of opposite moving energies…and hot take Wicked was cooler on Broadway 🎭

Address

New York, NY
11103

Alerts

Be the first to know and let us send you an email when New Space Audio posts news and promotions. Your email address will not be used for any other purpose, and you can unsubscribe at any time.

Contact The Establishment

Send a message to New Space Audio:

Shortcuts

Share