Rhizome

Rhizome Rhizome commissions, presents, and preserves internet art.
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Last Wednesday, we gathered at Capitale, a former bank in New York City’s Lower East Side, to celebrate Rhizome’s 30th a...
10/02/2026

Last Wednesday, we gathered at Capitale, a former bank in New York City’s Lower East Side, to celebrate Rhizome’s 30th anniversary and raise funds as we embarked on our next decade. Formerly the Bowery Savings Bank, it was built in the 1890s and designed to resemble a Roman Temple. 

Rhizome responded to this setting by paying homage to an earlier artistic experiment with markets: Experiments in Art and Technology (E.A.T)’s 1971 ARTCASH benefit, where guests were invited to play games of chance with artist made scrip by Robert Rauschenberg ($12), Andy Warhol ($1), Robert Whitman ($3), Marisol ($88), Tom Gormley ($24), and Red Grooms ($51). Warhol intentionally made his very easy to copy, because he believed “everyone should have money.” Rauschenberg took a more aestheticized approach, noting that since money is hard to get, “it should be nicer to have.”

For ARTCASH 2026, in a new period of uncertainty for cultural funding, Rhizome invited nine artists—in ascending order of denomination, Simon Denny (), Manfred Mohr (Manfred Mohr), Beeple (beeple), Canal Street Research Association (Shanzhai Lyric), Morry Kolman (Morry Kolman), Maura Brewer (Maura Brewer), Lovid (LoVid Hinkis-Lapidus), Genevieve Goffman (Genevieve Goffman), and Cory Arcangel (Arcangel Surfware), —to create their own works for this homage. Guests were given a short stack and invited to redeem their ARTCASH on artist-made games, experiences, and installations; from a money laundering simulation to horse race betting. 

A live betting system for the iconic video series, Horse Race Tests. Players crowd around placing bets, followed by a short digital horse race. If you win, you collect your reward! 

$1, Simon Denny
A plottable note created from a generative model trained on futurist forms. Complex though the image is, with a plotter it would be easy to copy, because–as Warhol said–everyone should have money.

$5, Manfred Mohr 
Mohr, himself a pathbreaking computer artist who began making algorithmic work in Fortran, created a $5 bill. Mohr chose $5 because he felt a connection to the number. 

$7, Beeple
Beeple offered 300 unique variations based on 30 figures from computer history and computer

Rhizome and Hartwig Art Foundation are appointing a part-time Amsterdam City Fellow!The Amsterdam City Fellow will resea...
10/02/2026

Rhizome and Hartwig Art Foundation are appointing a part-time Amsterdam City Fellow!

The Amsterdam City Fellow will research and connect with digital art communities and practitioners in Amsterdam, participate in ongoing collaborative research, write a monthly newsletter, conduct interviews, and more.

🌐 Apply by October 12 at the link in bio.

City Fellows is a new initiative that embeds Rhizome contributors in institutions and cities around the world—If you are interested in supporting a City Fellow in your area, write to us at [email protected]!

Image Credits: 1) A rendering of the future Hartwig Museum. © Hartwig Art Foundation, 2025 2) Rhizome’s ArtBase Anthologies launch at Onassis ONX in NYC with Michael Connor, Auriea Harvey, and Regina Harsanyi, 2024 3) Extreme Presence, design by Bart De Baets 4) From “Rhizome World,” exhibition in NYC, May 2025.

Last Wednesday, Rhizome celebrated its 30th anniversary at Capitale in NYC. Thank you to everyone who made this night po...
09/28/2026

Last Wednesday, Rhizome celebrated its 30th anniversary at Capitale in NYC. Thank you to everyone who made this night possible!

Dinner Host Committee: Fred Benenson & Louise Macfadyen, Sofia Garcia, Natalie Stone, Mark Tribe & Emily Eakin, Athena Tse, Jeannie Vu & Jehan Chu
Activations: Inpatient Interactive, Alex Declino, Luke Shannon, Blake Andrews, Club Chess, Donna Dimitrova, Paizley Lee; scratchcards: Parker Ito
ARTCASH by: Simon Denny, Manfred Mohr, Beeple, Canal Street Research Association, Lovid, Maura Brewer, Cory Arcangel, Genevieve Goffman, and Morry Kolman
Auction: Jehan & Jeannie Chu; and the artists who participated: Evil Biscuit, LoVid, Jennifer & Kevin McCoy, Casey Reas. Framing and presentation: Jason Isolini and Kevin Eichenberger. Auction platform: Basta
Our honorees: Skawennati, Erick Calderon; honored by Candice Hopkins and Leo Villareal
Graphic Design by: Laura Coombs, Ruby Miller
Website Identity: Don Hanson, Kayla Drzewicki
Visuals: Sasha Zabegalin, Flora AI
Video segments: Sean Kennedy, Bri Griffin, Corinne Ciani, Hank Shi
AV Producer: Nate Mohler
Indigenous Culinary Consultant: Diosa Hall
Floral: Under New Mgmt (Alexandra Floro and Sean Williams)
Afterparty performers: DEBIT, James K, Star & Stan, Macula Dog
Award Fabrication: Harris Rosenblum, Tee Topor
Co-hosting partners Mastera, Flora, Senal, Yap
Benefit partners: 0x, Arab Bank Switzerland, Boys Club, Fellowship, Fountain, New International Picture Company, Onassis Foundation, A Vinyl Bar in Shibuya
Rhizome Board & Council
Special Thank you to: Natalie Stone, Will Freudenheim, Department PR, AMAX Printing, Danny Luk, Julie Martin, Saarim Zaman, David Lee, Blake Finucane, HEFT Gallery, Olivia Ragazzi, Sofia Garcia, Weber Wong, Sean Sherman and NATIFS
Our afterparty host committee
Rich Wessel and Vegas Nights
Documentation: Nafisa Skeie, Casey Kelbaugh Photography, and Ella Sinskey
Our Support Staff: Ruby Arthur, John Irving, Madison Davis, Isabella Fraga- Abaza, Xavier Ames,
Chuck White, Madeline De Soto, Cassidy Arkin, Dieu Sam, Zheng Chuwie, Sam Mullany, Lillian Stahlberg
Danica Newell, Producer & Randa Eid, Associate Producer
Capitale Staff: Adam Hartofilis, Michael Alvarez

Our first benefit honoree is Skawennati, a trailblazing artist, cyberpunk avatar, and Indigenous futurist who examines h...
09/16/2026

Our first benefit honoree is Skawennati, a trailblazing artist, cyberpunk avatar, and Indigenous futurist who examines how virtual environments can sustain Indigenous history, knowledge and resistance within futurist frameworks. In her practice, Skawennati asks: “what concepts, memories and things from the past can we discard, and what do we want to bring with us into the future?” 

Image: Skawennati at the first CyberPowWow event at Galerie Orboro, 1999. Courtesy of Skawennati. 

Skawennati’s avatar xox, who often sports pigtails, a black floral shirt, a tutu and combat boots, appears in many of her works. She considers her avatar to be in the lineage of dolls she cherished growing up: the corn husk doll, the Barbie—“all playthings that allow us to imagine ourselves in other bodies, with other abilities and limitations. What my ancestors played with; what I played with; and what my descendants will play with.”

Excerpt from “My Life As An Avatar”, Skawennati & xox, 2016.

Excerpt from “The Peacemaker Returns,” 2017.

In 1994, when opportunities for Indigenous artists were scarce, she formed the Indigenous art collective Nation to Nation with Ryan Rice and Eric Robertson, whose events, guerilla exhibitions, and workshops included “CyberPowWow,” (1997-2004) “an Aboriginally determined territory in cyberspace,” that presented works by Indigenous artists in one of the first major online exhibitions.

Image: CPW2K artists and curator Candice Hopkins (candice hopkins) at the CyberPowWow 2K Banff residency: Sheila Urbanoski (), Archer Pechawis (archerpechawis), r e a, Ahasiw Maskegon-Iskwew (sitting down at the computer), Michelle Nahanee, Trevor Van Weeren (Trevor Van Weeren), Travis Neel (Travis Neel). Photographer unremembered. Courtesy of Skawennati.

Image: Installation view, “Rhizome Presents: CyberPowWow” at the New Museum, New York City, 2022. Courtesy of Cameron Kelly McLeod and Rhizome.

For Skawennati, the theme of Indigenous approaches to technology has carried into the many facets of her practice: notably in her work as co-founder and director of Aboriginal Territories in Cyberspace (AbTeC), a studio that supports online Indigenous creative exp

We’re celebrating 30 years of rhizome.com 😜 September 23 at our annual benefit afterparty! 📌Capitale, 130 Bowery, 9:30pm...
09/15/2026

We’re celebrating 30 years of rhizome.com 😜 September 23 at our annual benefit afterparty! 

📌Capitale, 130 Bowery, 9:30pm 

Featuring live DJ sets by vocalist, producer and multidisciplinary artist James K (_My.Pet_), as well as composer, producer, and recent 7x7 2026 participant DEBIT (debit). 

The night will also feature live sets from Macula Dog (Macula Dog), electronic hardware duo & Star and Stan (Star & Stan), artists who incorporate drag, video and props into their high energy satirical performances.  

Special Thank you to our After Party Host Committee: Florian Meisenberg (Florian Meisenberg), Lauren Boyle (Lauren Boyle), Whitney Mallet (Whitney Mallett), Saarim Zaman (saarim zaman), Rafia Santana (RaFia), Selwa Abd (), YATTA (YATTA), Alyssa Davis (Alyssa Davis Gallery), Katya Austin (katya ⋆。𖦹°⭒˚。⋆), Genevieve Goffman(Genevieve Goffman), David Lisbon (Wavy Davy 💻🔥), ACOMPI, Maya Kotomori (Maya Kotomori 🔨), Creative Code Art (Creative Code Art), Alice Demoëte (IRL GALLERY), Mackenzie Thomas(mackenzie thomas), Imani Thompson (imani thompson ⌘), Projekt Blank (Project [BLANK]]), Monica Mirabile (Monica Mirabile)

and Community Partners : ITM (ITM), Club Chess (Club Chess), Refraction (Refraction ᛥ IRL) 

Get your tickets at the link in bio!

In our latest Artist Profile, artist Vijay Masharani (VM) discusses working in “little brother” mediums, his recent essa...
08/27/2026

In our latest Artist Profile, artist Vijay Masharani (VM) discusses working in “little brother” mediums, his recent essays critiquing psychoanalysis, the relationship between his pencil drawings and video work, and more with Charlotte Strange (charlotte strange) for the blog.

1- Vijay Masharani, “Green Drawing”, 2025. Graphite and colored pencil on paper, 9” x 6 1/4”.
2- Vijay Masharani, “Facade Rotary Sequence”, 2025. Single-channel video, runtime 8:55.
3- Vijay Masharani, “Urchin Foragers (Luka Doncic)”, 2024. Single-channel video, runtime 16:11.
4- Vijay Masharani, “Red Drawing”, 2025. Graphite and colored pencil on paper, 14” x 10”.
5- Vijay Masharani, “O—————K”, 2026 (Included in Greater New York, MoMA PS1, NYC, 2026) single channel video, r/t 18:48
6- Vijay’s Desktop

A website that pays microworkers to rest 😴. An AI tool that asks you questions instead of answering yours 🗣️. A satirica...
08/14/2026

A website that pays microworkers to rest 😴. An AI tool that asks you questions instead of answering yours 🗣️. A satirical video that juxtaposes the rise of NFT market with the Beanie Babies craze of the 1990s 🧸.

➡️ Explore works by the NEW INC Year 12 Art & Code cohort in the new online exhibition site, “Edge Cases”! Each year, Rhizome partners with NEW INC on its Art & Code track, which explores internet-based artistic practices. Set against the backdrop of the rapid rise of vibe coding, this year’s projects probe the nuances of coding in 2026. Projects treat code as law; as social ruleset; as creative medium—explore works at the link in bio!

⛳️ “Edge Cases” features works by Art & Code Members: Morry Kolman (), Marissa Sean Cruz (marissa sean cruz 😵‍💫🧊🦴🤳), Anna Zhang (Anna Zhang), Aurora Mititelu (Aurora Mititelu), Nicci Yin (Nicci Yin), Viola He (viola), Shakti Mb (shakti ☻), Tara Kelton (Tara Kelton), Karlie Zhao (Karlie Zhao), and X.A. Li (x. a. li)

🏆 Special thanks to NEW INC, Viola He, X.A. Li and Anna Zhang for their work on website development.

Tickets are on sale for Rhizome’s annual benefit, September 23, 2026 in New York City. Marking our 30th anniversary as a...
07/30/2026

Tickets are on sale for Rhizome’s annual benefit, September 23, 2026 in New York City. Marking our 30th anniversary as a born-digital arts institution, this year we honor artist and indigenous futurist Skawennati (Skawennati), and Erick Calderon (Erick Calderon (Snowfro)), generative arts innovator and founder of the Art Blocks platform. 

⛳️September 23, 2026, 6pm 
⛳️Capitale (Capitale NYC), 130 Bowery, New York, NY 10002
⛳️Tickets are available through ITM at the link in bio. 

Rhizome’s annual benefit brings together artists and our closest supporters to celebrate the groundbreaking work we’ve done over the years, and directly supports our Microgrants commissions program, an initiative started in 2014 that awards small grants to new projects on the web. 

🔜More details, including the evening’s special performances and activations, will be announced August 10. 

We hope you’ll join in on the festivities to celebrate 30 years of Rhizome with us! 🎈

Starting today, ‘Escaping the Calculating Machine’ is live ~ a collection of artists’ works in support of Rhizome’s 25 y...
07/27/2026

Starting today, ‘Escaping the Calculating Machine’ is live ~ a collection of artists’ works in support of Rhizome’s 25 years of commissioning art online. The fundraiser, released in collaboration with superrare, runs a 48-hour auction alongside the release of a series of limited-edition artist prints. 25% of all proceeds go toward Rhizome’s microgrants program.
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We’ve asked eleven artists to reflect on their tools, the limitations that shaped their work, and the subcultures those tools built. They’ve answered with stories of surf clubs and image boards, works ranging from 3D character design to worlds assembled via PETSCII. These artists hang out in different corners of the web, yet they’re linked by a shared love of finding authenticity inside the machine.

Please visit our link in bio for more information on the collection and how to purchase works!

Featuring:
Nicolas Sassoon
bleu281_
Parker Ito
Botto
Jonathan Gillie
Parker Davis
Raquel Meyers
rafaelgamarante
vikgradient
amonsilex
Julian Gallese

Thanks to everyone who stopped by Solar Web Art ☼day last weekend at ! ⌨️✍️🖌️🎨This event presented ASCII artworks made b...
07/02/2026

Thanks to everyone who stopped by Solar Web Art ☼day last weekend at ! ⌨️✍️🖌️🎨

This event presented ASCII artworks made by students at public schools across NYC as part of our “solar web workshops” educational program, funded by grants from Deutsche Bank Americas Foundation and The New York City Cultural Development Fund.

☀️At the event, guests of all ages were also invited to create their own ASCII art, either from their drawings or using digital tools. All resulting artworks were then acquired by the “Museum of ASCII Art”, a website hosted on Rhizome’s solar server.

🫶⌨️Special thanks to the artists Adel Faure (), Abbey Foreman (), and Mindy Seu () for giving us permission to present their ASCII artworks during the event!

If you’re interested in viewing ASCII art made by K-12 students, visit the link in bio! We’ve also uploaded our lesson plans and resources to this site for those interested in making their own ASCII artworks. 🔗🔗

Thank you to all of the participating schools; Solar Protocol: Tega Brain, Alex Nathanson & Benedetta Piantella; our colleagues at the New Museum, our teaching artists Enne Goldstein () & Yasmeen Abdallah (); David Lee for the technical support, and ONX for lending us equipment for the event.

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235 Bowery
New York, NY
10002

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