Kremer Pigments Inc.

Kremer Pigments Inc. We offer Historic Pigments, traditional Binders, Brushes, Mullers and many other Painting Materials. Over 1000 pigments!

Hello NYC! We’re posting to let you know that we will be closed August 4th, 5th, and 6th for store inventory and mainten...
08/04/2025

Hello NYC! We’re posting to let you know that we will be closed August 4th, 5th, and 6th for store inventory and maintenance. We’ll be back to our regular hours on Thursday the 7th!
We won’t be answering phones or replying to emails. Any orders placed during this time will be processed right away starting the 7th.
Happy Painting!

Fresh Oil Paint Alert!We’re happy to announce that we’ve just received a fresh batch of handmade oil paints made by our ...
07/25/2025

Fresh Oil Paint Alert!

We’re happy to announce that we’ve just received a fresh batch of handmade oil paints made by our colleagues in Germany. These highly concentrated oils are designed to be diluted, or used at full strength, offering a huge range of possible textures and opacities.

Visit our website to see the full range of what we offer!

Happy Painting!

⛰️🏕️🌌🥦🌙🌿🪴🪵🌲🫟🎨🖌️🖼️

Kremer Pigments specializes in sourcing the most important colors from throughout art history. Few compare in their impa...
07/16/2025

Kremer Pigments specializes in sourcing the most important colors from throughout art history. Few compare in their impact to Tyrian Purple. With a long history of use in royal clothing, tapestries, tekhelet and argaman dyes, this material helped shape the world as we know it.

Read more about this incredible material below, with even more resources available on the Kremer Pigments website.

“Tyrian purple was one of the most costly organic coloring matters of the ancients. It was prepared from several mollusks or whelks, including Murex brandaris and Purpura haemostoma, which are found on the shores of the Mediterranean and Atlantic coasts. Huge quantities of these mollusks were used for dyeing fabrics in classical times.

We produce Tyrian purple from the shellfish, Purpura Lapillus, which excretes the fluid from which the dye is won. Traditionally marking the dress of emperors, kings and chief magistrates, 1 gram of this dye is made from the secretion of 10,000 of these large sea snails.

This purple color is remarkably stable, resisting alkalis, soap, and most acids. It is insoluble in most organic solvents.
Tyrian purple was used in the preparation of a purple ink and in dyeing parchments upon which the codices of Byzantium were written. Whelks that produce the purple dye, are also found on the coasts of the British Isles, and they furnished the purple color for some of the early English, Irish and French manuscripts
(Thompson).

The color went out of use about the 8th century, though it may have been used occasionally up until the 11th
century.”
Excerpts from: Painting Materials by Rutherford J. Gettens and George L. Stout

Tyrian purple was even briefly used as an early photochemical fluid by zoologist Henri de Lacaze-Duthiers, who produced a self portrait using the technique.

Thank you for reading and Happy Painting!

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We were honored to be invited by MoMA conservators and curators to a private viewing party to discuss the methods and ma...
06/26/2025

We were honored to be invited by MoMA conservators and curators to a private viewing party to discuss the methods and materials used by Jack Whitten.

Stepping into Jack Whitten: The Messenger, at for a six decade retrospective is nothing short of overwhelming, beautiful, and inspiring.

Whittens monumental personality shines through thousands of mosaic tiles constructed from hardened and cut pieces of acrylic, innovative handmade tools for mark making, and reflections of history, society, love, and music.

Be sure to stop by MoMA to see this show in person.

Happy Painting!

Kremer Pigments NYC has new Summer Hours!Monday - Wednesday: 9AM - 7PMThursday - Saturday: 9AM - 5PMStop by or order onl...
06/20/2025

Kremer Pigments NYC has new Summer Hours!
Monday - Wednesday: 9AM - 7PM
Thursday - Saturday: 9AM - 5PM

Stop by or order online for all of your raw material needs!

Happy Painting!

🖼️ 🌿🪴🍄🪺🪸🦥🌻🪐

Today we’re sharing another piece from the Kremer Archives on the production process of our series of Stil de Grain pigm...
06/13/2025

Today we’re sharing another piece from the Kremer Archives on the production process of our series of Stil de Grain pigments.

Stil de Grain light (37392)
Stil de Grain (37394)
Stil de Grain Schützenberger (373941)

Stil de Grain, Yellow Lake, Dutch Pink
Natural Yellow 14, C.I. 75440

Common names: Brown lake, yellow lake, persian lake, buckthorn lake, dutch pink, yellow carmine, italian pink.

Stil de Grain is a plant-based pigment, derived from unripe buckthorn berries. The plant berries are steeped in a lye (potash), then precipitated with alum to create a translucent yellow “lake” pigment. Different hues can be reached by the addition of tin, copper or iron salts. The temperature also has an effect on the resulting color: a lemon yellow lake is obtained up to 50°C, and a darker, orange-colored lake is obtained at 100°C.

In the past Stil de Grain was an often used paint. They were used as glue-bound distemper and lime paint for wall painting, as well as for the preparation of hangings and colored paper. Various mixed hues (i.e. olive green and brown lakes) were prepared by mixing with chrome oxide green, blue, black or tar-colored which were also valued in the paper manufacture.

Kremer Color Chart - Green Pigments is today’s featured chart!Greens are some of the most diverse and unique pigments we...
05/21/2025

Kremer Color Chart - Green Pigments is today’s featured chart!

Greens are some of the most diverse and unique pigments we carry. This overview shows off mineral based pigments, synthetically manufactured pigments, and green earth mixtures. With a huge variety of absorbency, hardness, and particle size, these offer possibilities for all kinds of granulating effects and textures, or smooth, high tinting paints.

Stop by in person or online to learn about these pigments and many more.

Kremer Pigment Color Charts are produced by hand using the screen printing process. Except for a few special cases, the original pigments are bound in an aqueous binder based on gum arabic ( #63300). As a result, the color shade of the pigment is hardly changed. Exceptions are pigments that cannot be processed in this binder, such as dragon‘s blood and copper resinate.
Sample-size: each 3 x 5 cm.

Happy Painting!

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🎨May News From the NYC Color-MillWhat Jack Whitten Taught Me | Next 2 Workshops: CC4 Oils, Rare Earths | Recipe: Exterio...
05/15/2025

🎨
May News From the NYC Color-Mill
What Jack Whitten Taught Me | Next 2 Workshops: CC4 Oils, Rare Earths | Recipe: Exterior Oil Paint | NEW Summer Hours

What Jack Whitten Taught Me

Making paint is as difficult as scrambling eggs.  My first week at the School of Visual Arts everyone was blabbing on about how you had to take Jack Whitten’s class. I didn’t know his work, but it seemed his students were transfixed by his teachings. Eighteen and eager, I left Miami for NYC to learn from the greatest painters of our time so I had to meet him immediately. I asked Jack if I could sit in on his class. He wondered why and assessed my sketchbook like a blueprint. I could stay if I sat in the corner and did not say a word. For the next two years, I sat and listened until I was allowed to formally take his class the 3rd and 4th year. This began a mentorship that would change my life. Jack taught me what it meant to be an artist, a scribe, to document life with a personal language. Whatever shape that might take. He instilled in me that paintings must be juicy. He insisted I check out Kremer Pigments on Elizabeth Street. It was there that it became apparent why paintings are meant to be seen IRL (in real life). “We’re image makers that dance with light! Don’t paint the sides of the painting otherwise, it’s an object! You dig?” He taught me to inspect paintings—even smell them—and wonder what pigments were being used. He taught me to believe in myself—learn who I was and fully embrace it, and be as weird, formulaic, and spontaneous as I wanted to be in my image-making. This is a hard thing to teach, to make paint represent this idea. I did not see his paintings until years later when he began showing at Alexander Gray. These sensual ideas about paint he had been preaching suddenly made even more sense to me. The mosaic layer of light, the bold use of material from other industries. His specificity of material choice was all there. I better understood his baroque….

Continue reading our Newsletter at the link in bio. Next workshop 5/17 Crash Course 4: Oils by

Pearl Lusters in Aichstetten.
05/13/2025

Pearl Lusters in Aichstetten.

At Kremer Pigments we offer nearly 100 pearlescent and effect pigments!With their radiant luster and unusually brilliant...
04/29/2025

At Kremer Pigments we offer nearly 100 pearlescent and effect pigments!

With their radiant luster and unusually brilliant shimmer, these pigments give coatings a touch of extravagance. They combine unique purity of colors with high transparency and intensive reflective power.

These are made using a variety of high tech materials; Mica laminated with titanium dioxide and tin oxide - Calcium aluminium boron silicate laminated with silicium dioxide, titanium dioxide, iron oxide and tin oxide - Aluminium oxide laminated with titanium dioxide, tin oxide, zirconic oxide and additives

Happy Painting!

Crash Course 2: Acrylic Paint is happening this weekend! From 12-3 on Saturday (3/29) we’ll be doing a deep dive on ever...
03/26/2025

Crash Course 2: Acrylic Paint is happening this weekend! From 12-3 on Saturday (3/29) we’ll be doing a deep dive on everything acrylic in the next part of our Crash Course series!

🖌️🌿🪴🌳🎨🖼️

To register for this class, feel free to free to call us at 212-219-2394, or email us at [email protected]

Read more about this great class below!👇

“Acrylic paint is probably the most diverse category of paint with a vast amount of possible ingredients and textures. We’ll get into the details of why there are so many options, helping you navigate the choices for making it from scratch. Acrylic is an extremely strong, quick drying binder, which allows for the use of all kinds of textural additives and adventurous techniques not possible with other binders. There are so many ways to make acrylic look amazing (it does not have to “look like plastic!) whether as an underpainting for an oil painting, or on its own. We’ll discuss gloss/matte paints, pigment load, absorbency, and layering techniques. This is a demo/lecture class, not hands-on. Bring your notebook and all your technical questions!”

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Good morning NYC!Say hello to our little friend under the stand pipe! They’ve been keeping us company for quite some tim...
03/13/2025

Good morning NYC!

Say hello to our little friend under the stand pipe! They’ve been keeping us company for quite some time :)

Swipe for some photos of our watercolor tester pages! Happy Painting NYC!

Address

247 W 29th Street
New York, NY
10001

Opening Hours

Monday 9am - 5pm
Tuesday 9am - 5pm
Wednesday 9am - 5pm
Thursday 9am - 5pm
Friday 9am - 5pm
Saturday 9am - 5pm

Telephone

+12122192394

Alerts

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